﻿<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:googleplay="http://www.google.com/schemas/play-podcasts/1.0"><channel><title><![CDATA[CARE - ONLINE ARCHIVES]]></title><description><![CDATA[Bienvenue sur les archives en ligne du CARE – Centre d’Archives et de Recherches Exotiques.]]></description><link>https://exotical.substack.com</link><image><url>https://substackcdn.com/image/fetch/$s_!mOJE!,w_256,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F67135559-67d6-4a7d-ae68-93918dc479f7_972x972.png</url><title>CARE - ONLINE ARCHIVES</title><link>https://exotical.substack.com</link></image><generator>Substack</generator><lastBuildDate>Sun, 21 Jun 2026 06:58:23 GMT</lastBuildDate><atom:link href="https://exotical.substack.com/feed" rel="self" type="application/rss+xml"/><copyright><![CDATA[CARE]]></copyright><language><![CDATA[fr]]></language><webMaster><![CDATA[geotical@gmail.com]]></webMaster><itunes:owner><itunes:email><![CDATA[geotical@gmail.com]]></itunes:email><itunes:name><![CDATA[CARE]]></itunes:name></itunes:owner><itunes:author><![CDATA[CARE]]></itunes:author><googleplay:owner><![CDATA[geotical@gmail.com]]></googleplay:owner><googleplay:email><![CDATA[geotical@gmail.com]]></googleplay:email><googleplay:author><![CDATA[CARE]]></googleplay:author><itunes:block><![CDATA[Yes]]></itunes:block><item><title><![CDATA[Timothy Leary's Last Moments by Carol Sue Rosin]]></title><description><![CDATA[ARCHIVE WILLARD VAN DE BOGART / ETHER SHIP]]></description><link>https://exotical.substack.com/p/timothy-learys-last-moments-by-carol</link><guid isPermaLink="false">https://exotical.substack.com/p/timothy-learys-last-moments-by-carol</guid><pubDate>Wed, 17 Jun 2026 16:01:53 GMT</pubDate><enclosure url="https://substack-post-media.s3.amazonaws.com/public/images/b55ccc72-ec01-4814-8342-b74025ff1e37_702x301.png" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/p/timothy-learys-last-moments-by-carol?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Partager&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/p/timothy-learys-last-moments-by-carol?utm_source=substack&utm_medium=email&utm_content=share&action=share"><span>Partager</span></a></p><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/?utm_source=substack&amp;utm_medium=email&amp;utm_content=share&amp;action=share&quot;,&quot;text&quot;:&quot;Partager CARE - ONLINE ARCHIVES&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/?utm_source=substack&amp;utm_medium=email&amp;utm_content=share&amp;action=share"><span>Partager CARE - ONLINE ARCHIVES</span></a></p><p><strong><a href="https://exotical.substack.com/publish/post/171264594">ARCHIVE WILLARD VAN DE BOGART / ETHER SHIP</a></strong><a href="https://exotical.substack.com/publish/post/171264594"><br>Index of previously published documents</a></p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!QbCl!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64bd2357-19d8-4274-a107-5093c7a51427_1268x2033.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!QbCl!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64bd2357-19d8-4274-a107-5093c7a51427_1268x2033.jpeg 424w, https://substackcdn.com/image/fetch/$s_!QbCl!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64bd2357-19d8-4274-a107-5093c7a51427_1268x2033.jpeg 848w, https://substackcdn.com/image/fetch/$s_!QbCl!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64bd2357-19d8-4274-a107-5093c7a51427_1268x2033.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!QbCl!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64bd2357-19d8-4274-a107-5093c7a51427_1268x2033.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!QbCl!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64bd2357-19d8-4274-a107-5093c7a51427_1268x2033.jpeg" width="1268" height="2033" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/64bd2357-19d8-4274-a107-5093c7a51427_1268x2033.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:2033,&quot;width&quot;:1268,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:1086648,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://exotical.substack.com/i/171268136?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb12cfca4-4f39-48fd-82dc-5edb7c95d130_2599x3268.jpeg&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!QbCl!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64bd2357-19d8-4274-a107-5093c7a51427_1268x2033.jpeg 424w, https://substackcdn.com/image/fetch/$s_!QbCl!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64bd2357-19d8-4274-a107-5093c7a51427_1268x2033.jpeg 848w, https://substackcdn.com/image/fetch/$s_!QbCl!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64bd2357-19d8-4274-a107-5093c7a51427_1268x2033.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!QbCl!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64bd2357-19d8-4274-a107-5093c7a51427_1268x2033.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p><a href="https://exotical.substack.com/p/les-derniers-instant-de-timothy-leary">French Version<span><br></span></a><span><br></span>Tribute to <a href="https://fr.wikipedia.org/wiki/Timothy_Leary">Dr. TIMOTHY LEARY</a><br>60'S LSD GURU, SCIENTIST, AUTHOR, PHILOSOPHER, COMPUTER SOFTWARE GENIUS, PROFESSOR OF ORIGINAL THOUGHT<br>by <a href="https://en.wikipedia.org/wiki/Carol_Rosin">CAROL S. ROSIN</a><br><span data-color="rgb(74, 55, 93)" style="color: rgb(74, 55, 93);">First published on </span><a href="https://www.earthportals.com/">earthportals.com</a>, <span data-color="rgb(74, 55, 93)" style="color: rgb(74, 55, 93);">1996</span><br><br>I knew the moment Dr. Timothy Leary had taken his last breath. John, the night hospice nurse, beckoned with his eyes for me to stand by Timothy's bed, and put my fingers on his neck just as his pulse faded and disappeared. My heart filled. The room illuminated. His bedroom was lit with candles and little Christmas lights, his head on a pillow cover painted with a picture of outer space and an astronaut, he was covered in a velvety red blanket. He was wearing an oversized T-shirt that read "If you only have one wish, make it BIG," with BIG in huge red letters. None of us were aware of the camera rolling by his friends from Retnalogic, who organized his website to document his death. His stepson Zach, placed a pink rose petal in his open mouth after most left the room. Each of us spent a moment by his side to give our goodbyes, thanks and love. Everyone there represented every feeling one could have about death and dying, passing through and moving on. Some smiled, some meditated in silence, some cried. The passing of Timothy Leary, that particular soul, that part of all of us, was, is, a very special passing. His reminders so profound.</p><p>The room was silent all day except that everyone had agreed to be thinking, "I love you Timothy. It is ok to go now." John had suggested this would help him release himself, and that touching him or talking would bring him back into his body, at a time when it was clear to all that he was ready to leave. At one point during the day, however, he sat straight up in his bed and said, "Why? Why not? WHY NOT? Why not? Why not? Why not?" about twenty times with different inflections, as he looked into the eyes of each person in the room. At another point, he said the word, "Beautiful," as though he was describing something he was seeing. Everyone who spent time with Timothy has hir story. Most of us will never be the same after having met him. I will never be the same. This is my tribute to Timothy. It's also a way for me to bring forward and share awarenesses he raised.</p><p>One afternoon, his assistant, Vicki Marshal, and I asked him what he wanted to do with his body. He said that he wanted to be cremated, and that he wanted me to get his ashes into space. I've accepted this mission, with the joy he expressed as he ordered it. An essence of Timothy's ashes will be launched on board the Pegasus rocket, organized by the first entrepreneurial space burial company in Houston, Texas, Celestis, Inc., in late September or in October, from Vandenberg Air Force Base. (The entire fee for space burial is only $4800.) Timothy was thrilled to hear that he will be launched along with other space pioneers including Gene Rodenberry, creator of "Star Trek," Dr. Gerard O'Neill, author of "The High Frontier" and physist at Princeton University who designed fabulous space stations and who educated us about the mass driver which can mine the moon and asteroids, and Todd Hauley, of the International Space University.</p><p>When he saw the three minute Celestis video, he jumped up and down in his wheelchair, ecstatic as he watched the burst of light caused by the burn-up of the rocket stage to which he'll be attached when it re-enters the earth's atmosphere. He was, also, glad to learn he wouldn't become space debris. When he looked so relieved as he said, "Finally, I'll be a space pioneer, and everyone will know: That will be me. I will be the light," I knew this was the very moment when he decided to take the step, to release himself from his body.</p><p>What was once a dynamic and voluptious body housing this magnificent brain and spirit, was now thin, bruised and frail, with patches to cover holes in his legs from sores that wouldn't heal, housing the same incredible brain and spirit. A unique nurse, Cathy, a former dominatrix, was invited to visit because it was thought by his stepson and friends, for a fleeting minute or two, that he might enjoy having pretty nurses with short uniforms and garter belts holding his medicine, or wearing bikini's or anything he wanted, as they would care for him and talk him into behaving and taking his medicine, etc., and he had fired other nurses during the past few days. After she shaved him, he drove up next to me his wheelchair and asked for a mirror. He stared for a several minutes, contemplating, then said sadly and with a touch of astonishment, "This isn't me. I don't know this face." I held my heart and wanted to cry. He did cry, that night, in my arms.</p><p>His wonderful friends came to visit, though he had begun to retreat more and more, after Robert Anton Wilson and his wife, Arlin, visited, and he had to ask me who they were. He forgot. I told him not to worry, as he remembered me, so he wasn't so far out there.</p><p>A few days before he passed, I asked him, "Who are we?" He said, "We are bearers of the light - light bearers. "What is our purpose?" I asked. "We can shine it to illuminate others."</p><p>Two mornings before, as he awakened and sat on the side of his bed, his eyes winked as they twinkled when he smiled and sang a whisper, "I've had a sneak preview."</p><p>The morning before, the hospice nurse, Doris Angel, helped him into his electric wheelchair so she could freshen his bed. He proceeded to wheel himself outside to visit his year, the palm trees he described as tall basketball players, the flowers, his dog and cat. Then, he got back into bed, and began his slow breathing process.</p><p>Years ago, Timothy had listed me in the Genetic Hall of Fame in his book, the Intelligence Agents, with people he called "evolutionary agents" who were working for human evolution into space. I'll never forget his Leary SMILE, which he said stands for SM, Space Migration, the I is squared and stands for Intelligence Increase, and the LE stands for Life Exstension.</p><p>I asked, "why have you asked me to stay with you during the last weeks before you die?" He told me he called because I was the only person he could think of who doesn't listen to anything he says, and he thought he would need a friend like that as he got closer. I believe he was right. He was always a little grumpy, and this trait amplified as the pain got worse and he became more impatient and frustrated. I paid no attention when he'd ask me to leave, as I knew it was because he was feeling a sense of losing his dignity, and he thanked me every night as I'd lay down next to him to sleep. He had such a strong, happy-go-lucky personality in front of everyone, and that was mostly how he felt. He was truly looking forward to the death experience. But the pain was extraordinary, and he did the best he could to eleviate it and to stay conscious. The nights were long, lonely, and sometimes weird, different from anything he had ever experienced, or I had ever experienced. Words cannot describe how lucky I was to have been there for, and with him, during those dark hours.</p><p>AT 75, Dr. Timothy Leary consciously passed on with a smile on his face, at 12:44 A.M., May 31, 1996. Or, is he "on the outside looking in?" as the Moody Blues sing.</p><p>The day before he died, he handed me a balloon, and said, "This is my last balloon. The last one I'll ever do." He was breathing nitrous oxide to help eleviate the pain of his cancer. He knew this was the time for him to pass on, and literally chose the next day to begin the process.</p><p>I feel as though I was there so I could share his messages with you. Timothy touched so many millions of people. He received 35,000 people on his web site, and nearly 9,000 emails around this time. Some people have tried to discredit Timothy, or believe he represented or did something bad, but those people didn't know him, or listen to what he was saying. They have closed minds, live in fear of truth, and likely have never experimented with raising their consciousness or becoming aware of their spirituality. He opened our minds, freed our nervous systems of their normal patterns and structures, and expanded our consciousness to receive new, evolutionary perspectives and the possibilities of creating realities and reality shifts. He reminded us that we are free, we are love, we are one, and we shall speak and live our truth. His final teaching was that death is a joyous, wonderful experience, another phase of life's journey.