Iain Lindsay

Absurdity: watering a flying capybara to make steam and bubbles

• Model: Nano Banana 2

• Size: 3312 X 2496 (8.27 MP)

• Used settings:

  • Prompt: Heavenly capybara flight over blossoming Jacaranda trees and wattle bushes At the top centre of the image is a grey watering can spout, from which visible drops of water are falling onto the flying capybara's back. Some steam swirls upwards from the capybara, and a stream of many visible small translucent bubbles comes sideways out of the capybara's mouth. The bubbles go straight sideways to the left edge of the image without falling. North Australian aboriginal art.
  • Using base image: No
  • Aspect Ratio: landscape

Irises and Bulrushes growing in a pond with lily pads: a view at sunset

• Model: ChatGPT 2 (Pro)

• Size: 2496 X 3312 (8.27 MP)

• Used settings:

  • Prompt: A textured impasto fine art oil painting depicting bulrushes, reeds and three irises blooming in water, illuminated by a warm, glowing light that reflects vividly on the water's surface. The main subjects are the bulrushes, cattails and three irises, positioned towards the upper right and center of the frame. They feature petals in various shades of purple and blue. There are also some lily pads on the water and ferns on the bank at the edge of the water, on the right. The colours are bright, vibrant and saturated, mainly blues, greens, purple irises and brown bulrushes.
  • Using base image: No
  • Aspect Ratio: portrait

Cutty Sark: A Cubist Sunset

• Model: ChatGPT 2

• Size: 3312 X 2480 (8.21 MP)

• Used settings:

  • Prompt: Sunset with the Cutty Ark at sea. Sunset is a mixture of dark yellow shades and dark orange shades of colour. The sea flows from blue to yellow The full picture is in the Penrose pattern of the tile pattern.
  • Using base image: No
  • Aspect Ratio: landscape

Roses in an opalescent vase: a Still Life

• Model: Nano Banana 2

• Size: 3312 X 2496 (8.27 MP)

• Used settings:

  • Prompt: An oil painting depicting a lively bouquet of yellow and white roses arranged in a clear glass vase, set against a softly blended background. The main subjects are the flowers, which fill the central and upper portions of the canvas. There are approximately six prominent yellow-pink roses, each with multiple layers of petals, showing rich golden hues and some deeper orange and pink tones in their centres. Interspersed among them are two white roses, equally full-bodied, with creamy white petals and subtle yellow-orange centers. The flowers are surrounded by numerous green leaves, varying in shade from a muted sage green to a darker olive, some of which appear to have small, shimmering water droplets painted on them. There are also smaller, darker floral elements or berries scattered among the leaves, adding depth and contrast. The vase holding the bouquet is made of opalescent glass, rendered with iridescence and reflective highlights and shadows that suggest its rounded form and transparency. It is sitting on a flat surface, a wooden table, indicated by horizontal brushstrokes in shades of brown and gray at the bottom of the painting. The background is softly blurred and atmospheric, transitioning from a light, almost ethereal blue-green on the left and top to warmer, muted beige and brown tones on the right. This gentle gradient creates a sense of depth and allows the brightly coloured flowers to stand out. The colour palette is dominated by warm yellows and whites for the flowers, complemented by various shades of green for the foliage. The background provides cool blue-greens and earthy neutrals. The lighting appears soft and diffused, highlighting the petals and the glossy surface of the vase. The overall composition is balanced, with the vase centered horizontally and the bouquet radiating upwards and outwards. The mood is serene and uplifting, evoking a classic still-life aesthetic. The detailed brushwork, particularly on the petals and leaves, suggests a blend of realism and artistic interpretation. There is no text.
  • Using base image: No
  • Aspect Ratio: landscape

A secret visit to an underground apothecary in Rome, 1660

• Model: ChatGPT 2

• Size: 3312 X 2496 (8.27 MP)

• Used settings:

