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Histories and Futures of Reading
Verdurin Symposium Event and Socialist Readers in 1920s Britain
Jun 3
•
Edmund King
19
9
10
Struggling with Shakespeare
The "Managerial Humanities" and the Shrinking Value of the Literary Past
Apr 24
•
Edmund King
73
22
36
The Ends of English
Literary Pasts and the Dilemmas of Relevance
Mar 27
•
Edmund King
42
21
17
Most Popular
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Struggling with Shakespeare
Apr 24
•
Edmund King
73
22
36
The Problem of the "New Elite"
Apr 19, 2023
•
Edmund King
43
18
11
Radicalised Bureaucracies
Feb 3, 2023
•
Edmund King
48
4
1
What, Exactly, Was Twitter?
Aug 18, 2025
•
Edmund King
54
17
17
The Ends of English
Mar 27
•
Edmund King
42
21
17
Acting Under New Descriptions
Oct 12, 2025
•
Edmund King
42
9
16
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Towards a Critical Theory of the Open Letter
Under the regime of digital transparency, what was formerly hidden or private is now public and open to view.
Feb 26
•
Edmund King
25
1
9
Bluesky, Echo Chambers, and the Threat of Social Contamination Online
This is an extract from chapter 6 of our new book, Beyond Woke and Anti-Woke: Explaining the Rise of Social Justice Ideology, which comes out with…
Feb 16
•
Edmund King
and
Thomas Prosser
25
4
10
Short-Form Truths
On the Tweet, the Wall Text, and the New Moral Style
Published on Cluny Journal
•
Feb 4
Acting Under New Descriptions
What Therapeutic Fads Can Tell Us About the Social Construction of Identity
Oct 12, 2025
•
Edmund King
42
9
16
Managing the Global Discourse
Care, Content Moderation, and Cultural Imperialism
Sep 24, 2025
•
Edmund King
30
1
18
Stewardship or Censorship?
Trust, Safety, and the New Sacred Project of Content Moderation
Sep 13, 2025
•
Edmund King
16
1
7
What, Exactly, Was Twitter?
One of the perils of trying to theorise social media is that we often find ourselves talking about the status quo ante, the period immediately before.
Aug 18, 2025
•
Edmund King
54
17
17
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Paroxysms
Surveying the contours of the New Sentimental Order
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Recommendations
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CLiuAnon
Catherine Liu
Grand Hotel Abyss
John Pistelli
Covidian Æsthetics
Mónica Belevan
Notes of an Aesthete
Alice Gribbin
Some Private Diagonal
Paul Heron
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