</p><p>He allowed me to tape his last interview, and he said, "My life work has been to empower the individual. To free herself or himself. To grow and be more free. Today we move into the next place ... use light to enjoy space for individuals. Ride the light into space with your friends! Light is the language of the sun and the stars where we will meet again."</p><div><hr></div><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/subscribe?&quot;,&quot;text&quot;:&quot;S'abonner&quot;,&quot;language&quot;:&quot;fr&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption"><strong>CARE &#8211; ONLINE ARCHIVES</strong> is an independent publication supported by its readers. To access more content &#8212; enriched with audio, photos, and videos &#8212; and to support our work: Subscribe! &#8364;5/month or &#8364;30/year. 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Any reproduction, distribution, or use without prior authorization is strictly prohibited.</p>]]></content:encoded></item><item><title><![CDATA[Les derniers instants de Timothy Leary par Carol Sue Rosin]]></title><description><![CDATA[ARCHIVE WILLARD VAN DE BOGART / ETHER SHIP]]></description><link>https://exotical.substack.com/p/les-derniers-instant-de-timothy-leary</link><guid isPermaLink="false">https://exotical.substack.com/p/les-derniers-instant-de-timothy-leary</guid><pubDate>Wed, 17 Jun 2026 10:15:11 GMT</pubDate><enclosure url="https://substack-post-media.s3.amazonaws.com/public/images/3386b4f4-c509-446d-8849-56e69fb2410c_702x301.png" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/p/les-derniers-instant-de-timothy-leary?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Partager&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/p/les-derniers-instant-de-timothy-leary?utm_source=substack&utm_medium=email&utm_content=share&action=share"><span>Partager</span></a></p><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/?utm_source=substack&amp;utm_medium=email&amp;utm_content=share&amp;action=share&quot;,&quot;text&quot;:&quot;Partager CARE - ONLINE ARCHIVES&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/?utm_source=substack&amp;utm_medium=email&amp;utm_content=share&amp;action=share"><span>Partager CARE - ONLINE ARCHIVES</span></a></p><p><a href="https://exotical.substack.com/p/willard-van-de-bogart-1939-2025"><span>ARCHIVE WILLARD VAN DE BOGART / ETHER SHIP</span><br><span>Index des documents d&#233;j&#224; publi&#233;s</span></a></p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!QbCl!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64bd2357-19d8-4274-a107-5093c7a51427_1268x2033.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!QbCl!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64bd2357-19d8-4274-a107-5093c7a51427_1268x2033.jpeg 424w, https://substackcdn.com/image/fetch/$s_!QbCl!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64bd2357-19d8-4274-a107-5093c7a51427_1268x2033.jpeg 848w, 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srcset="https://substackcdn.com/image/fetch/$s_!QbCl!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64bd2357-19d8-4274-a107-5093c7a51427_1268x2033.jpeg 424w, https://substackcdn.com/image/fetch/$s_!QbCl!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64bd2357-19d8-4274-a107-5093c7a51427_1268x2033.jpeg 848w, https://substackcdn.com/image/fetch/$s_!QbCl!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64bd2357-19d8-4274-a107-5093c7a51427_1268x2033.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!QbCl!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F64bd2357-19d8-4274-a107-5093c7a51427_1268x2033.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p><a href="https://exotical.substack.com/p/timothy-learys-last-moments-by-carol">English Version</a><br><br>Hommage au<a href="https://fr.wikipedia.org/wiki/Timothy_Leary"> Dr TIMOTHY LEARY</a><br>GOUROU DU LSD, SCIENTIFIQUE, AUTEUR, PHILOSOPHE, G&#201;NIE DE L&#8217;INFORMATIQUE, PROFESSEUR EN PENS&#201;E ORIGINALE<br>Par  <a href="https://en.wikipedia.org/wiki/Carol_Rosin">CAROL S. ROSIN</a><br><span data-color="rgb(74, 55, 93)" style="color: rgb(74, 55, 93);">Premi&#232;re publication sur </span><a href="https://www.earthportals.com/">earthportals.com</a>, <span data-color="rgb(74, 55, 93)" style="color: rgb(74, 55, 93);">1996</span></p><p>J&#8217;ai v&#233;cu l&#8217;instant m&#234;me o&#249; le Dr Timothy Leary a rendu son dernier souffle. John, l&#8217;infirmier de nuit de l&#8217;hospice, m&#8217;a fait signe du regard de me tenir pr&#232;s de son lit et de poser mes doigts sur son cou au moment o&#249; son pouls s&#8217;est affaibli puis a disparu. Mon c&#339;ur s&#8217;est rempli. La pi&#232;ce s&#8217;est illumin&#233;e.<br>Sa chambre &#233;tait &#233;clair&#233;e par des bougies et de petites guirlandes de No&#235;l. Sa t&#234;te reposait sur une taie d&#8217;oreiller peinte d&#8217;une sc&#232;ne spatiale avec un astronaute. Il &#233;tait recouvert d&#8217;une couverture de velours rouge. Il portait un immense tee-shirt sur lequel on pouvait lire : &#171; Si vous n&#8217;avez qu&#8217;un seul v&#339;u, faites-le GRAND &#187;, le mot GRAND &#233;tant &#233;crit en &#233;normes lettres rouges.<br>Aucun de nous ne remarqua que la cam&#233;ra tournait, filmant la sc&#232;ne pour ses amis de Retnalogic, qui avaient organis&#233; son site Internet afin de documenter sa mort. Son beau-fils Zach d&#233;posa un p&#233;tale de rose rose dans sa bouche entrouverte apr&#232;s que la plupart eurent quitt&#233; la pi&#232;ce. Chacun passa un moment &#224; ses c&#244;t&#233;s pour lui dire adieu, lui exprimer sa gratitude et son amour.<br>Tous ceux qui &#233;taient pr&#233;sents repr&#233;sentaient les diff&#233;rentes &#233;motions que l&#8217;on peut &#233;prouver face &#224; la mort : certains souriaient, certains m&#233;ditaient en silence, d&#8217;autres pleuraient. Le d&#233;part de Timothy Leary, cette &#226;me particuli&#232;re, cette part de chacun de nous, fut et demeure un &#233;v&#233;nement tr&#232;s sp&#233;cial. Ses rappels &#233;taient si profonds.</p><p>La pi&#232;ce resta silencieuse toute la journ&#233;e, sauf que nous avions tous convenu de penser : &#171; Je t&#8217;aime Timothy. Tu peux partir maintenant. &#187; John avait sugg&#233;r&#233; que cela l&#8217;aiderait &#224; se lib&#233;rer, et que le toucher ou lui parler le ram&#232;nerait dans son corps alors qu&#8217;il &#233;tait &#233;vident pour tous qu&#8217;il &#233;tait pr&#234;t &#224; le quitter.<br>&#192; un moment de la journ&#233;e, pourtant, il se redressa brusquement dans son lit et d&#233;clara : &#171; Pourquoi ? Pourquoi pas ? POURQUOI PAS ? Pourquoi pas ? Pourquoi pas ? Pourquoi pas ? &#187; environ vingt fois, avec des intonations diff&#233;rentes, tout en regardant chaque personne dans les yeux. &#192; un autre moment, il pronon&#231;a simplement le mot : &#171; Magnifique &#187;, comme s&#8217;il d&#233;crivait quelque chose qu&#8217;il voyait.<br>Tous ceux qui ont pass&#233; du temps avec Timothy ont leur propre histoire. La plupart d&#8217;entre nous n&#8217;ont plus jamais &#233;t&#233; les m&#234;mes apr&#232;s l&#8217;avoir rencontr&#233;. Moi non plus. Ceci est mon hommage &#224; Timothy. C&#8217;est aussi une fa&#231;on de partager certaines des prises de conscience qu&#8217;il a suscit&#233;es.</p><p>Un apr&#232;s-midi, son assistante Vicki Marshall et moi lui avons demand&#233; ce qu&#8217;il voulait que l&#8217;on fasse de son corps. Il r&#233;pondit qu&#8217;il souhaitait &#234;tre incin&#233;r&#233; et que je devais envoyer ses cendres dans l&#8217;espace. J&#8217;ai accept&#233; cette mission avec la m&#234;me joie qu&#8217;il manifesta en me la confiant. Une partie de ses cendres sera lanc&#233;e &#224; bord d&#8217;une fus&#233;e Pegasus gr&#226;ce &#224; la soci&#233;t&#233; Celestis Inc., la premi&#232;re entreprise priv&#233;e de &#171; fun&#233;railles spatiales &#187;, bas&#233;e &#224; Houston, au Texas. Le lancement &#233;tait pr&#233;vu pour la fin septembre ou octobre depuis la base a&#233;rienne de Vandenberg. (Le co&#251;t total d&#8217;une s&#233;pulture spatiale n&#8217;&#233;tait alors que de 4 800 dollars.) Timothy fut ravi d&#8217;apprendre qu&#8217;il voyagerait aux c&#244;t&#233;s d&#8217;autres pionniers de l&#8217;espace, notamment Gene Roddenberry, le cr&#233;ateur de Star Trek, Gerard K. O&#8217;Neill, auteur de <em>The High Frontier</em> et concepteur de stations spatiales r&#233;volutionnaires, ainsi que Todd Hawley de l&#8217;International Space University.</p><p>Lorsqu&#8217;il regarda la vid&#233;o promotionnelle de Celestis, il bondit presque dans son fauteuil roulant, exalt&#233; par la vision de l&#8217;&#233;clair produit par la rentr&#233;e atmosph&#233;rique de l&#8217;&#233;tage de fus&#233;e auquel ses cendres seraient attach&#233;es. Il &#233;tait &#233;galement soulag&#233; d&#8217;apprendre qu&#8217;il ne deviendrait pas un d&#233;bris spatial. Quand il d&#233;clara : &#171;Enfin, je serai un pionnier de l&#8217;espace et tout le monde le saura : ce sera moi. Je serai la lumi&#232;re.&#187; j&#8217;ai compris que c&#8217;&#233;tait pr&#233;cis&#233;ment &#224; cet instant qu&#8217;il avait d&#233;cid&#233; de franchir le pas et de se lib&#233;rer de son corps.</p><p>Ce qui avait &#233;t&#233; autrefois un corps dynamique et vigoureux, abritant un esprit et un cerveau magnifiques, &#233;tait devenu mince, meurtri et fragile. Ses jambes &#233;taient couvertes de pansements destin&#233;s &#224; prot&#233;ger des plaies qui ne cicatrisaient plus. Pourtant, le m&#234;me esprit extraordinaire demeurait. Une infirmi&#232;re peu ordinaire, Cathy, ancienne dominatrice professionnelle, fut invit&#233;e &#224; lui rendre visite. Pendant un bref instant, ses proches pens&#232;rent qu&#8217;il appr&#233;cierait peut-&#234;tre la pr&#233;sence d&#8217;infirmi&#232;res s&#233;duisantes portant de courtes tenues, des porte-jarretelles ou m&#234;me des bikinis, tout en lui administrant ses m&#233;dicaments et en prenant soin de lui. Il avait renvoy&#233; plusieurs infirmi&#232;res les jours pr&#233;c&#233;dents. Apr&#232;s qu&#8217;elle l&#8217;eut ras&#233;, il s&#8217;approcha de moi dans son fauteuil roulant et demanda un miroir. Il s&#8217;observa pendant plusieurs minutes, songeur, puis d&#233;clara avec tristesse et &#233;tonnement : &#171; Ce n&#8217;est pas moi. Je ne connais pas ce visage. &#187; J&#8217;eus envie de pleurer. Cette nuit-l&#224;, il pleura dans mes bras.</p><p>Ses amis les plus chers continuaient &#224; lui rendre visite. Mais il se retirait de plus en plus du monde. Apr&#232;s la visite de Robert Anton Wilson et de son &#233;pouse Arlen, il dut me demander qui ils &#233;taient. Il avait oubli&#233;. Je lui r&#233;pondis de ne pas s&#8217;inqui&#233;ter : il se souvenait encore de moi, donc il n&#8217;&#233;tait pas si loin que cela.</p><p>Quelques jours avant sa mort, je lui demandai : &#171; Qui sommes-nous ? &#187; Il r&#233;pondit : &#171; Nous sommes des porteurs de lumi&#232;re. &#187; &#171; Quel est notre but ? &#187; &#171; Faire briller cette lumi&#232;re pour &#233;clairer les autres. &#187;</p><p>Deux matins avant son d&#233;c&#232;s, alors qu&#8217;il venait de se r&#233;veiller et s&#8217;&#233;tait assis au bord du lit, ses yeux p&#233;tillaient. Il murmura en chantonnant : &#171; J&#8217;ai eu un avant-go&#251;t. &#187;</p><p>La veille de sa mort, l&#8217;infirmi&#232;re Doris Angel l&#8217;aida &#224; s&#8217;installer dans son fauteuil roulant &#233;lectrique afin de refaire son lit. Il sortit alors pour rendre visite &#224; sa cour, aux palmiers qu&#8217;il d&#233;crivait comme de grands joueurs de basket-ball, aux fleurs, &#224; son chien et &#224; son chat. Puis il retourna au lit et commen&#231;a son lent processus respiratoire.</p><p>Des ann&#233;es auparavant, Timothy m&#8217;avait inscrite dans son &#171; Hall of Fame g&#233;n&#233;tique &#187; dans son livre Intelligence Agents, parmi ceux qu&#8217;il appelait les &#171; agents de l&#8217;&#233;volution &#187; travaillant &#224; la migration de l&#8217;humanit&#233; vers l&#8217;espace. Je n&#8217;oublierai jamais son sourire &#171; SMI&#178;LE &#187; de Leary : SM = Space Migration (migration spatiale) I&#178; = Intelligence Increase (augmentation de l&#8217;intelligence) LE = Life Extension (extension de la vie)</p><p>Je lui demandai : &#171; Pourquoi m&#8217;as-tu demand&#233; de rester avec toi pendant les derni&#232;res semaines avant ta mort ? &#187; Il r&#233;pondit qu&#8217;il m&#8217;avait appel&#233;e parce que j&#8217;&#233;tais la seule personne qu&#8217;il connaissait qui n&#8217;&#233;coutait jamais ce qu&#8217;il disait, et qu&#8217;il pensait avoir besoin d&#8217;une amie comme cela &#224; l&#8217;approche de la fin. Je crois qu&#8217;il avait raison. Il &#233;tait naturellement un peu grincheux, et ce trait s&#8217;accentua avec la douleur. Il devenait plus impatient et plus frustr&#233;. Je ne tenais jamais compte de ses demandes de partir, sachant qu&#8217;elles exprimaient surtout son sentiment de perdre sa dignit&#233;. Chaque soir, pourtant, il me remerciait lorsque je m&#8217;allongeais pr&#232;s de lui pour dormir. Devant les autres, il affichait une personnalit&#233; joyeuse et optimiste. C&#8217;&#233;tait r&#233;ellement ce qu&#8217;il ressentait la plupart du temps. Il attendait avec impatience l&#8217;exp&#233;rience de la mort. Mais la douleur &#233;tait immense. Il fit tout ce qu&#8217;il put pour la soulager tout en restant conscient. Les nuits &#233;taient longues, solitaires et parfois &#233;tranges, diff&#233;rentes de tout ce qu&#8217;il avait v&#233;cu et de tout ce que j&#8217;avais v&#233;cu. Les mots ne suffisent pas &#224; d&#233;crire la chance que j&#8217;ai eue d&#8217;&#234;tre pr&#233;sente &#224; ses c&#244;t&#233;s durant ces heures obscures.