  • Prompt: A fine art oil painting. The scene is in Rome, Italy, in the year 1660. A gilded sedan chair is being carried down a narrow mediaeval street. The sedan chair was occupied by a young aristocratic woman, who is now alighting after peering from behind her curtains on the chair to see if she is being observed; she does not wish to be seen by the public. Ahead, two liveried servants light the way with flaring torches. The little cavalcade has just reached a small square on the slopes of the Velia hill, where it has stopped. There is silence except for the splash of water from a tiny fountain. The woman is sumptuously dressed in the manner of seventeenth century Rome. The street is lined with the crumbling mediaeval facades of large town houses, one of which shows dim light from within through the windows. Another woman arrives and knocks on the door of the house, and a servant collects a ring from the woman in the sedan chair and gives it to the woman at the door, which is then opened slightly. The atmosphere is mysterious, aristocratic and secret, warm evening colours, and the scene is depicted in richly textured style reminiscent of the Italian masters of the seventeenth century.
  • Using base image: No
  • Aspect Ratio: landscape

Walking in the Rain in a a European City: a Watercolour

• Model: DaVinci2

• Size: 3200 X 2576 (8.24 MP)

• Used settings:

  • Prompt: Walking in the rain with an umbrella alphonse mucha, momet, degas style
  • Using base image: Yes

Old Vienna, heart of the Belle Epoque

• Model: ChatGPT 2

• Size: 2880 X 2880 (8.29 MP)

• Used settings:

  • Prompt: An oil painting depicts a man and a woman overlooking a bustling city street in Vienna, Austria, from a balcony. Late nineteenth century. The man, seen from behind, is dressed in a dark long coat and a top hat, gazing out at the panorama. He has short brown hair and a beard. To his right, the woman, wearing a striking long crimson dress typical of the late nineteenth century in Vienna, stands next to him, also looking out over the railing. The foreground features a stone balcony with ornate railings. To the left, a large terracotta urn filled with white, yellow, and red flowers and green foliage sits on the balcony ledge. The stone tiles of the balcony appear wet, reflecting the light, and are scattered with a few fallen autumn leaves in shades of orange and brown. The background reveals a wide, lively street in Vienna with numerous pedestrians, horse-drawn carriages, and a purple tram in the mid-ground. The street also appears wet, reflecting the buildings and sky. On the right side of the street, a row of multi-story buildings with intricate architectural details, many with glowing windows, lines the thoroughfare. One building clearly shows text that reads "CAFE SCHINDLER." A tall, ornate street lamp with an illuminated globe stands prominently on the right side of the balcony. In the distance, several grand buildings dominate the skyline. To the left, a large building with a green dome roof is visible. In the center, a majestic Gothic cathedral with a towering, spired steeple and a distinctive patterned roof (blue and white diamond shapes) rises above the other structures. The sky above is a mix of pale blues, soft pinks, and oranges, suggesting either early morning or late afternoon light, with scattered, wispy clouds. The lighting is soft and diffused, creating a warm, inviting atmosphere, especially with the reflections on the wet surfaces. The composition places the man and woman as central figures in the foreground, framing the vibrant city scene beyond. The perspective draws the eye deep into the painting, conveying depth and scale. The overall mood is one of quiet contemplation amidst urban activity, with a hint of nostalgia or romanticism.
  • Using base image: Yes

Walking in the rain, Art Nouveau

• Model: ChatGPT 2 (Pro)

• Size: 3200 X 2576 (8.24 MP)

• Used settings:

  • Prompt: Walking in the rain with an umbrella alphonse mucha, momet, degas style
  • Using base image: Yes

Red and White Poppies impasto style

• Model: ChatGPT 2 (Pro)

• Size: 3312 X 2496 (8.27 MP)

• Used settings:

  • Prompt: An oil painting depicts a vibrant bouquet of poppies, a mix of red and white, against a textured, two-toned background. The painting is rendered with thick, visible brushstrokes, giving it a tactile quality. The main subjects are several red and white poppies, arranged in a loosely gathered bouquet. There are four prominent red poppies, one large and central, two smaller ones in the upper left and lower left, and one in the upper right. Their petals are a rich, deep red, with darker, almost black, centers showing intricate stamens. The white poppies, three in total, are scattered among the red ones, featuring delicate white petals and bright yellow centers. Interspersed among the larger flowers are smaller, delicate white wildflowers with tiny petals, adding texture and lightness to the composition. Several green buds, some fully closed and some just beginning to open, are also visible, adding to the natural feel of the bouquet. The stems and leaves are rendered in various shades of green, from deep forest green to lighter, almost olive tones, contributing to the depth of the arrangement. The background is divided diagonally from the upper left to the lower right. The upper left half transitions from a bright, sunny yellow at the top to a lighter, almost cream color as it approaches the center. The lower right half is dominated by shades of blue, ranging from a vibrant sky blue at the top right to a deeper, more muted blue towards the bottom right. The background also features the same thick, textured brushstrokes as the flowers, creating a sense of unity in the painting. The lighting appears to be soft and even, highlighting the colors and textures of the flowers without harsh shadows. The overall composition is balanced, with the bouquet filling the central part of the canvas, drawing the eye to the vibrant colors and detailed forms of the poppies. The mood of the painting is cheerful and lively, evoking a sense of natural beauty and springtime. There is no visible text or other notable objects besides the flowers. The overall scene is a beautiful, expressive still life of a poppy bouquet, rendered with a rich, impasto technique.
  • Using base image: Yes