</p><p>&#192; 75 ans, le Dr Timothy Leary quitta consciemment ce monde avec un sourire sur le visage, &#224; 0 h 44, le 31 mai 1996. Ou bien est-il d&#233;sormais &#171; de l&#8217;autre c&#244;t&#233;, regardant vers l&#8217;int&#233;rieur &#187;, comme le chantent les The Moody Blues ?</p><p>La veille de sa mort, il me tendit un ballon et dit : &#171; C&#8217;est mon dernier ballon. Le dernier que je ferai. &#187; Il inhalait alors du protoxyde d&#8217;azote afin de soulager les douleurs de son cancer. Il savait que le moment &#233;tait venu et choisit litt&#233;ralement le lendemain pour entamer le processus.</p><p>J&#8217;ai le sentiment d&#8217;avoir &#233;t&#233; pr&#233;sente afin de transmettre ses derniers messages. Timothy a touch&#233; des millions de personnes. &#192; cette &#233;poque, son site Internet recevait 35 000 visiteurs et pr&#232;s de 9 000 courriels. Certaines personnes ont tent&#233; de le discr&#233;diter ou de faire croire qu&#8217;il repr&#233;sentait quelque chose de n&#233;gatif. Mais ces personnes ne le connaissaient pas et n&#8217;&#233;coutaient pas ce qu&#8217;il disait. Elles vivaient dans la peur de la v&#233;rit&#233; et n&#8217;avaient probablement jamais exp&#233;riment&#233; l&#8217;expansion de la conscience ou l&#8217;exploration de leur spiritualit&#233;. Il a ouvert nos esprits, lib&#233;r&#233; nos syst&#232;mes nerveux de leurs sch&#233;mas habituels et &#233;largi notre conscience &#224; de nouvelles perspectives &#233;volutives, &#224; la possibilit&#233; de cr&#233;er des r&#233;alit&#233;s et des changements de r&#233;alit&#233;. Il nous rappelait que nous sommes libres, que nous sommes amour, que nous sommes un, et que nous devons vivre notre v&#233;rit&#233;. Son ultime enseignement fut que la mort est une exp&#233;rience joyeuse et merveilleuse, une nouvelle &#233;tape du voyage de la vie.</p><p>Il m&#8217;autorisa &#224; enregistrer sa derni&#232;re interview. Il y d&#233;clara : &#171; L&#8217;&#339;uvre de toute ma vie a consist&#233; &#224; donner du pouvoir &#224; l&#8217;individu. &#192; l&#8217;aider &#224; se lib&#233;rer. &#192; grandir et devenir plus libre. Aujourd&#8217;hui, nous passons &#224; l&#8217;&#233;tape suivante&#8230; Utilisez la lumi&#232;re pour profiter de l&#8217;espace en tant qu&#8217;individus. Voyagez vers l&#8217;espace sur un rayon de lumi&#232;re avec vos amis ! La lumi&#232;re est le langage du Soleil et des &#233;toiles, l&#224; o&#249; nous nous retrouverons. &#187;</p><div><hr></div><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/subscribe?&quot;,&quot;text&quot;:&quot;S'abonner&quot;,&quot;language&quot;:&quot;fr&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption"><strong>CARE &#8211; ARCHIVES EN LIGNE</strong> est une publication ind&#233;pendante soutenue par ses lectrices et ses lecteurs. 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CARE - ONLINE ARCHIVES</span></a></p><p><strong><a href="https://exotical.substack.com/p/les-emissions">LES ARCHIVES SECRETES DU BOULEVARD DE L&#8217;&#201;TRANGE</a><br></strong><a href="https://exotical.substack.com/p/les-emissions">Index des &#233;missions du </a><em><strong><a href="https://exotical.substack.com/p/les-emissions">Boulevard de l&#8217;&#233;trange</a></strong></em><a href="https://exotical.substack.com/p/les-emissions"> d&#233;j&#224; publi&#233;es</a></p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!8pKB!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9cd5b460-32a5-41b0-ba76-0332c2b0ef6a_800x1151.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" 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srcset="https://substackcdn.com/image/fetch/$s_!8pKB!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9cd5b460-32a5-41b0-ba76-0332c2b0ef6a_800x1151.jpeg 424w, https://substackcdn.com/image/fetch/$s_!8pKB!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9cd5b460-32a5-41b0-ba76-0332c2b0ef6a_800x1151.jpeg 848w, https://substackcdn.com/image/fetch/$s_!8pKB!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9cd5b460-32a5-41b0-ba76-0332c2b0ef6a_800x1151.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!8pKB!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9cd5b460-32a5-41b0-ba76-0332c2b0ef6a_800x1151.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p>A l&#8217;&#233;poque, une &#233;mission c&#8217;&#233;tait du temps&nbsp;: temps pour choisir un sujet, temps pour enqu&#234;ter, lire, interroger, temps pour enregistrer sur place ou en studio, qui sont autant de temps plus ou moins &#171;&nbsp;libres&nbsp;&#187;.<br>Et puis il y avait le temps de la &#171;&nbsp;case&nbsp;&#187; &#224; l&#8217;antenne, le temps &#171;&nbsp;contraint&nbsp;&#187;&nbsp;: c&#8217;est celui du d&#233;rushage (on &#233;coute tout ce qu&#8217;on a), puis du montage (on coupe jusqu&#8217;&#224; ce que &#231;a rentre dans la &#171;&nbsp;case&nbsp;&#187; mais cela prend un temps fou&nbsp;: pourquoi conserver tel moment plut&#244;t qu&#8217;un autre&nbsp;?), et enfin du mixage&nbsp;: faut-il ou pas une musique&nbsp;? si oui laquelle&nbsp;? ou bien une illustration sonore, des bruitages&#8230;<br>Mais, on ne jette rien.<br>Encore moins les confidences, les interrogations, les &#224;-c&#244;t&#233;s, les digressions, les parenth&#232;ses qui font souvent de l&#8217;accessoire l&#8217;essentiel&#8230;</p><p>A l&#8217;&#233;poque, depuis une quinzaine d&#8217;ann&#233;es, dans la mouvance du fameux &#171;&nbsp;Plan&#232;te&nbsp;&#187;, un agitateur d&#8217;id&#233;es exceptionnel, Jean-Fran&#231;ois Bizot, avait fait irruption dans la presse avec un titre qui nous a souvent fait r&#234;ver de devenir journalistes, Actuel.<br>Aupr&#232;s de lui, une &#171;&nbsp;bande&nbsp;&#187; pr&#234;te &#224; toutes les enqu&#234;tes, notamment celles que les autres n&#8217;osaient pas, ou plut&#244;t dans la plupart des cas, n&#8217;en avaient pas m&#234;me pas l&#8217;id&#233;e tant d&#233;j&#224; le conformisme rampant s&#8217;installait.<br>Dans cette bande, pour la partie scientifique qui &#233;tait une mine de curiosit&#233; in&#233;puisable que nous partagions, deux personnages sortaient du lot&nbsp;: Jean-Pierre Lentin et Patrice Van Eersel, compagnons au long cours de p&#233;r&#233;grinations souvent crois&#233;es au fil des enqu&#234;tes et des Festivals Science Fronti&#232;res.</p><p>Cette ann&#233;e-l&#224;, en 1986, Actuel &#233;tait au plus haut avec plus de 400 000 exemplaires par mois et Patrice Van Eersel dont vous commencez &#224; retrouver les <a href="https://exotical.substack.com/p/archive-patrice-van-eersel-1cd">archives</a> sur le CARE, revenait d&#8217;une tr&#232;s longue qu&#234;te aux fronti&#232;res de la Vie. Elle l&#8217;avait tellement boulevers&#233; qu&#8217;il avait voulu creuser encore davantage et forc&#233;ment un livre s&#8217;&#233;tait impos&#233;&nbsp;: &#171;&nbsp;La Source Noire&nbsp;&#187;.<br>Un monument qu&#8217;il venait nous pr&#233;senter.<br>Et s&#8217;il ne fallait retenir que deux livres sur les milliers publi&#233;s ces 40 derni&#232;res ann&#233;es, ce serait celui-ci, et du m&#234;me auteur &#171;&nbsp;Le Soleil est-il conscient&nbsp;?&nbsp;&#187;, paru l&#8217;ann&#233;e derni&#232;re, et qui repr&#233;sente la maturation finale, l&#8217;&#233;lixir de cette investigation hors norme.<br>Aujourd&#8217;hui donc, parce qu&#8217;on ne jette rien, une p&#233;pite trop longue pour la case de l&#8217;&#233;poque&#8230;</p><p>Bienvenue dans mes archives&nbsp;!</p><p>Jean-Yves Casgha, 06/26</p><p></p><p>THANATOLOGIE Entretien (Chutes) PATRICE VAN EERSEL (<em>La source noire</em>) 1986</p><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;de924b32-c7a2-44ed-aa14-083f9deea282&quot;,&quot;duration&quot;:385.7241,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><p>ETRANGE Entretien <a href="https://fr.wikipedia.org/wiki/Maurice_P%C3%A9risset">MAURICE PERISSET</a> (<em>Les tentations du cur&#233; d&#8217;Ars</em>) 1983</p><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;45e97adc-40fe-49c6-a767-f8ca84599608&quot;,&quot;duration&quot;:579.65717,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><p><strong>R&#233;serv&#233; aux abonn&#233;s :<br></strong>VOYANCE Entretien RICHARD ALOUCHE, PAUL LOUIS RABEYRON, ELIANE MOULIN, FRAN&#199;OISE LAPLANTINE, GEORGES DE BELLERIVE (<em>Un voyant dans la ville</em>) 3/3 1987<br>THANATOLOGIE Entretien <a href="https://fr.wikipedia.org/wiki/Mich%C3%A8le_Rakotoson">MICHE&#768;LE RAKOTOSON</a> (Madagascar) 1/2 1986<br>GE&#769;OBIOLOGIE Entretien L HAPELLI 1987<br>ALCHIMIE R&#233;cit <a href="https://exotical.substack.com/p/les-emissions">JEAN-YVES CASGHA</a> (Nicolas Flamel) 1983<br>GUERISSEUR Entretien <a href="https://fr.wikipedia.org/wiki/Fran%C3%A7oise_Simp%C3%A8re">FRANC&#807;OISE SIMPE&#768;RE</a> 1986<br><span data-color="rgb(74, 55, 93)" style="color: rgb(74, 55, 93);">FOLKLORE Entretien </span><a href="https://fr.wikipedia.org/wiki/Jean_Markale">JEAN MARKALE</a><span data-color="rgb(74, 55, 93)" style="color: rgb(74, 55, 93);"> (Paul S&#233;billot) 1984 1/3</span><br>NOSTRADAMUS Entretien <a href="https://fr.wikipedia.org/wiki/Jean-Charles_de_Fontbrune">JEAN-CHARLES DE FONTBRUNE</a> (Com&#232;te de Halley) 1986<br><br><strong>Pensez &#224; nous suivre aussi sur notre page <a href="https://www.facebook.com/profile.php?id=100088764724660">facebook</a> pour connaitre toute notre actualit&#233;.</strong></p><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/subscribe?&quot;,&quot;text&quot;:&quot;S'abonner&quot;,&quot;language&quot;:&quot;fr&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption"><strong>CARE &#8211; ARCHIVES EN LIGNE</strong> est une publication ind&#233;pendante soutenue par ses lectrices et ses lecteurs. Pour acc&#233;der &#224; davantage de contenus, enrichis de sons, de photos et de vid&#233;os, et pour soutenir notre travail : Abonnez-vous ! 5 &#8364; / mois ou 30 &#8364; / an, merci</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Tapez votre e-mail&#8230;" tabindex="-1"><input type="submit" class="button primary" value="S'abonner"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><p><strong><br>Avertissement :</strong> Toutes les archives pr&#233;sentes sur ce site sont prot&#233;g&#233;es par le droit d&#8217;auteur. Toute reproduction, diffusion ou utilisation sans autorisation pr&#233;alable est strictement interdite. </p>
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   ]]></content:encoded></item><item><title><![CDATA[Les archives secrètes du boulevard de l'étrange # 49]]></title><description><![CDATA[TAROLOGIE, VOYANCE, AVENTURE, RE&#769;INCARNATION, SORCELLERIE, MIRACLES, MAGNETISME, HYPNOSE]]></description><link>https://exotical.substack.com/p/les-archives-secretes-du-boulevard-b04</link><guid isPermaLink="false">https://exotical.substack.com/p/les-archives-secretes-du-boulevard-b04</guid><pubDate>Mon, 08 Jun 2026 16:01:18 GMT</pubDate><enclosure url="https://substackcdn.com/image/youtube/w_728,c_limit/Am2RU3FQ2Dk" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/p/les-archives-secretes-du-boulevard-b04?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Partager&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/p/les-archives-secretes-du-boulevard-b04?utm_source=substack&utm_medium=email&utm_content=share&action=share"><span>Partager</span></a></p><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/?utm_source=substack&amp;utm_medium=email&amp;utm_content=share&amp;action=share&quot;,&quot;text&quot;:&quot;Partager CARE - ONLINE ARCHIVES&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/?utm_source=substack&amp;utm_medium=email&amp;utm_content=share&amp;action=share"><span>Partager CARE - ONLINE ARCHIVES</span></a></p><p><strong><a href="https://exotical.substack.com/p/les-emissions">LES ARCHIVES SECRETES DU BOULEVARD DE L&#8217;&#201;TRANGE</a><br></strong><a href="https://exotical.substack.com/p/les-emissions">Index des &#233;missions du </a><em><strong><a href="https://exotical.substack.com/p/les-emissions">Boulevard de l&#8217;&#233;trange</a></strong></em><a href="https://exotical.substack.com/p/les-emissions"> d&#233;j&#224; publi&#233;es</a></p><div id="youtube2-Am2RU3FQ2Dk" class="youtube-wrap" data-attrs="{&quot;videoId&quot;:&quot;Am2RU3FQ2Dk&quot;,&quot;startTime&quot;:null,&quot;endTime&quot;:null}" data-component-name="Youtube2ToDOM"><div class="youtube-inner"><iframe src="https://www.youtube-nocookie.com/embed/Am2RU3FQ2Dk?rel=0&amp;autoplay=0&amp;showinfo=0&amp;enablejsapi=0" frameborder="0" loading="lazy" gesture="media" allow="autoplay; fullscreen" allowautoplay="true" allowfullscreen="true" width="728" height="409"></iframe></div></div><p>La premi&#232;re fois que je rencontre Jacques Fleurentin qui anime cette table ronde, nous sommes en seconde. Lui en D, moi en A&#8217;.<br>Avec &#171;&nbsp;Jacky&nbsp;&#187;, nous nous fr&#233;quentons un peu dans la cour du lyc&#233;e et &#224; quelques s&#233;ances dites de &#171;&nbsp;plein air&nbsp;&#187; &#224; l&#8217;&#233;poque, notamment du canoe-kayak.