Ferns: Golden Fronds and Fiddleheads

• Model: ChatGPT 2

• Size: 3312 X 2496 (8.27 MP)

• Used settings:

  • Prompt: turning over golden fern fronds and fern fiddlehead tips
  • Using base image: No
  • Aspect Ratio: landscape

Irises and Bulrushes growing in the water

• Model: SeeDream

• Size: 2496 X 3312 (8.27 MP)

• Used settings:

  • Prompt: A textured impasto fine art oil painting depicting bulrushes, reeds and three irises blooming in water, illuminated by a warm, glowing light that reflects vividly on the water's surface. The main subjects are the bulrushes, cattails and three irises, positioned towards the upper right and center of the frame. They feature petals in various shades of purple and blue. There are also some lily pads on the water and ferns on the bank at the edge of the water, on the right. The colours are bright, vibrant and saturated, mainly blues, greens, purple irises and brown bulrushes.
  • Using base image: No
  • Aspect Ratio: portrait

Mysterious far northern landscape fantasy, with bison in winter

• Model: DaVinci2

• Size: 3200 X 2576 (8.24 MP)

• Used settings:

  • Prompt: ((Masterpiece)), ((Chill over beautiful landscape. Richly textured mixed media painting. Flaming night sky with stars, freezing air, centred glowing silver moon, "A vast wilderness landscape with bison and caribou, rugged, barren rock formations and towering stone pillars Summer colours,)), high resolution, impressionism, wallpaper, concept art, Use stunning colour oil drawing on textured paper. By Van Gogh and Picasso.
  • Using base image: Yes

English Cottage with Wisteria

• Model: DaVinci2

• Size: 3520 X 2352 (8.28 MP)

• Used settings:

  • Prompt: Create a semi-abstract Impressionism painting, one rural English cottage ( no others) with a thatched roof, wisteria in bloom climbing the walls, one beer barrel by the front door, rose bushes in bloom, and a green grassy lawn where two sheep are grazing. The whole front of the cottage should be visible. No other buildings, no people, no text. visual illusion, earthy tones, painterly realism, sophisticated storybook atmosphere., melancholy ,mesmerizing gaze, alluring, features layered textures and fragmented elements, Use purposeful brushwork to make the figure gracefully emerge from the tranquil background. Original prompt by Lexi.
  • Using base image: Yes

San Marco Square, Venice, in the style of Vincent van Gogh

• Model: ChatGPT 2 (Pro)

• Size: 2496 X 3312 (8.27 MP)

• Used settings:

  • Prompt: A fine art oil painting in the style of Vincent van Gogh of a bustling, sunny day in St. Mark's Square in Venice, with numerous people dressed in late 19th or early 20th-century attire. The main subjects are two elegantly dressed women in the foreground, seen from behind, standing on the left side of the composition. The woman on the left wears a light blue dress with ruffles and floral patterns, holding a light-coloured parasol over her left shoulder. She has a hat adorned with flowers and ribbons. The woman on the right wears a cream-coloured dress with similar ruffles and floral patterns, and a hat with feathers and flowers. Both women have their hair styled up. The background is dominated by the ornate St. Mark's Basilica on the left, with its multiple domes, arches, and intricate mosaics. Its facade is a mix of white, gold, and earthy tones. To the right of the Basilica stands the towering St. Mark's Campanile, a tall, slender brick bell tower with a green-tipped spire. Further to the right, parts of the Doge's Palace or Procuratie are visible, characterised by their archways and classical architectural details. The square itself is paved with flagstones, appearing damp and reflective, suggesting a recent rain or a wet surface. Numerous pigeons are scattered across the ground, some walking, others pecking. A crowd of people fills the square, dressed in period clothing – men in suits and hats, women in long dresses and hats. On the far left, an outdoor cafe area with tables and chairs is visible, where some people are seated. The colours are vibrant and rich, with a predominance of warm yellows, creams, and light blues, contrasted with the deep red-brown of the Campanile and the various shades of the crowd's clothing. The sky is bright blue with fluffy white clouds, indicating fair weather. The lighting is bright and natural, casting subtle shadows and highlighting the details of the buildings and clothing. The reflections on the wet ground add depth and sparkle to the scene. The composition is dynamic, with the two women in the foreground acting as a focal point, drawing the eye into the busy square and towards the grand architectural landmarks. The perspective leads the viewer's gaze from the foreground subjects to the distant buildings and the crowd. The mood is lively and nostalgic, evoking a sense of historical grandeur and an idyllic past. There's a feeling of movement and activity, yet also a sense of leisure and elegance. A visible object of note in the foreground is an ornate black lamppost with two glowing, amber-coloured lanterns on the far left.
  • Using base image: Yes

European Evening Stroll Mosaic style

• Model: ChatGPT 2

• Size: 2880 X 2880 (8.29 MP)

• Used settings:

  • Prompt: The chant of threads in a tapestry The long and winding road , Along the road, people walk away with baskets full of apples and pears, hyper-detailed work, complex, colorful. I(x,y)=lim(n→∞)Tⁿ(I₀); T={wᵢ}, wᵢ:R→D, |wᵢ|<1. Visualize recursive affine mappings, self-similarity detection, domain-range block substitution, Mandelbrot/Julia echoes, scale-invariant geometry, infinite feedback loops, nested architectures, recursive landscapes, holographic detail, non-Euclidean space, ultra-resolution emergence.no text. No borders.no diagrams. No rectangle. No squares
  • Using base image: Yes

Mediterranean Coast by moonlight

• Model: Nano Banana 2

• Size: 3328 X 2480 (8.25 MP)

• Used settings:

  • Prompt: A highly stylized, impressionist painting depicting a vibrant, moonlit coastal town at night. The scene is dominated by strong, textured brushstrokes and a rich colour palette of blues, teals, oranges, and purples, giving it a mosaic-like appearance. The main subject is a winding pathway leading down through a hillside village towards a moonlit sea. On the left, a large building with an arched doorway and a second-story balcony with potted flowers and railings is prominent. A glowing street lamp illuminates the wall and the pathway below. Further down and across the image, numerous houses with glowing windows cascade down the hillside, their blue and teal walls contrasting with the warm orange light emanating from within. The background features a vast expanse of dark blue sea, reflecting the bright, golden light of a large crescent moon and the lights from the distant coastline. The moon itself is a brilliant, textured golden-orange, dominating the upper right sky. A distant coastline with scattered lights stretches along the horizon. Colours are a key element, with deep blues and teals for the sky, sea, and many of the buildings, providing a cool contrast to the warm, bright oranges and yellows of the moon, lights, and reflections. Purples and reds are used for shadows and accents, particularly in the foliage and some building details. The lighting is dramatic, with strong contrasts between the bright, warm sources (moon, street lamps, windows) and the deep, cool shadows. The moon casts a shimmering golden path across the water, and the street lamps illuminate the immediate surroundings with a warm glow. The composition leads the eye downwards and into the distance. The pathway in the foreground acts as a leading line, drawing the viewer's gaze towards the sea and the distant town. The large moon in the upper right balances the tall building on the left. The overall mood is magical, romantic, and serene, evoking a sense of wonder and tranquility. Notable objects include the large crescent moon, the ornate street lamp, the arched doorway, the balcony with flowers, and the numerous potted plants lining the pathway and balconies. The texture of the paint is very evident, with thick, individual strokes creating a sense of depth and movement, particularly in the water and the moon. The overall scene is a captivating nocturnal landscape, full of light, colour, and texture.
  • Using base image: No
  • Aspect Ratio: landscape

Tanabata Night Festival in Japan

• Model: Nano Banana 2 (Pro)

• Size: 2219 X 1664 (3.69 MP)

• Used settings:

  • Prompt: Fine Art Oil Painting: This enchanting night scene captures a Japanese festival under a starry sky, with a focus on lively decorations and traditional architecture. The main subjects are a bamboo branch in the foreground adorned with colourful paper strips and star-shaped ornaments, and a bustling street scene beyond. The background features a deep blue night sky filled with countless stars, including the faint glow of the Milky Way, and dark mountain silhouettes. The colour palette is dominated by warm yellows and oranges from the lanterns, contrasted with the cool blues and dark tones of the night sky and water. The paper strips on the bamboo exhibit a range of colours including pink, light blue, yellow, red, purple, green, and orange. Lighting is a key element, with numerous glowing lanterns casting a warm, inviting light on the street, the water, and the bamboo decorations. Small, twinkling lights are also strung along the street and within the bamboo. The natural starlight from the sky adds a magical, ethereal glow. The composition places the decorated bamboo branch prominently in the right foreground, creating a sense of depth. The street scene with people, buildings, a bridge, and a canal extends into the mid-ground and background, drawing the viewer's eye through the image. The perspective is slightly elevated, looking down onto the street and canal. The mood is festive, magical, and serene. The combination of the starry night, the warm lantern glow, and the traditional decorations evokes a sense of wonder and cultural celebration. Visible text appears on the colourful paper strips hanging from the bamboo. These are tanzaku, traditional Japanese strips of paper on which people write wishes during the Tanabata festival. The text is written vertically in Japanese characters. Some phrases like "みんなの願が叶いますように" (May everyone's wishes come true) and "夢合い願叶いすように" (May dreams come true) are discernable. Notable objects include numerous paper lanterns of various sizes and shapes, a red arched bridge spanning a tranquil canal, traditional Japanese buildings with tiered roofs, and people dressed in kimonos or yukata walking along the street. A large, spherical paper lantern with star cutouts hangs from the bamboo in the lower right. Small, translucent star ornaments, some lit from within, dangle from the bamboo branches. The overall scene depicts a lively and beautifully illuminated Japanese festival at night, possibly Tanabata, with a focus on traditional customs and a magical atmosphere.
  • Using base image: No
  • Aspect Ratio: landscape

Meadowland at sunset

• Model: Nano Banana 2

• Size: 3312 X 2496 (8.27 MP)

• Used settings:

  • Prompt: A vibrant and textured impasto oil painting depicting a rustic wildflower field at sunset. The main subject is a field of wildflowers and ferns in the foreground, dominated by various shades of blue, purple, and red, with a prominent weathered wooden fence post in the mid-ground on the left. The background features rolling hills in earthy tones of green, brown, and ochre, leading to a small, stone cottage with a dark roof and a chimney on the right side of the mid-ground. Further back, faint blue-grey hills suggest a distant horizon. The sky is a dramatic display of sunset colours, with broad, thick brushstrokes of pale yellow, soft pink, and lavender blending into each other, creating a sense of movement and light. The colours are rich and saturated, with warm tones of orange and yellow dominating the field, contrasted by the cool blues and purples of the flowers. The fence post shows strong vertical strokes of brown, burnt orange, and even some unexpected blue, highlighting its rough texture. The lighting suggests a late afternoon or early evening, with a soft, warm glow emanating from the sky, casting subtle shadows and enhancing the vibrant hues of the landscape. The composition is dynamic, with the fence post acting as a strong vertical anchor on the left, balanced by the distant cottage on the right. The wire fence with wooden fence posts stretches horizontally, guiding the eye across the field. The wildflowers fill the lower half of the painting, creating a sense of depth and abundance. The perspective is slightly elevated, looking across the field towards the distant hills. The mood is serene and idyllic, evoking a feeling of peace and natural beauty. The thick application of paint creates a tactile quality, making the scene feel alive and robust. There is no visible text in the image. Notable objects include the heavily textured wooden fence post, the diverse ferns and wildflowers (including what appear to be purple irises, blue lupines, and opium poppies), and the charming, isolated stone cottage. The overall scene is a picturesque countryside landscape, bursting with colour and texture, capturing a moment of tranquility at dusk.
  • Using base image: No
  • Aspect Ratio: landscape

Fine Art view of Ben Nevis, from the West, Scotland

• Model: Nano Banana 2

• Size: 3312 X 2496 (8.27 MP)