<br>Puis le bac et la vie nous s&#233;parent&nbsp;: il part faire Pharmacie avant de faire de la recherche en ethnopharmacologie, moi Lettres Classiques avant d&#8217;en faire aussi en Grammaire Compar&#233;e des Langues Indo-Europ&#233;ennes appliqu&#233;e &#224; l&#8217;Odyss&#233;e d&#8217;Hom&#232;re&#8230;<br>Adolescence et jeunesse normales de l&#8217;&#233;poque. Puis perdus de vue&#8230;</p><p>Des ann&#233;es plus tard, je me retrouve &#224; Paris, &#224; la Maison de la Radio sur France Inter, voisin de bureau de l&#8217;immense Jean-Marie Pelt, le seul professeur de fac qui ait obtenu un 7 d&#8217;Or pour un documentaire diffus&#233; sur la 1 &#232;re cha&#238;ne de t&#233;l&#233;vision, &#171;&nbsp;<a href="https://www.allocine.fr/film/fichefilm_gen_cfilm=277340.html">L&#8217;aventure des plantes</a>&nbsp;&#187;</p><p>Tr&#232;s vite nous serons tr&#232;s amis, il deviendra un &#171;&nbsp;pilier&nbsp;&#187; du Festival, nous nous impliquerons aupr&#232;s de Jacques Benv&#233;niste lors de &#171;&nbsp;l&#8217;Affaire de la M&#233;moire de l&#8217;Eau&nbsp;&#187;, nous p&#232;serons dans le d&#233;bat OGM avec Mich&#232;le Rivasi, Corine Lepage, Gilles Eric S&#233;ralini entre autres, et il m&#8217;&#233;veillera aux autres mani&#232;res de soigner, d&#8217;exp&#233;rimenter des cultures non occidentales, il me racontera ses aventures de jeune chercheur parti apprendre dans le vaste monde les &#171;&nbsp;recettes&nbsp;&#187; des sorciers/chamans qui lui vaudront sa th&#232;se de Doctorat etc etc etc&#8230;.<br>Passionnant.</p><p>Forc&#233;ment un jour de 1999 je lui propose de consacrer un Festival complet &#224; cette autre approche de la sant&#233; qui, hors le pillage des ressources, qu&#8217;il s&#8217;agisse des plantes ou du savoir, ne doit rien &#224; l&#8217;industrie pharmaceutique occidentale.<br>Comme chaque fois qu&#8217;il devait prendre une d&#233;cision, il laissa un petit blanc, puis l&#226;cha un sourire malicieux avant de me r&#233;pondre&nbsp;: &#171;&nbsp;j&#8217;aimerais bien te pr&#233;senter un de mes &#233;l&#232;ves qui travaille dans mon laboratoire &#224; Metz&nbsp;&#187;.<br>Et le week-end suivant, je me retrouve &#224; L&#8217;Institut Europ&#233;en d&#8217;Ecologie que Jean-Marie avait cr&#233;&#233; et qu&#8217;il pr&#233;sidait.<br>&#171;&nbsp;Son&nbsp;&#187; &#233;l&#232;ve, c&#8217;&#233;tait &#171;&nbsp;mon&nbsp;&#187; camarade Jacky, <a href="https://fr.wikipedia.org/wiki/Jacques_Fleurentin">Jacques Fleurentin</a>&#8230;</p><p>Oui, je sais, Platon, &#171;&nbsp;il faut suivre le r&#233;seau subtil des affinit&#233;s&nbsp;&#187;&#8230;</p><p>Bienvenue dans mes archives.</p><p>Jean-Yves Casgha, 06/26<br><br><br>TAROLOGIE Entretien <a href="https://www.babelio.com/auteur/-Tchalai/422157">TCHALAI&#776; </a>1984</p><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;f63ec09a-eed8-4b3c-925c-2295c1e7d832&quot;,&quot;duration&quot;:727.3796,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><p><strong>R&#233;serv&#233; aux abonn&#233;s :<br></strong>VOYANCE Entretiens FRAN&#199;OIS et FRAN&#199;OISE LAPLANTINE, ELIANE MOULIN (<em>Un voyant dans la ville</em>) 2/3 1987<br>AVENTURE Entretien JACQUES LEBEAU (Alaska) 2/2 1986<strong><br></strong>RE&#769;INCARNATION Entretien <a href="https://pere-biondi.ch/">PE&#768;RE BIONDI</a> 1985<br>SORCELLERIE Entretien <a href="https://www.babelio.com/auteur/Jean-Anne-Chalet/258308">JEAN-ANNE CHALET</a> (Peau de satan) 2/2 1984<br>MIRACLES Entretien <a href="https://gallica.bnf.fr/ark:/12148/bpt6k3330652x.texteImage">EMMANUEL PEZE</a> (<em>Les nouveaux lieux miraculeux</em>) 1984<br>MAGNETISME Entretien <a href="https://fr.wikipedia.org/wiki/Sven_Ortoli">SVEN ORTOLI</a> 1986<br>HYPNOSE Entretien JEAN-GABRIEL ALAFORT 1984</p><p><br><strong>Pensez &#224; nous suivre aussi sur notre page <a href="https://www.facebook.com/profile.php?id=100088764724660">facebook</a> pour connaitre toute notre actualit&#233;.</strong></p><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/subscribe?&quot;,&quot;text&quot;:&quot;S'abonner&quot;,&quot;language&quot;:&quot;fr&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption"><strong>CARE &#8211; ARCHIVES EN LIGNE</strong> est une publication ind&#233;pendante soutenue par ses lectrices et ses lecteurs. Pour acc&#233;der &#224; davantage de contenus, enrichis de sons, de photos et de vid&#233;os, et pour soutenir notre travail : Abonnez-vous ! 5 &#8364; / mois ou 30 &#8364; / an, merci</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Tapez votre e-mail&#8230;" tabindex="-1"><input type="submit" class="button primary" value="S'abonner"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><p><strong><br>Avertissement :</strong> Toutes les archives pr&#233;sentes sur ce site sont prot&#233;g&#233;es par le droit d&#8217;auteur. Toute reproduction, diffusion ou utilisation sans autorisation pr&#233;alable est strictement interdite. </p>
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   ]]></content:encoded></item><item><title><![CDATA[Les archives secrètes du boulevard de l'étrange # 48]]></title><description><![CDATA[ETHNOGRAPHIE, VOYANCE, AVENTURE, RHABDOMANCIE, TRIANGLE DES BERMUDES, HISTOIRE, RELIGION, SORCELLERIE]]></description><link>https://exotical.substack.com/p/les-archives-secretes-du-boulevard-611</link><guid isPermaLink="false">https://exotical.substack.com/p/les-archives-secretes-du-boulevard-611</guid><pubDate>Mon, 01 Jun 2026 18:09:17 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!9_GZ!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F1d013536-83aa-46c8-9420-a2925703a8b1_2224x1660.png" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/p/les-archives-secretes-du-boulevard-611?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Partager&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/p/les-archives-secretes-du-boulevard-611?utm_source=substack&utm_medium=email&utm_content=share&action=share"><span>Partager</span></a></p><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Partager CARE - ONLINE ARCHIVES&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/?utm_source=substack&utm_medium=email&utm_content=share&action=share"><span>Partager CARE - ONLINE ARCHIVES</span></a></p><p><strong><a href="https://exotical.substack.com/p/les-emissions">LES ARCHIVES SECRETES DU BOULEVARD DE L&#8217;&#201;TRANGE</a><br></strong><a href="https://exotical.substack.com/p/les-emissions">Index des &#233;missions du </a><em><strong><a href="https://exotical.substack.com/p/les-emissions">Boulevard de l&#8217;&#233;trange</a></strong></em><a href="https://exotical.substack.com/p/les-emissions"> d&#233;j&#224; publi&#233;es</a></p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!9_GZ!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F1d013536-83aa-46c8-9420-a2925703a8b1_2224x1660.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!9_GZ!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F1d013536-83aa-46c8-9420-a2925703a8b1_2224x1660.png 424w, https://substackcdn.com/image/fetch/$s_!9_GZ!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F1d013536-83aa-46c8-9420-a2925703a8b1_2224x1660.png 848w, https://substackcdn.com/image/fetch/$s_!9_GZ!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F1d013536-83aa-46c8-9420-a2925703a8b1_2224x1660.png 1272w, https://substackcdn.com/image/fetch/$s_!9_GZ!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F1d013536-83aa-46c8-9420-a2925703a8b1_2224x1660.png 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!9_GZ!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F1d013536-83aa-46c8-9420-a2925703a8b1_2224x1660.png" width="1456" height="1087" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/1d013536-83aa-46c8-9420-a2925703a8b1_2224x1660.png&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1087,&quot;width&quot;:1456,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:3907754,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/png&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://exotical.substack.com/i/199430165?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F1d013536-83aa-46c8-9420-a2925703a8b1_2224x1660.png&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!9_GZ!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F1d013536-83aa-46c8-9420-a2925703a8b1_2224x1660.png 424w, https://substackcdn.com/image/fetch/$s_!9_GZ!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F1d013536-83aa-46c8-9420-a2925703a8b1_2224x1660.png 848w, https://substackcdn.com/image/fetch/$s_!9_GZ!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F1d013536-83aa-46c8-9420-a2925703a8b1_2224x1660.png 1272w, https://substackcdn.com/image/fetch/$s_!9_GZ!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F1d013536-83aa-46c8-9420-a2925703a8b1_2224x1660.png 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a><figcaption class="image-caption">Jean Rouch en 2003 dans le film de Lionel &#8220;Fox&#8221; Magal  <strong><a href="https://exotical.substack.com/p/video-psykedeklik-trip-adventures-d8b">Psykedeklik trip adventures CRIUM DELIRIUM</a></strong></figcaption></figure></div><p>C&#8217;est l&#8217;immense Jean-Michel Arnold qui m&#8217;a pr&#233;sent&#233; son ami Jean Rouch.<br>Immense parce qu&#8217;il mesurait un bon m&#232;tre quatre-vingt dix, mais immense aussi par sa culture prodigieuse et son cv long comme le bras, du CNRS &#224; l&#8217;Unesco en passant notamment par la cr&#233;ation du Conseil International du Cin&#233;ma, de la T&#233;l&#233;vision et de la Communication Audio-Visuelle, tr&#232;s vite partenaire du Festival Science-Fronti&#232;res, et des Rencontres Internationales Images et Science qui nous avaient rapproch&#233;s.<br>C&#8217;&#233;tait l&#8217;&#233;poque o&#249; se cr&#233;ait la 5&#232; cha&#238;ne qui se voulait &#171;&nbsp;Cha&#238;ne de La Connaissance&nbsp;&#187;, et nous &#233;tions un certain nombre &#224; militer pour qu&#8217;elle int&#232;gre des &#233;missions scientifiques qui n&#8217;apparaissaient pas dans le cahier des charges initial&nbsp;: d&#233;j&#224; les technocrates pointaient et leurs formations &#171;&nbsp;Science Po/Ecole de Commerce&nbsp;&#187; les inclinaient tr&#232;s naturellement &#224; imaginer davantage une Cha&#238;ne de leurs connaissances.<br>Bref, une fois encore Platon m&#8217;ouvrait des portes -et les yeux&nbsp;!- avec son &#171;&nbsp;r&#233;seau subtil des affinit&#233;s qui relient&nbsp;&#187;&#8230;</p><p>En l&#8217;occurrence, Arnold et Rouch avaient en commun, en plus d&#8217;une insatiable curiosit&#233;, d&#8217;avoir &#233;t&#233; tous les deux des proches d&#8217;Henri Langlois, le fondateur de la Cin&#233;math&#232;que Fran&#231;aise, que les am&#233;ricains eux-m&#234;mes consid&#233;raient comme un des plus importants personnages de l&#8217;Histoire du Cin&#233;ma&nbsp;&#187;&nbsp;!<br>Et moi j&#8217;&#233;tais comme un petit gar&#231;on &#224; l&#8217;id&#233;e de croiser un homme qui avait suivi les cours de Mauss et de Griaule (devant qui il soutiendra sa th&#232;se d&#8217;ethnologie&nbsp;!) avant de tourner un film qui fera date sur le Niger (des sources &#224; l&#8217;oc&#233;an en pirogue&nbsp;!!!) ainsi, entre autres, que 5 sur les Dogons du Mali dont, jeune &#233;tudiant, la cosmogonie m&#8217;avait fascin&#233;&#8230;<br>Cerise sur le g&#226;teau, il avait cr&#233;&#233; d&#232;s 1961 &#171;&nbsp;le cin&#233;ma-v&#233;rit&#233;&nbsp;&#187;, avec un certain Edgar Morin que je rencontrerai beaucoup plus tard&#8230;<br>R&#233;seau subtil des affinit&#233;s qui relient&#8230;</p><p>Bref, avant de vous laisser &#233;couter Jean Rouch, je vous propose une p&#233;pite&nbsp;:<br><a href="https://www.radiofrance.fr/franceculture/podcasts/les-nuits-de-france-culture/jean-michel-arnold-jean-rouch-ne-faisait-pas-des-images-il-refaisait-l-iliade-et-l-odyssee-5241965">Jean-Michel Arnold raconte &#171;&nbsp;son&nbsp;&#187; Jean Rouch sur France Culture &#224; l&#8217;occasion du &#171;&nbsp;Centenaire Jean Rouch 2017&nbsp;&#187;</a>&nbsp;</p><p>Bienvenue dans mes archives.</p><p>Jean-Yves Casgha, 05/26<br><br><br>ETHNOGRAPHIE Entretien <a href="https://fr.wikipedia.org/wiki/Jean_Rouch">JEAN ROUCH</a> (Sorcellerie africaine) 1986</p><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;ec5337c8-365d-4eb9-929e-d6748c0e5cd4&quot;,&quot;duration&quot;:579.52655,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><p>VOYANCE Entretien <a href="https://fr.wikipedia.org/wiki/Georges_de_Bellerive">GEORGES DE BELLERIVE</a> (<em>Un voyant dans la ville</em>) 1/3 1987</p><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;004e9e5a-449d-4cd0-a309-0043cd6ca719&quot;,&quot;duration&quot;:1471.7388,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><p><strong>R&#233;serv&#233; aux abonn&#233;s :<br></strong>ETHNOGRAPHIE Entretien (Chutes) <a href="https://fr.wikipedia.org/wiki/Jean_Rouch">JEAN ROUCH</a> (Sorcellerie africaine) 1986<br>AVENTURE Entretien JACQUES LEBEAU (Alaska) 1/2 1986<br>RHABDOMANCIE Entretien JEAN-MARIE DESCHAMPS 1984 <br>TRIANGLE DES BERMUDES R&#233;cit <a href="https://exotical.substack.com/p/les-emissions">JEAN-YVES CASGHA</a> (Vol 17)  1983<br>HISTOIRE Entretien <a href="https://fr.wikipedia.org/wiki/Pierre_Carnac">PIERRE CARNAC</a> (Les Romains)  1984<br>RELIGION Entretien LOUIS KELLER (Baha&#239;sme / La paix) 1985<br>SORCELLERIE Entretien <a href="https://www.babelio.com/auteur/Jean-Anne-Chalet/258308">JEAN-ANNE CHALET</a> (Peau de satan) 1/2 1984</p><p><br><strong>Pensez &#224; nous suivre aussi sur notre page <a href="https://www.facebook.com/profile.php?id=100088764724660">facebook</a> pour connaitre toute notre actualit&#233;.</strong></p><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/subscribe?&quot;,&quot;text&quot;:&quot;S'abonner&quot;,&quot;language&quot;:&quot;fr&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption"><strong>CARE &#8211; ARCHIVES EN LIGNE</strong> est une publication ind&#233;pendante soutenue par ses lectrices et ses lecteurs. Pour acc&#233;der &#224; davantage de contenus, enrichis de sons, de photos et de vid&#233;os, et pour soutenir notre travail : Abonnez-vous ! 5 &#8364; / mois ou 30 &#8364; / an, merci</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Tapez votre e-mail&#8230;" tabindex="-1"><input type="submit" class="button primary" value="S'abonner"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><p><strong><br>Avertissement :</strong> Toutes les archives pr&#233;sentes sur ce site sont prot&#233;g&#233;es par le droit d&#8217;auteur. Toute reproduction, diffusion ou utilisation sans autorisation pr&#233;alable est strictement interdite. </p>
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   ]]></content:encoded></item><item><title><![CDATA[Les archives secrètes du boulevard de l'étrange # 47]]></title><description><![CDATA[MAGN&#201;TOTH&#201;RAPIE, RELIGION, HISTOIRE, ETHNOGRAPHIE, TRIANGLE DES BERMUDES, THANATOLOGIE, YI-KING, SYMBOLISME]]></description><link>https://exotical.substack.com/p/les-archives-secretes-du-boulevard-05d</link><guid isPermaLink="false">https://exotical.substack.com/p/les-archives-secretes-du-boulevard-05d</guid><pubDate>Mon, 25 May 2026 16:02:40 GMT</pubDate><enclosure url="https://substackcdn.com/image/youtube/w_728,c_limit/lZv1TJEJR_0" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/p/les-archives-secretes-du-boulevard-05d?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Partager&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/p/les-archives-secretes-du-boulevard-05d?utm_source=substack&utm_medium=email&utm_content=share&action=share"><span>Partager</span></a></p><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Partager CARE - ONLINE ARCHIVES&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/?utm_source=substack&utm_medium=email&utm_content=share&action=share"><span>Partager CARE - ONLINE ARCHIVES</span></a></p><p><strong><a href="https://exotical.substack.com/p/les-emissions">LES ARCHIVES SECRETES DU BOULEVARD DE L&#8217;&#201;TRANGE</a><br></strong><a href="https://exotical.substack.com/p/les-emissions">Index des &#233;missions du </a><em><strong><a href="https://exotical.substack.com/p/les-emissions">Boulevard de l&#8217;&#233;trange</a></strong></em><a href="https://exotical.substack.com/p/les-emissions"> d&#233;j&#224; publi&#233;es</a></p><div id="youtube2-lZv1TJEJR_0" class="youtube-wrap" data-attrs="{&quot;videoId&quot;:&quot;lZv1TJEJR_0&quot;,&quot;startTime&quot;:null,&quot;endTime&quot;:null}" data-component-name="Youtube2ToDOM"><div class="youtube-inner"><iframe src="https://www.youtube-nocookie.com/embed/lZv1TJEJR_0?rel=0&amp;autoplay=0&amp;showinfo=0&amp;enablejsapi=0" frameborder="0" loading="lazy" gesture="media" allow="autoplay; fullscreen" allowautoplay="true" allowfullscreen="true" width="728" height="409"></iframe></div></div><p>Le Boulevard de l&#8217;Etrange a eu beaucoup d&#8217;enfants, plus d&#8217;une trentaine au rythme d&#8217;un par an. En l&#8217;occurrence le Festival Science Fronti&#232;res, d&#8217;abord &#224; Puy St Vincent dans les Hautes Alpes, puis &#224; Cavaillon dans le Vaucluse et enfin &#224; Marseille.</p><p>Tout commence au si&#232;cle dernier par un reportage pour &#171;&nbsp;Les Bleus de la Nuit&nbsp;&#187; sur France Inter, une &#233;mission de Michel Bichebois qui permettait aux apprentis journalistes s&#233;lectionn&#233;s de faire leurs preuves de 3h &#224; 5h du matin, sous la houlette d&#8217;une r&#233;alisatrice rigoureuse au grand c&#339;ur, l&#8217;immense Ad&#232;le qui &#233;tait une &#171;&nbsp;institution&nbsp;&#187; sur la radio publique&#8230;<br>Je ne me souviens plus du sujet, mais je n&#8217;oublierai jamais le lieu, la station de ski de Puy-Saint-Vincent 1600, &#224; l&#8217;&#233;poque priv&#233;e, et la rencontre avec son directeur, Pierre Guichard.<br>Enfant du pays, donc n&#233; avec des skis, ancien militaire bourru dont la droiture &#233;tait une exigence et une n&#233;cessit&#233; de survie, il avait &#233;t&#233; de toutes les guerres.<br>Sa parole valait contrat, son sens de l&#8217;&#233;coute &#233;tait d&#233;j&#224; rare &#224; l&#8217;&#233;poque et son questionnement &#233;tait direct. Pierre n&#8217;avait rien d&#8217;un technocrate et nous avions tr&#232;s vite sympathis&#233;, d&#8217;autant plus que c&#8217;&#233;tait la fin de l&#8217;&#233;t&#233; et les Hautes Alpes sans neige, c&#8217;est tr&#232;s tr&#232;s beau aussi&#8230;</p><p>Bref il m&#8217;avait fait beaucoup parler, g&#233;n&#233;pi aidant&#8230;Ce que j&#8217;avais fait avant d&#8217;&#234;tre journaliste, ce que j&#8217;avais envie de faire apr&#232;s&#8230;Socrate dans les Alpes&#8230;<br>Un mois plus tard, j&#8217;avais la chance d&#8217;&#234;tre &#171;&nbsp;rep&#233;r&#233;&nbsp;&#187; par la nouvelle direction qui m&#8217;avait propos&#233; de rejoindre la grille des programmes de rentr&#233;e si j&#8217;avais une id&#233;e. Dans la nuit, &#171;&nbsp;j&#8217;inventais&nbsp;&#187; le Boulevard de l&#8217;Etrange.<br>Banco, j&#8217;&#233;tais &#224; l&#8217;antenne&nbsp;!<br>Et deux ou trois semaines plus tard, un appel t&#233;l&#233;phonique (vous savez les trucs en bak&#233;lite avec des fils torsad&#233;s reli&#233;s aux murs et un cadran circulaire &#224; ressorts): &#171;&nbsp;Bonjour, c&#8217;est Pierre Guichard&nbsp;! Vous avez toujours votre id&#233;e de Festival&nbsp;? Je monte &#224; Paris la semaine prochaine et si c&#8217;est oui je vous invite &#224; d&#233;jeuner&nbsp;&#187;.<br>Toujours droit au but.<br>Je lui en avais donc parl&#233;, c&#8217;&#233;tait juste une id&#233;e d&#8217;un lieu de rencontres intelligentes qui me semblait cruellement manquer&#8230;<br>&#171;&nbsp;C&#8217;est simple, me dit-il en s&#8217;asseyant &#224; la table de la Brasserie Les Ondes en face de la Maison de la Radio, la derni&#232;re semaine de Janvier qui ne comporte pas de jours de F&#233;vrier, je n&#8217;ai personne &#224; la station. Soit je ferme, soit je cr&#233;e un &#233;v&#232;nement pour attirer du monde. Et si c&#8217;est le v&#244;tre, ce sera mon choix&nbsp;!&nbsp;&#187;<br>A peine le temps de bredouiller &#171;&nbsp;Mais Pierre, je n&#8217;ai jamais organis&#233; d&#8217;&#233;v&#232;nement&nbsp;!&nbsp;&#187; qu&#8217;il prend la carte en paraphrasant Churchill dans un grand sourire &#171;&nbsp;pas grave, l&#224; o&#249; il y a un homme, il y a un chemin&nbsp;! Et puis je serai l&#224; pour la logistique, c&#8217;est mon m&#233;tier&nbsp;&#187;&#8230;</p><p>17 ans plus tard, &#224; Cavaillon, c&#8217;&#233;tait l&#8217;An 2000 et du 25 au 29 janvier nous allions aborder le th&#232;me TRADITIONS ET INNOVATIONS avec comme chaque ann&#233;e une magnifique affiche de Patrice Serres, compagnon de route que beaucoup connaissent pour ses bandes dessin&#233;es, mais ignorent qu&#8217;il &#233;tait aussi un sinologue tr&#232;s averti au savoir et &#224; la curiosit&#233; in&#233;puisables&#8230;</p><p>La table ronde que nous avons choisie aujourd&#8217;hui avec Gabin Noir du CARE s&#8217;intitule &#171;&nbsp;Faut-il &#234;tre h&#233;r&#233;tique pour innover en Science&nbsp;?&nbsp;&#187;.<br>Son incroyable force, c&#8217;est qu&#8217;elle n&#8217;a pas pris une ride et qu&#8217;elle est toujours d&#8217;actualit&#233;.<br>Son terrible drame, c&#8217;est pr&#233;cis&#233;ment qu&#8217;elle n&#8217;a pas pris une ride et qu&#8217;elle est toujours d&#8217;actualit&#233;.<br>Elle est anim&#233;e par Jean-Pierre Lentin (Actuel) avec Jean-Pierre Petit, Jacques Benv&#233;niste, Marie-Ang&#232;le Hermitte, Jean-Marie Souriau, Michel Schiff.<br>Mais aussi intervenant depuis la salle, R&#233;my Chauvin, Jacques Testart, Gilles-Eric S&#233;ralini, Jo&#235;l Sterheimer, Jean-Paul Bib&#233;rian et Didier Van Cauvelaert.</p><p>Bienvenue dans le paradoxe temporel et dans mes archives.<br>Jean-Yves Casgha, 05/26</p><p>MAGN&#201;TOTH&#201;RAPIE Entretien JEAN-BERNARD BARON (<em>Les aimants dans la m&#233;decine d&#8217;aujourd&#8217;hui</em>) 1985 3/3</p><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;bb2e0ceb-ccb5-48b1-a2d7-a09e93a53e45&quot;,&quot;duration&quot;:1001.1429,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><p><br><strong>R&#233;serv&#233; aux abonn&#233;s :<br></strong>RELIGION Entretien (Chutes) <a href="https://fr.wikipedia.org/wiki/Jean_Prieur">JEAN PRIEUR</a> (<em>Zarathoustra, homme de lumi&#232;re</em>) 1984<br>HISTOIRE Entretien BERNARD LEJEUNE (Staline) 2/2 1985<br>ETHNOGRAPHIE Entretien <a href="https://www.babelio.com/auteur/Jean-Marie-Gibbal/54833">JEAN-MARIE GIBBAL</a> (Sahel) 2/2  1984 <br>TRIANGLE DES BERMUDES Re&#769;cit <a href="https://exotical.substack.com/p/les-emissions">JEAN-YVES CASGHA</a> 1983<br>THANATOLOGIE Entretien <a href="https://fr.wikipedia.org/wiki/Ioanna_Andreesco">IOANNA ANDREESCO</a> 1983<br>YI-KING Entretien <a href="https://fr.wikipedia.org/wiki/Pascale_Lismonde">PASCALE LISMONDE</a> 2/2 1984<br>SYMBOLISME Entretien <a href="https://www.revue3emillenaire.com/blog/">BRUNO TOTVANIAN</a> (Revue <em>3e mill&#233;naire</em>) 1984<br><br><strong>Pensez &#224; nous suivre aussi sur notre page <a href="https://www.facebook.com/profile.php?id=100088764724660">facebook</a> pour connaitre toute notre actualit&#233;.</strong></p><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/subscribe?&quot;,&quot;text&quot;:&quot;S'abonner&quot;,&quot;language&quot;:&quot;fr&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption"><strong>CARE &#8211; ARCHIVES EN LIGNE</strong> est une publication ind&#233;pendante soutenue par ses lectrices et ses lecteurs. Pour acc&#233;der &#224; davantage de contenus, enrichis de sons, de photos et de vid&#233;os, et pour soutenir notre travail : Abonnez-vous ! 5 &#8364; / mois ou 30 &#8364; / an, merci</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Tapez votre e-mail&#8230;" tabindex="-1"><input type="submit" class="button primary" value="S'abonner"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><p><strong><br>Avertissement :</strong> Toutes les archives pr&#233;sentes sur ce site sont prot&#233;g&#233;es par le droit d&#8217;auteur. Toute reproduction, diffusion ou utilisation sans autorisation pr&#233;alable est strictement interdite. </p>
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   ]]></content:encoded></item><item><title><![CDATA[JEAN HOUSTON (1937-2026)]]></title><description><![CDATA[ARCHIVES: STANLEY KRIPPNER, WILLARD VAN DE BOGART]]></description><link>https://exotical.substack.com/p/jean-houston-1937-2026</link><guid isPermaLink="false">https://exotical.substack.com/p/jean-houston-1937-2026</guid><pubDate>Tue, 19 May 2026 18:30:30 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!G3wW!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F8da54e63-1b0c-4877-8200-9a329ee8f46c_854x990.png" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/p/jean-houston-1937-2026?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Partager&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/p/jean-houston-1937-2026?utm_source=substack&utm_medium=email&utm_content=share&action=share"><span>Partager</span></a></p><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Partager CARE - ONLINE ARCHIVES&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/?utm_source=substack&utm_medium=email&utm_content=share&action=share"><span>Partager CARE - ONLINE ARCHIVES</span></a></p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!G3wW!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F8da54e63-1b0c-4877-8200-9a329ee8f46c_854x990.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!G3wW!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F8da54e63-1b0c-4877-8200-9a329ee8f46c_854x990.png 424w, https://substackcdn.com/image/fetch/$s_!G3wW!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F8da54e63-1b0c-4877-8200-9a329ee8f46c_854x990.png 848w, https://substackcdn.com/image/fetch/$s_!G3wW!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F8da54e63-1b0c-4877-8200-9a329ee8f46c_854x990.png 1272w, 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class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a><figcaption class="image-caption">Jean Houston (left) and the Altered States of Consciousness Induction Device (ASCID)</figcaption></figure></div><p>ARCHIVE STANLEY KRIPPNER<br>Index of previously published documents (coming soon)<br><a href="https://stanleykrippner.weebly.com/">Stanley Krippner&#8217;s official website</a><br><br>PSYCHEDELIA Lecture <a href="https://en.wikipedia.org/wiki/Jean_Houston">JEAN HOUSTON </a>(The experimental induction of religious experience)</p><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;5053e88f-c031-4352-afcb-687e557ee0a0&quot;,&quot;duration&quot;:3497.5085,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!nJS4!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb8d28ac2-ecae-477e-906e-a2ceb16c23d5_1180x1600.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!nJS4!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb8d28ac2-ecae-477e-906e-a2ceb16c23d5_1180x1600.png 424w, 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srcset="https://substackcdn.com/image/fetch/$s_!nJS4!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb8d28ac2-ecae-477e-906e-a2ceb16c23d5_1180x1600.png 424w, https://substackcdn.com/image/fetch/$s_!nJS4!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb8d28ac2-ecae-477e-906e-a2ceb16c23d5_1180x1600.png 848w, https://substackcdn.com/image/fetch/$s_!nJS4!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb8d28ac2-ecae-477e-906e-a2ceb16c23d5_1180x1600.png 1272w, https://substackcdn.com/image/fetch/$s_!nJS4!