• Used settings:

  • Prompt: A landscape oil painting captures the iconic Ben Nevis mountain range and a body of water, likely a loch, under a dramatic sky. The main subject, Ben Nevis, dominates the upper half of the image, showcasing its rugged, undulating peaks in shades of deep green, grey, and purple-blue, suggesting distance and the presence of heather or sparse vegetation. The slopes are textured, with some areas appearing more barren and rocky, particularly near the summits. A small town or village with white and orange-roofed buildings stretches along the far bank of the water at the base of the mountains. The body of water, a vibrant, deep blue, occupies the middle ground, reflecting the light and appearing slightly choppy with small ripples. In the foreground, a strip of lush, bright green grass creates a strong visual contrast with the deep blue water and the distant mountains. On the left side of the grassy bank, a cluster of tall, slender plants with reddish-pink and yellow blossoms adds a splash of colour. The sky above the mountains is a striking mix of dark, brooding blue clouds and patches of brighter, lighter blue, suggesting a dynamic weather pattern, possibly just after or before a rain shower, or during a partly cloudy day. The lighting appears natural, with sunlight illuminating parts of the mountains and the foreground grass, while other areas are cast in shadow, enhancing the depth and drama of the scene. The composition is layered, with the bright green foreground, the deep blue water, and the majestic mountains receding into the distance, creating a sense of scale and expanse. The mood is one of grandeur and natural beauty, evoking a sense of awe and tranquility despite the dramatic sky. There is no text in the image.
  • Using base image: No
  • Aspect Ratio: landscape

The very deep valley, overlooked by three ravens

• Model: Nano Banana 2

• Size: 2496 X 3328 (8.31 MP)

• Used settings:

  • Prompt: This is a highly detailed, dramatic oil painting depicting two large, black ravens perched on a gnarled tree branch overlooking a vast mountain valley with a waterfall. The main subjects, the two ravens, are positioned in the mid-ground, slightly to the left of center. They are rendered with striking black plumage, their forms silhouetted against the lighter background sky and distant mountains. Their heads are turned to the right, looking out over the valley. The background is a majestic and expansive mountain landscape. Steep, rugged cliffs covered in patches of green moss and grass rise on both sides of a deep valley. A winding river or stream flows through the valley floor, culminating in a prominent waterfall in the mid-distance. The sky above is a mix of light blue and dramatic, swirling grey and white clouds, suggesting a dynamic atmosphere or approaching weather. The colors in the painting are rich and varied. Dominant hues include the deep black of the ravens, the dark greens and browns of the foreground foliage and tree, the lighter greens of the distant grassy slopes, and the cool blues and greys of the mountains and sky. Vibrant pops of color come from the numerous wildflowers scattered in the foreground, including pinks, whites, yellows, and oranges, adding a touch of delicate beauty to the rugged scene. The lighting appears to be natural, possibly late afternoon or early morning, with soft, diffused light illuminating the scene. There are no harsh shadows, and the overall effect is one of subtle glow, particularly on the distant clouds and the waterfall. The ravens, despite being dark, have a slight sheen that catches the light. The composition is carefully balanced and leads the eye through the scene. The ravens and their branch act as a strong focal point in the foreground. The gnarled tree trunk on the left anchors the composition, and its branches extend upwards and to the right, framing the central subjects. The deep chasm of the valley draws the viewer's gaze into the distance, with the waterfall serving as another point of interest. The use of atmospheric perspective makes the distant mountains appear hazy and blue, enhancing the sense of depth. The mood is one of quiet contemplation, grandeur, and perhaps a touch of mystery or solitude. The ravens, often associated with wisdom or foreboding, add a symbolic layer to the natural majesty. The expansive landscape evokes feelings of awe and the power of nature. There is no visible text in the image. Notable objects include the intricate details of the moss and lichen on the tree branches and rocks, the individual leaves on the tree, and the variety of wildflowers in the foreground. The texture of the rock faces and the misty spray of the waterfall are also finely rendered. The overall scene is a breathtaking, romanticized depiction of a mountainous wilderness, combining detailed natural elements with a sweeping, dramatic vista. It feels like a moment paused in time, inviting the viewer to reflect on the beauty and scale of the natural world.
  • Using base image: No
  • Aspect Ratio: portrait