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb8d28ac2-ecae-477e-906e-a2ceb16c23d5_1180x1600.png 1456w" sizes="100vw"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a><figcaption class="image-caption">Charles Honorton, Harry Hermon (in ASCID) and Stanley Krippner, Maimonides Medical Center, Brooklyn NY, 1974, in Horizon vol. XVI, N&#176;1 - Photo: Don Snyder</figcaption></figure></div><p><strong><a href="https://exotical.substack.com/publish/post/171264594">ARCHIVE WILLARD VAN DE BOGART / ETHER SHIP</a></strong><a href="https://exotical.substack.com/publish/post/171264594"><br>Index of previously published documents</a></p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!gD0c!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F24413454-57bb-4552-91af-dc093d6b5224_5152x6772.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!gD0c!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F24413454-57bb-4552-91af-dc093d6b5224_5152x6772.jpeg 424w, 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ARCHIVES</span></a></p><p><strong><a href="https://exotical.substack.com/p/les-emissions">LES ARCHIVES SECRETES DU BOULEVARD DE L&#8217;&#201;TRANGE</a><br></strong><a href="https://exotical.substack.com/p/les-emissions">Index des &#233;missions du </a><em><strong><a href="https://exotical.substack.com/p/les-emissions">Boulevard de l&#8217;&#233;trange</a></strong></em><a href="https://exotical.substack.com/p/les-emissions"> d&#233;j&#224; publi&#233;es</a></p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!zMQ3!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F20e108d4-318a-4ca9-80f9-5dcd97baba6f_1534x968.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!zMQ3!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F20e108d4-318a-4ca9-80f9-5dcd97baba6f_1534x968.png 424w, https://substackcdn.com/image/fetch/$s_!zMQ3!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F20e108d4-318a-4ca9-80f9-5dcd97baba6f_1534x968.png 848w, https://substackcdn.com/image/fetch/$s_!zMQ3!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F20e108d4-318a-4ca9-80f9-5dcd97baba6f_1534x968.png 1272w, https://substackcdn.com/image/fetch/$s_!zMQ3!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F20e108d4-318a-4ca9-80f9-5dcd97baba6f_1534x968.png 1456w" sizes="100vw"><img 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srcset="https://substackcdn.com/image/fetch/$s_!zMQ3!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F20e108d4-318a-4ca9-80f9-5dcd97baba6f_1534x968.png 424w, https://substackcdn.com/image/fetch/$s_!zMQ3!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F20e108d4-318a-4ca9-80f9-5dcd97baba6f_1534x968.png 848w, https://substackcdn.com/image/fetch/$s_!zMQ3!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F20e108d4-318a-4ca9-80f9-5dcd97baba6f_1534x968.png 1272w, https://substackcdn.com/image/fetch/$s_!zMQ3!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F20e108d4-318a-4ca9-80f9-5dcd97baba6f_1534x968.png 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a><figcaption class="image-caption">Nicholas Roerich, Tibet Himalaya, 1933 - Creative Commons (CC)</figcaption></figure></div><p>A 18 ans, ce jeune homme de bonne famille (p&#232;re diplomate, &#233;tudes en France et en Grande Bretagne) lit par hasard <em>Tibet Secret</em> publi&#233; 3 ans plus t&#244;t, en 1951.<br>Foudroy&#233; par ce pays &#233;trange, il d&#233;cide aussit&#244;t d&#8217;apprendre la grammaire tib&#233;taine pour essayer d&#8217;en ma&#238;triser la langue&#8230;<br>Sauf que la Chine a annex&#233; le pays, aussit&#244;t ferm&#233; aux &#233;trangers&#8230;<br>Qu&#8217;&#224; cela ne tienne, tout en pers&#233;v&#233;rant dans l&#8217;apprentissage du tib&#233;tain, il part explorer le Mexique et &#224; 21 ans il a d&#233;couvert 14 sites mayas en pleine for&#234;t tropicale.<br>C&#8217;est d&#233;cid&#233;, il sera explorateur, ethnologue, tib&#233;tologue bien entendu, &#233;crivain et r&#233;alisateur, accessoirement inventeur&nbsp;: c&#8217;est lui qui cr&#233;&#233; l&#8217;a&#233;roglisseur &#224; une seule h&#233;lice qu&#8217;il perfectionnera avec un second brevet sur la &#171;&nbsp;jupe&nbsp;&#187; de l&#8217;engin, uniquement parce qu&#8217;il en avait besoin pour explorer la c&#244;te du Yucatan, pays des mayas&#8230;</p><p>Mais l&#8217;Himalaya est plus fort que tout&nbsp;: &#224; pied ou &#224; dos de mulet il y consacrera sa vie, tr&#232;s aid&#233; par sa connaissance de plus en plus intime de la langue.<br>Et comme l&#8217;indiquait la couverture de son livre paru chez Robert Laffont,&nbsp;<em>L&#8217;Or des Fourmis</em>, &#171;&nbsp;ces &#233;tonnants visages europ&#233;ens &#224; la peau claire, Michel Peissel les a rencontr&#233;s en plein coeur interdit de l&#8217;Himalaya : ils appartiennent &#224; la tribu Minaro, les derniers blancs du Tibet.</p><p>Depuis 1960, Michel Peissel sillonne l&#8217;Himalaya: il a &#233;t&#233; le premier &#224; nous en r&#233;v&#233;ler les royaumes les plus secrets : le Mustang, le Bhoutan, le Zanskar et le pays Kham dont les cavaliers ont vaillamment combattu les Chinois.<br>Ses derni&#232;res exp&#233;ditions lui ont permis de vivre une aventure digne de Kipling: v&#234;tu en Minaro, il a pu p&#233;n&#233;trer le pays des fourmis g&#233;antes chercheuses d&#8217;or, l&#8217;Eldorado grec qu&#8217;a d&#233;crit H&#233;rodote, cette contr&#233;e fabuleuse que, depuis 2500 ans, aventuriers, savants et soldats, y compris Alexandre le Grand, ont vainement tent&#233; d&#8217;atteindre.<br>La rencontre des Minaros, ces Aryens de l&#8217;Himalaya, est une v&#233;ritable d&#233;couverte, une plong&#233;e dans un monde inconnu aux fronti&#232;res de l&#8217;&#226;ge de pierre&nbsp;&#187;.</p><p>Etonnant, non&nbsp;? Si quelqu&#8217;un devait arpenter le Boulevard de l&#8217;Etrange, c&#8217;&#233;tait bien Michel Peissel&nbsp;!</p><p>Bienvenue dans mes archives.<br>Jean-Yves Casgha, 05/26</p><p>HISTOIRE MYST&#201;RIEUSE Entretien <a href="https://fr.wikipedia.org/wiki/Michel_Peissel">MICHEL PEISSEL</a> (L'or des fourmis) 1985</p><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;84859bbc-86fa-49f5-8f8b-6835984e8947&quot;,&quot;duration&quot;:899.9184,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><p>MAGN&#201;TOTH&#201;RAPIE Entretien JEAN-BERNARD BARON (<em>Les aimants dans la m&#233;decine d&#8217;aujourd&#8217;hui</em>) 1985 2/3</p><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;1accca7b-9ab9-43ea-b544-2186dc4f300c&quot;,&quot;duration&quot;:1149.7534,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><p><br><strong>R&#233;serv&#233; aux abonn&#233;s :<br></strong>GE&#769;OBIOLOGIE Entretien EUGE&#768;NE FERRY 1987<strong><br></strong>IRRATIONNEL Entretien <a href="https://www.babelio.com/auteur/Stephane-Deligeorges/2787">STE&#769;PHANE DELIGEORGES</a> 3/3 1986<br>HISTOIRE Entretien BERNARD LEJEUNE (Staline) 1/2 1985<br>ETHNOGRAPHIE Entretien <a href="https://www.babelio.com/auteur/Jean-Marie-Gibbal/54833">JEAN-MARIE GIBBAL</a> (Housse&#239;ni) 1/2  1984 <br>SCIENCE-FICTION Entretien <a href="https://fr.wikipedia.org/wiki/Bernard_Lenteric">BERNARD LENTERIC</a> (<em>La guerre des cerveaux</em>) 2/2 1985<br>RENNES-LE-CHATEAU Entretien <a href="https://www.chasse-aux-livres.fr/prix/222625224X/histoire-secrete-du-pays-basque-michel-lamy?query=Michel%20Lamy">MICHEL LAMY</a> 1984<br>ZEN Entretien <a href="https://fr.wikipedia.org/wiki/Roland_Yuno_Rech">ROLAND RECH</a> 1984<br><br><strong>Pensez &#224; nous suivre aussi sur notre page <a href="https://www.facebook.com/profile.php?id=100088764724660">facebook</a> pour connaitre toute notre actualit&#233;.</strong></p><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/subscribe?&quot;,&quot;text&quot;:&quot;S'abonner&quot;,&quot;language&quot;:&quot;fr&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption"><strong>CARE &#8211; ARCHIVES EN LIGNE</strong> est une publication ind&#233;pendante soutenue par ses lectrices et ses lecteurs. Pour acc&#233;der &#224; davantage de contenus, enrichis de sons, de photos et de vid&#233;os, et pour soutenir notre travail : Abonnez-vous ! 5 &#8364; / mois ou 30 &#8364; / an, merci</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Tapez votre e-mail&#8230;" tabindex="-1"><input type="submit" class="button primary" value="S'abonner"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><p><strong><br>Avertissement :</strong> Toutes les archives pr&#233;sentes sur ce site sont prot&#233;g&#233;es par le droit d&#8217;auteur. Toute reproduction, diffusion ou utilisation sans autorisation pr&#233;alable est strictement interdite. </p>
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   ]]></content:encoded></item><item><title><![CDATA[Video : Psykedeklik trip adventures CRIUM DELIRIUM par Lionel "Fox" Magal]]></title><description><![CDATA[ARCHIVE LIONEL "FOX" MAGAL]]></description><link>https://exotical.substack.com/p/video-psykedeklik-trip-adventures-d8b</link><guid isPermaLink="false">https://exotical.substack.com/p/video-psykedeklik-trip-adventures-d8b</guid><pubDate>Thu, 14 May 2026 21:10:35 GMT</pubDate><enclosure url="https://substackcdn.com/image/youtube/w_728,c_limit/yW1uHadbkxc" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/p/video-psykedeklik-trip-adventures-d8b?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Partager&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/p/video-psykedeklik-trip-adventures-d8b?utm_source=substack&utm_medium=email&utm_content=share&action=share"><span>Partager</span></a></p><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Partager CARE - ONLINE ARCHIVES&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/?utm_source=substack&utm_medium=email&utm_content=share&action=share"><span>Partager CARE - ONLINE ARCHIVES</span></a></p><div id="youtube2-yW1uHadbkxc" class="youtube-wrap" data-attrs="{&quot;videoId&quot;:&quot;yW1uHadbkxc&quot;,&quot;startTime&quot;:null,&quot;endTime&quot;:null}" data-component-name="Youtube2ToDOM"><div class="youtube-inner"><iframe src="https://www.youtube-nocookie.com/embed/yW1uHadbkxc?rel=0&amp;autoplay=0&amp;showinfo=0&amp;enablejsapi=0" frameborder="0" loading="lazy" gesture="media" allow="autoplay; fullscreen" allowautoplay="true" allowfullscreen="true" width="728" height="409"></iframe></div></div><p><a href="https://exotical.substack.com/p/video-psykedeklik-trip-adventures">English Version</a><strong><br>Psykedeklik Trip Adventures &#8211; Crium Delirium</strong>, 2012<br>Un film de Lionel &#8220;Fox&#8221; Magal <br>Montage Mauricio Perez<br>Production Cristine Asperti<br>Ce film &#233;tait inclus dans le livre <em>Psykedeklik Road Book</em> des &#233;ditions Liber Amicorum.</p><blockquote><p>En 1968, les fr&#232;res Magal, Thierry et Lionel, fondent le Groupe artistique polyvalent d&#8217;Actions &amp; d&#8217;interventions : CRIUM D&#201;LIRIUM CIRCUS. Dans cette p&#233;riode stup&#233;fiante, ahurissante, inou&#239;e et ph&#233;nom&#233;nale, ce groupe &#224; g&#233;om&#233;trie variable ne veut faire ni disques ni concessions avec &#171; l&#8217;establishment &#187;. Il sera n&#233;anmoins reconnu par toute sa famille po&#233;tique, politique et spirituelle comme &#233;tant repr&#233;sentatif pour les &#171; seventies &#187; du mouvement &#171; Psychedelic Nomad &#187;, une alternative utopiste en Europe et au-del&#224;.</p><p>Ce <em>Liber Amicorum</em> comme le Road Movie qui l&#8217;accompagne, retrace l&#8217;histoire extraordinaire de ce groupe mythique fran&#231;ais et de ses rencontres.<br>Lionel Fox Magal, alias &#171; le Renard &#187;, s&#8217;auto-proclam&#233; r&#233;alisateur-multim&#233;dia d&#232;s la sortie des Arts appliqu&#233;s pendant la &#171; r&#233;-&#233;volution &#187; culturelle de 68. Plasticien vid&#233;aste performer, drummer cuisinier voyageur, conteur passeur, compositeur musicien, il nous fait partager ses &#171; exp&#233;riences d&#233;lirantes XXL &#187;.<br>Thierry Magal, alias &#171; Mat&#8217;Lagam &#187;, guitariste, compositeur de musiques de films, dont <em>Le Camion</em> de Marguerite Duras, a &#233;tudi&#233; &#224; la Schola Cantorum avec ses ma&#238;tres Ida Presti et Alexandre Lagoya, de 1967 &#224; 1970.</p><p>Un film in&#233;dit &#171; Psykedeklik Trip Adventures &#187;, un floril&#232;ge &#171; VideoFox &#187;, accompagne ce livre. La musique de Crium D&#233;lirium et l&#8217;univers des compositions contemporaines &#233;lectroniques de Thierry et Lionel rythment l&#8217;ensemble. Un patchwork d&#233;tonnant. Une pure cr&#233;ation multim&#233;dia envoutante et unique.</p><p>&#8230;Bienvenue dans le <em>Liber Amicorum</em> de Crium D&#233;lirium.<br>Venez d&#233;couvrir les myst&#233;rieuses C&#233;l&#233;brations &amp; Cosmiques Concerts de Musiques populaires, le Th&#233;&#226;tre d&#8217;Action Total, &#171; No Bomb &#187;, les l&#226;chers de poules et de papillons dans l&#8217;Arche de No&#233; en 1970, les extraordinaires OBE (Out of Body Experience), l&#8217;arm&#233;e des clowns et la Hog Farm community, les grands rassemblements et les &#171; caravan trips &#187;, de bus bariol&#233;s en route vers l&#8217;Orient, &#171; les chemins de Kathmandu &#187;, &#171; Nous, enfants du monde avec notre drapeau de la Terre... &#187;<br>De ces documents sauv&#233;s des flammes, de ces lointaines &#233;pop&#233;es, Illiades &amp; Space Odyss&#233;es d&#8217;aujourd&#8217;hui, saga Ekologik Adventures, bonheur des rencontres et des retrouvailles, de ces tr&#233;sors de pirates du savoir et de la connaissances, est n&#233;e cette anthologie intimiste.</p><p>Et comme Fox l&#8217;affirme : &#171; ... Avec Crium D&#233;lirium, enfin du sid&#233;rant dans le sid&#233;ral ! In the cosmic time, franchissons les limites de l&#8217;espace et du temps et prenons conscience de l&#8217;&#233;nergie qui nous fait vivre et anime toute chose. &#187;</p><p>Cristine Asperti, introduction au <em>Psykedeklik Road Book</em></p></blockquote><p>Vous pourrez croiser dans ce road trip :<br>Victor &amp; Vidal Angel<br>Michel Asso<br>Michel &amp; Tina Bastian<br>Jean-Fran&#231;ois Bizot<br>Klaus Blasquiz<br>Pierre Barouh<br>Michel-Antoine Burnier<br>Daniel Caux<br>Antoine De Caunes<br>Pierre Cl&#233;menti<br>Joe Corbeau (Georges Ohannessian)<br>Peter Coyote<br>Polo Czermak<br>Sa Saintet&#233; le Dalai Lama<br>Jean Paul Demarque<br>Alain Dister<br>Cyril Dohar<br>Orgyen Trinley Dorje XVII Karmapa<br>Jacques Dudon<br>Alain Loy Ehrlich<br>Jean Jacques Fafet <br>Michel Giroud, El Coyote<br>Jean Giraud (&#8220;Moebius&#8221;)<br>Joel Hubaut<br>Julia Hill (&#8220;Butterfly&#8221;)<br>Dominique Joubert<br>Jean Marc Kerguelen<br>Jean-Jacques Lebel<br>Timothy Leary<br>Daniel L&#233;onard<br>Jean De Loisy<br>Diego Losa<br>Lily Magal<br>Paul Magal<br>Thierry Magal<br>Jonas Mekas<br>Micha&#235;l Memmi<br>Patrick Mennyer<br>Marc-Alexandre Millanvoye<br>Joachim Montessuis<br>Aguigui &#8220;Mouna&#8221;<br>Yoko Ono<br>Orlan<br>Emmanuelle Parrenin<br>Jacques Pasquier<br>Charlemagne Palestine<br>Erik Patrix<br>Patrice &#8220;Free&#8221; Quentin<br>Thierry Robert<br>Philippe Ronce<br>Jean Rouch<br>Saul Rouda<br>Terry Riley<br>Patti Smith<br>Jacques Stroweis<br>Michel Such<br>Ben Vautier<br>Wavy Gravy<br>La Monte Young<br>Mariane Zazeela<br>Marc Zermati<br>ainsi que plusieurs membres du Living Theatre et de la communaut&#233; Hog Farm.</p>]]></content:encoded></item><item><title><![CDATA[Video: Psykedeklik trip adventures CRIUM DELIRIUM by Lionel "Fox" Magal]]></title><description><![CDATA[ARCHIVE LIONEL "FOX" MAGAL]]></description><link>https://exotical.substack.com/p/video-psykedeklik-trip-adventures</link><guid isPermaLink="false">https://exotical.substack.com/p/video-psykedeklik-trip-adventures</guid><pubDate>Thu, 14 May 2026 21:07:33 GMT</pubDate><enclosure url="https://substackcdn.com/image/youtube/w_728,c_limit/yW1uHadbkxc" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/p/video-psykedeklik-trip-adventures?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Partager&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/p/video-psykedeklik-trip-adventures?utm_source=substack&utm_medium=email&utm_content=share&action=share"><span>Partager</span></a></p><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Partager CARE - ONLINE ARCHIVES&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/?utm_source=substack&utm_medium=email&utm_content=share&action=share"><span>Partager CARE - ONLINE ARCHIVES</span></a></p><div id="youtube2-yW1uHadbkxc" class="youtube-wrap" data-attrs="{&quot;videoId&quot;:&quot;yW1uHadbkxc&quot;,&quot;startTime&quot;:null,&quot;endTime&quot;:null}" data-component-name="Youtube2ToDOM"><div class="youtube-inner"><iframe src="https://www.youtube-nocookie.com/embed/yW1uHadbkxc?rel=0&amp;autoplay=0&amp;showinfo=0&amp;enablejsapi=0" frameborder="0" loading="lazy" gesture="media" allow="autoplay; fullscreen" allowautoplay="true" allowfullscreen="true" width="728" height="409"></iframe></div></div><p><a href="https://exotical.substack.com/p/video-psykedeklik-trip-adventures-d8b">Version fran&#231;aise</a><strong><br>Psykedeklik Trip Adventures &#8211; Crium Delirium</strong>, 2012<br>A film by Lionel &#8220;Fox&#8221; Magal <br>Edited by Mauricio Perez<br>Produced by Cristine Asperti<br>This film was included with the book <em>Psykedeklik Road Book</em>, published by Liber Amicorum Editions.</p><blockquote><p>In 1968, the Magal brothers, Thierry and Lionel, founded the multidisciplinary artistic action and intervention group: CRIUM D&#201;LIRIUM CIRCUS. During this staggering, mind-blowing, unheard-of and phenomenal era, this ever-shifting collective refused to make records or compromises with &#8220;the establishment.&#8221; Yet it would come to be recognized by its entire poetic, political and spiritual family as representative of the &#8220;seventies&#8221; <em>Psychedelic Nomad</em> movement, a utopian alternative in Europe and beyond.</p><p>This <em>Liber Amicorum</em>, along with the Road Movie that accompanies it, retraces the extraordinary story of this mythical French group and the encounters that shaped it.<br>Lionel Fox Magal, aka &#8220;the Fox,&#8221; proclaimed himself a multimedia filmmaker upon leaving the School of Applied Arts during the cultural &#8220;re-evolution&#8221; of &#8217;68. Visual artist, video performer, drummer, cook, traveler, storyteller, ferryman, composer and musician, he invites us to share his &#8220;XXL delirious experiences.&#8221;<br>Thierry Magal, aka &#8220;Mat&#8217;Lagam,&#8221; guitarist and film music composer &#8212; notably for <em>Le Camion</em> by Marguerite Duras &#8212; studied at the Schola Cantorum under masters Ida Presti and Alexandre Lagoya from 1967 to 1970.<br><br>An unreleased film, &#171; Psykedeklik Trip Adventures &#187;, along with a &#171; VideoFox &#187; anthology, accompanies this book. The music of Crium D&#233;lirium and the world of Thierry and Lionel&#8217;s contemporary electronic compositions shape the rhythm of the whole. An explosive patchwork. A unique and spellbinding multimedia creation.</p><p>&#8230;Welcome to the <em>Liber Amicorum</em> of Crium D&#233;lirium.<br>Come discover the mysterious Celebrations &amp; Cosmic Concerts of Popular Music, the Theatre of Total Action, &#8220;No Bomb,&#8221; the release of chickens and butterflies inside Noah&#8217;s Ark in 1970, extraordinary OBE (Out of Body Experiences), the army of clowns and the Hog Farm community, the great gatherings and &#8220;caravan trips&#8221; aboard brightly painted buses heading East, &#8220;the roads to Kathmandu,&#8221; &#8220;We, children of the world with our flag of the Earth...&#8221;<br>From documents rescued from the flames, from distant epics, today&#8217;s Iliads &amp; Space Odysseys, the <em>Ekologik Adventures</em> saga, the joy of reunions and rediscoveries, from these pirate treasures of knowledge and consciousness, this intimate anthology was born.<br><br>And as Fox declares: &#8220;&#8230;With Crium D&#233;lirium, at last something staggering in the sidereal! <em>In the cosmic time</em>, let us cross the limits of space and time and become aware of the energy that gives us life and animates all things.&#8221;</p><p>Cristine Asperti, introduction to the <em>Psykedeklik Road Book</em></p></blockquote><p>You may encounter along this road trip:<br>Victor &amp; Vidal Angel<br>Michel Asso<br>Michel &amp; Tina Bastian<br>Jean-Fran&#231;ois Bizot<br>Klaus Blasquiz<br>Pierre Barouh<br>Michel-Antoine Burnier<br>Daniel Caux<br>Antoine De Caunes<br>Pierre Cl&#233;menti<br>Joe Corbeau (Georges Ohannessian)<br>Peter Coyote<br>Polo Czermak<br>Sa Saintet&#233; le Dalai Lama<br>Jean Paul Demarque<br>Alain Dister<br>Cyril Dohar<br>Orgyen Trinley Dorje XVII Karmapa<br>Jacques Dudon<br>Alain Loy Ehrlich<br>Jean Jacques Fafet <br>Michel Giroud, El Coyote<br>Jean Giraud (&#8220;Moebius&#8221;)<br>Joel Hubaut<br>Julia Hill (&#8220;Butterfly&#8221;)<br>Dominique Joubert<br>Jean Marc Kerguelen<br>Jean-Jacques Lebel<br>Timothy Leary<br>Daniel L&#233;onard<br>Jean De Loisy<br>Diego Losa<br>Lily Magal<br>Paul Magal<br>Thierry Magal<br>Jonas Mekas<br>Micha&#235;l Memmi<br>Patrick Mennyer<br>Marc-Alexandre Millanvoye<br>Joachim Montessuis<br>Aguigui &#8220;Mouna&#8221;<br>Yoko Ono<br>Orlan<br>Emmanuelle Parrenin<br>Jacques Pasquier<br>Charlemagne Palestine<br>Erik Patrix<br>Patrice &#8220;Free&#8221; Quentin<br>Thierry Robert<br>Philippe Ronce<br>Jean Rouch<br>Saul Rouda<br>Terry Riley<br>Patti Smith<br>Jacques Stroweis<br>Michel Such<br>Ben Vautier<br>Wavy Gravy<br>La Monte Young<br>Mariane Zazeela<br>Marc Zermati<br>as well as several members of the Living Theatre and the Hog Farm community.</p>]]></content:encoded></item><item><title><![CDATA[Videos: Collage Clips of mind control, compiled by Cheryl Welsh]]></title><description><![CDATA[ARCHIVE PRISM ESCAPE]]></description><link>https://exotical.substack.com/p/videos-collage-clips-of-mind-control</link><guid isPermaLink="false">https://exotical.substack.com/p/videos-collage-clips-of-mind-control</guid><pubDate>Thu, 14 May 2026 16:07:33 GMT</pubDate><enclosure url="https://substack-post-media.s3.amazonaws.com/public/images/82610f66-594f-48e2-8792-b9ba335ad181_1754x1320.png" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/p/videos-collage-clips-of-mind-control?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Partager&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/p/videos-collage-clips-of-mind-control?utm_source=substack&utm_medium=email&utm_content=share&action=share"><span>Partager</span></a></p><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Partager CARE - ONLINE ARCHIVES&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/?utm_source=substack&utm_medium=email&utm_content=share&action=share"><span>Partager CARE - ONLINE ARCHIVES</span></a></p><p>This series of videos was sent by Cheryl Welsh from <a href="http://mindjustice.org/">Mind Justice</a> to be screened during the &#8220;Global Resistance&#8221; exhibition, held in Paris in 2003 to accompany the launch of issue #4 of the magazine Prism Escape. </p><div class="native-video-embed" data-component-name="VideoPlaceholder" data-attrs="{&quot;mediaUploadId&quot;:&quot;63ecd722-a251-4f80-99ea-3ad99bf8094b&quot;,&quot;duration&quot;:null}"></div><p></p>]]></content:encoded></item><item><title><![CDATA[Les archives secrètes du boulevard de l'étrange # 45]]></title><description><![CDATA[MAGN&#201;TOTH&#201;RAPIE, SAGESSE, IRRATIONNEL, &#201;SOT&#201;RISME, SORCELLERIE, INDE, RHABDOMANCIE, SCIENCE-FICTION, NUME&#769;ROLOGIE]]></description><link>https://exotical.substack.com/p/les-archives-secretes-du-boulevard-311</link><guid isPermaLink="false">https://exotical.substack.com/p/les-archives-secretes-du-boulevard-311</guid><pubDate>Mon, 11 May 2026 16:02:49 GMT</pubDate><enclosure url="https://substack-post-media.s3.amazonaws.com/public/images/c17cd2b7-1266-46c5-b337-129578d00526_1070x1470.png" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/p/les-archives-secretes-du-boulevard-311?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Partager&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/p/les-archives-secretes-du-boulevard-311?utm_source=substack&utm_medium=email&utm_content=share&action=share"><span>Partager</span></a></p><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Partager CARE - ONLINE ARCHIVES&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/?utm_source=substack&utm_medium=email&utm_content=share&action=share"><span>Partager CARE - ONLINE ARCHIVES</span></a></p><p><strong><a href="https://exotical.substack.com/p/les-emissions">LES ARCHIVES SECRETES DU BOULEVARD DE L&#8217;&#201;TRANGE</a><br></strong><a href="https://exotical.substack.com/p/les-emissions">Index des &#233;missions du </a><em><strong><a href="https://exotical.substack.com/p/les-emissions">Boulevard de l&#8217;&#233;trange</a></strong></em><a href="https://exotical.substack.com/p/les-emissions"> d&#233;j&#224; publi&#233;es</a></p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!Y8fi!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffe0fe4b7-c3ab-44e1-88fc-4f4b050b7302_1091x1500.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!Y8fi!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffe0fe4b7-c3ab-44e1-88fc-4f4b050b7302_1091x1500.jpeg 424w, https://substackcdn.com/image/fetch/$s_!Y8fi!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffe0fe4b7-c3ab-44e1-88fc-4f4b050b7302_1091x1500.jpeg 848w, https://substackcdn.com/image/fetch/$s_!Y8fi!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffe0fe4b7-c3ab-44e1-88fc-4f4b050b7302_1091x1500.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!Y8fi!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffe0fe4b7-c3ab-44e1-88fc-4f4b050b7302_1091x1500.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!Y8fi!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffe0fe4b7-c3ab-44e1-88fc-4f4b050b7302_1091x1500.jpeg" width="1091" height="1500" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/fe0fe4b7-c3ab-44e1-88fc-4f4b050b7302_1091x1500.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1500,&quot;width&quot;:1091,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:112331,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://exotical.substack.com/i/195507337?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffe0fe4b7-c3ab-44e1-88fc-4f4b050b7302_1091x1500.jpeg&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!Y8fi!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffe0fe4b7-c3ab-44e1-88fc-4f4b050b7302_1091x1500.jpeg 424w, https://substackcdn.com/image/fetch/$s_!Y8fi!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffe0fe4b7-c3ab-44e1-88fc-4f4b050b7302_1091x1500.jpeg 848w, https://substackcdn.com/image/fetch/$s_!Y8fi!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffe0fe4b7-c3ab-44e1-88fc-4f4b050b7302_1091x1500.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!Y8fi!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ffe0fe4b7-c3ab-44e1-88fc-4f4b050b7302_1091x1500.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p>J&#8217;ai rencontr&#233; Jean-Bernard Baron sur la recommandation d&#8217;Yves Rocard que j&#8217;avais la chance de fr&#233;quenter assid&#251;ment, sur la recommandation d&#8217;ailleurs du fac&#233;tieux R&#233;my Chauvin qui m&#8217;&#233;crivait r&#233;guli&#232;rement en grec classique histoire de me rappeler d&#8217;o&#249; je venais&#8230;Il faut dire qu&#8217;ancien &#233;l&#232;ve des J&#233;suites au d&#233;but du si&#232;cle pr&#233;c&#233;dent, il connaissait quasiment par c&#339;ur l&#8217;Odyss&#233;e et que mes recherches sur les voyages d&#8217;Ulysse ne le laissaient pas indiff&#233;rent&#8230;<br>Et il savait bien ce que valait le mot de Platon selon lequel il faut suivre &#171;&nbsp;le r&#233;seau subtil des affinit&#233;s qui relie les &#234;tres, les choses et les mots&nbsp;&#187;&#8230;<br>Bref, dans une science tr&#232;s mandarinale dont ils &#233;taient issus, j&#8217;&#233;tais satellis&#233; autour de cette &#233;quipe consid&#233;r&#233;e comme dissidente simplement parce qu&#8217;elle d&#233;testait ne pas comprendre un ph&#233;nom&#232;ne, quel qu&#8217;il soit.</p><p>Ainsi Yves Rocard, conseiller scientifique de De Gaulle, inventeur de la bombe fran&#231;aise, du CEA, du Pont de Tancarville et autres grands projets fran&#231;ais, patron du labo de physique de l&#8217;Ecole Normale Sup&#233;rieure s&#8217;&#233;tait mis &#224; travailler sur &#171;&nbsp;Le signal du sourcier&nbsp;&#187;, titre de son livre, simplement parce qu&#8217;il en avait vu un travailler chez lui avec succ&#232;s&nbsp;: il lui avait trouv&#233; de l&#8217;eau avec un pendule de radiesth&#233;sie&nbsp;!<br>Et les m&#234;mes qui l&#8217;avaient encens&#233; durant des d&#233;cennies le d&#233;clar&#232;rent s&#233;nile pour les plus aimables, eux dont les carri&#232;res tr&#232;s &#171;&nbsp;acad&#233;miques&nbsp;&#187; n&#8217;avaient pas consist&#233; &#224; relever un pays en ruines&#8230;<br>Technique habituelle de la doxa, sorte de moutons de Panurge furieux qui attaqueraient en meute, que l&#8217;on retrouva plus r&#233;cemment avec les attaques contre le Professeur Montagnier&#8230;</p><p>Jean-Bernard Baron, lui, dans les ann&#233;es 60, est un jeune m&#233;decin curieux. Mais c&#8217;est le &#171;&nbsp;hasard&nbsp;&#187; qui le mettra en route. Il est en voyage &#224; Tokyo quand il est pris de violentes douleurs rhumatismales &#224; l&#8217;articulation de son pouce droit.<br>Bien &#233;lev&#233; et compatissant comme seuls savent l&#8217;&#234;tre les Orientaux, l&#8217;assistant-interpr&#232;te court dans un drugstore local, ach&#232;te quelques aimants, remonte &#224; l&#8217;h&#244;tel et montre au malade comment les utiliser. En r&#233;alit&#233; de mani&#232;re tr&#232;s simple&nbsp;: son p&#244;le &#171;&nbsp;Nord&nbsp;&#187; a un effet myo-relaxant, c&#8217;est-&#224;-dire d&#233;contractant, son p&#244;le &#171;&nbsp;Sud&nbsp;&#187; un effet &#171;&nbsp;myo-contracturant&nbsp;&#187;, c&#8217;est-&#224;-dire antalgique et anti-inflammatoire.<br>Baron met les aimants&nbsp;: soulag&#233;&nbsp;! il les enl&#232;ve, re-douleur&nbsp;! Il recommence, m&#234;me chose.<br>Le ph&#233;nom&#232;ne est donc &#224; l&#8217;&#233;vidence r&#233;p&#233;titif, reproductible, en clair scientifique et digne d&#8217;int&#233;r&#234;t.</p><p>&#171;&nbsp;En France, constate-t-il, les &#171;&nbsp;chercheurs&nbsp;&#187; refusent l&#8217;existence d&#8217;un fait s&#8217;ils n&#8217;arrivent pas &#224; lui trouver une belle explication th&#233;orique. Moi, je note une relation claire entre la pose des aimants et la disparition du sympt&#244;me. De plus d&#8217;autres que moi peuvent refaire les m&#234;mes exp&#233;riences en aboutissant aux m&#234;mes r&#233;sultats. Vous ne trouvez pas que c&#8217;est largement suffisant pour admettre que les aimants sont une voie int&#233;ressante &#224; explorer&nbsp;?&nbsp;&#187;&#8230;</p><p>Fatalement Baron devait rencontrer Rocard. D&#8217;un c&#244;t&#233;, les aimants &#233;taient tout sauf miraculeux, de l&#8217;autre le pendule &#233;tait d&#8217;abord un instrument de mesure.<br>Point commun&nbsp;: il y a dans l&#8217;homme, comme dans les pigeons voyageurs ou les dauphins, des r&#233;cepteurs magn&#233;tiques (la magn&#233;tite), qui vont g&#233;n&#233;rer entre les deux hommes, et c&#8217;est le moins qu&#8217;ils pouvaient faire, un courant de sympathie.<br>Du coup ils collaborent, et le Docteur Baron cr&#233;e un groupe de recherches &#233;tudiant &#171;&nbsp;l&#8217;effet du magn&#233;tisme sur l&#8217;ensemble des syst&#232;mes sensori-moteurs&nbsp;&#187;, ceux-l&#224; m&#234;mes qui permettent &#224; l&#8217;homme de conserver la station debout&nbsp;: il faut savoir par exemple que les muscles qui contr&#244;lent l&#8217;&#339;il et ceux qui contr&#244;lent la posture sont li&#233;s et que perturber la vision c&#8217;est perturber l&#8217;&#233;quilibre&nbsp;: la preuve, essayez donc de descendre un col dans les Alpes &#224; moto, les yeux band&#233;s&#8230;</p><p>C&#8217;est ainsi que je rencontre la premi&#232;re fois &#224; l&#8217;H&#244;pital Ste Anne &#224; Paris, le Docteur Jean-Bernard Baron, patron du Service de Posturologie qu&#8217;il avait cr&#233;&#233; et dirigeait &#224; l&#8217;&#233;poque&#8230;<br>Et pour revenir &#224; Platon, les choses commen&#231;aient bien&nbsp;: nous avions tous les deux un n&#339;ud papillon, extrait de nos collections respectives que nous entretenions avec soin&#8230;</p><p>Bienvenue dans mes archives.</p><p>Jean-Yves Casgha, 05/26</p><p></p><p>MAGN&#201;TOTH&#201;RAPIE Entretien JEAN-BERNARD BARON (<em>Les aimants dans la m&#233;decine d&#8217;aujourd&#8217;hui</em>) 1985 1/3</p><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;b7b392c2-801a-4265-ab87-2655a155f90f&quot;,&quot;duration&quot;:912.1698,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><p>SAGESSE Entretien <a href="https://fr.wikipedia.org/wiki/Yvan_Amar">YVAN AMAR</a> 3/3 1987</p><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;2a45c1c7-2f7a-4bad-b0ca-fa35e6d80c05&quot;,&quot;duration&quot;:1767.2098,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><p><br><strong>R&#233;serv&#233; aux abonn&#233;s :<br></strong>IRRATIONNEL Entretien <a href="https://www.babelio.com/auteur/Stephane-Deligeorges/2787">STE&#769;PHANE DELIGEORGES</a> 2/3 1986<br>&#201;SOT&#201;RISME Entretien ANDR&#201; GUY (<a href="https://gallica.bnf.fr/ark:/12148/bpt6k33789974/f9.item.texteImage">ENEL</a>) 2/2 1985<br>SORCELLERIE Entretien <a href="https://www.chasse-aux-livres.fr/prix/222625224X/histoire-secrete-du-pays-basque-michel-lamy?query=Michel%20Lamy">MICHEL LAMY</a> (La fess&#233;e des sorci&#232;res, <em>Histoire secr&#232;te du pays basque</em>) 1983<br>INDE Entretien <a href="https://www.babelio.com/auteur/Patrick-Mandala/89537">PATRICK MANDALA</a> 1984<br>RHABDOMANCIE Entretiens autour des <a href="https://fr.wikipedia.org/wiki/Sourcier">sourciers</a> 1984<br>SCIENCE-FICTION Entretien <a href="https://fr.wikipedia.org/wiki/Bernard_Lenteric">BERNARD LENTERIC</a> (<em>La guerre des cerveaux</em>) 1/2 1985<br>NUME&#769;ROLOGIE Entretien DANIEL POUEY 1986<br><br><strong>Pensez &#224; nous suivre aussi sur notre page <a href="https://www.facebook.com/profile.php?id=100088764724660">facebook</a> pour connaitre toute notre actualit&#233;.</strong></p><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/subscribe?&quot;,&quot;text&quot;:&quot;S'abonner&quot;,&quot;language&quot;:&quot;fr&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption"><strong>CARE &#8211; ARCHIVES EN LIGNE</strong> est une publication ind&#233;pendante soutenue par ses lectrices et ses lecteurs. Pour acc&#233;der &#224; davantage de contenus, enrichis de sons, de photos et de vid&#233;os, et pour soutenir notre travail : Abonnez-vous ! 5 &#8364; / mois ou 30 &#8364; / an, merci</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Tapez votre e-mail&#8230;" tabindex="-1"><input type="submit" class="button primary" value="S'abonner"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><p><strong><br>Avertissement :</strong> Toutes les archives pr&#233;sentes sur ce site sont prot&#233;g&#233;es par le droit d&#8217;auteur. Toute reproduction, diffusion ou utilisation sans autorisation pr&#233;alable est strictement interdite. </p>
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   ]]></content:encoded></item><item><title><![CDATA[Archives : Jean-Pierre Petit 1]]></title><description><![CDATA[ARCHIVES: JEAN-YVES CASGHA - PRISM ESCAPE - PATRICE VAN EERSEL]]></description><link>https://exotical.substack.com/p/archives-jean-pierre-petit-1-9ef</link><guid isPermaLink="false">https://exotical.substack.com/p/archives-jean-pierre-petit-1-9ef</guid><pubDate>Mon, 04 May 2026 18:07:29 GMT</pubDate><enclosure url="https://substack-post-media.s3.amazonaws.com/public/images/3a381e2b-f552-4f9d-8442-988f8a77cb45_728x410.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/p/archives-jean-pierre-petit-1-9ef?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Partager&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/p/archives-jean-pierre-petit-1-9ef?utm_source=substack&utm_medium=email&utm_content=share&action=share"><span>Partager</span></a></p><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Partager CARE - ONLINE ARCHIVES&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/?utm_source=substack&utm_medium=email&utm_content=share&action=share"><span>Partager CARE - ONLINE ARCHIVES</span></a></p><p><a href="https://exotical.substack.com/p/archives-jean-pierre-petit-1">English Version</a><br><br>ARCHIVE PRISM ESCAPE<br><a href="https://exotical.substack.com/p/archive-interview-jean-pierre-petit-cea">Entretien de JEAN-PIERRE PETIT dans PRISM ESCAPE #2, 2003</a> </p><div><hr></div><p><strong><a href="https://exotical.substack.com/p/les-emissions">LES ARCHIVES SECRETES DU BOULEVARD DE L&#8217;&#201;TRANGE</a><br></strong><a href="https://exotical.substack.com/p/les-emissions">Index des &#233;missions d&#233;j&#224; publi&#233;es</a><br><br>J&#8217;ai connu Jean-Pierre Petit, ing&#233;nieur et physicien au CNRS, &#224; Aix en Provence o&#249; il faisait de la recherche sur la MHD (Magn&#233;to Hydro Dynamique) tandis que j&#8217;&#233;tudiais la Grammaire Compar&#233;e des Langues Indo-Europ&#233;ennes &#224; l&#8217;Universit&#233;.<br>Rien &#224; voir a priori, sauf que ce touche-&#224;-tout de g&#233;nie donnait un cours &#224; la Fac de Lettres sur l&#8217;informatique naissante &#224; partir du niveau Licence avec un programme particuli&#232;rement insolite pour un linguiste puisqu&#8217;il s&#8217;agissait de nous pr&#233;senter un outil informatique qu&#8217;il avait r&#233;alis&#233;, capable d&#8217;inventer des mots qui n&#8217;existaient pas mais qui avaient un sens&nbsp;!<br>Il l&#8217;avait baptis&#233; <a href="https://www.jp-petit.org/Divers/LOGOTRON/logotron.HTM">LOGOTRON</a>, &#171;&nbsp;le lieu du discours&nbsp;&#187;&#8230;Il en a d&#8217;ailleurs fait un volume de sa passionnante s&#233;rie de bandes dessin&#233;es &#171;&nbsp;<a href="http://savoir-sans-frontieres.com/">Les Aventures d&#8217;Anselme Lanturlu</a>&nbsp;&#187; que je recommande de la seconde &#224; 77 ans&nbsp;!</p><p>Le moins que l&#8217;on puisse dire c&#8217;est que &#231;a d&#233;coiffait&nbsp;: rien &#224; voir avec le latin, le grec, le sanskrit, le vieil irlandais, le gallois et autres langues et dialectes disparus. Ce jeune chercheur brillantissime qui faisait de la varappe et du planeur, dr&#244;le, compl&#232;tement atypique et paradoxalement rigoureux, qui dessinait et vulgarisait &#224; la perfection, dot&#233; d&#8217;une m&#233;moire prodigieuse, illustrait &#224; merveille la phrase de Platon&nbsp;: &#171;&nbsp;il faut suivre le r&#233;seau subtil des affinit&#233;s qui relie les mots, les choses, les &#234;tres&nbsp;&#8230;&#187; <br>Et en m&#234;me temps, c&#8217;&#233;tait G&#233;o Trouvetout, le h&#233;ros de Walt Disney&nbsp;: les premiers ordinateurs avaient une constante, c&#8217;&#233;tait leur facilit&#233; &#224; &#171;&nbsp;bugger&nbsp;&#187;.<br>Qu&#8217;&#224; cela ne tienne, Jean-Pierre Petit avait toujours dans ses poches une multitude de crayons et d&#8217;outils avec lesquels, tout en continuant &#224; nous parler, il ouvrait le c&#339;ur de la b&#234;te en plastique, ferraille et soudures multiples et r&#233;parait. Il en profitait alors pour nous expliquer ce qu&#8217;avait fait la machine et sa propre intervention.<br>Puis encha&#238;nait sur l&#8217;&#233;criture de quelques codes, toujours en nous les commentant, jusqu&#8217;&#224; ce que la magie op&#232;re&nbsp;: le minuscule &#233;cran verd&#226;tre lan&#231;ait &#224; la fois un petit &#233;clair blanc et un son d&#233;sagr&#233;able. Un temps mort et le Logotron revenait &#224; la vie&#8230;<br>En r&#233;alit&#233;, c&#8217;&#233;tait un simple programme al&#233;atoire qui combinait des racines grecques et sortait des nouveaut&#233;s&nbsp;: le &#171;&nbsp;podoclaste&nbsp;&#187;, de &#171;&nbsp;pod&nbsp;&#187; le pied&nbsp;&#187; et &#171;&nbsp;clast&nbsp;&#187; briser, casser cr&#233;ait une alternative &#171;&nbsp;pr&#233;cieuse&nbsp;&#187; &#224; casse-pieds finalement tr&#232;s familier&#8230;Mais c&#8217;&#233;tait en 1972/73 et ce jeu nous fascinait. Nous nous plaisions &#224; croire que tous les mots qui ne signifiaient rien ou plut&#244;t qui ne d&#233;crivaient pas d&#8217;objets existants &#224; ce moment-l&#224; ne perdaient rien pour attendre&#8230;<br>Et puis Jean-Pierre lui-m&#234;me reconnaissait qu&#8217;il l&#8217;utilisait pour stimuler son cerveau&nbsp;: un nouveau mot pouvait donner une nouvelle id&#233;e. Et &#231;a, pour un chercheur, c&#8217;est un bon moyen d&#8217;avancer&#8230;<br>En l&#8217;occurrence, pour nous, Jean-Pierre Petit fit l&#8217;effet d&#8217;un courant d&#8217;air dans une biblioth&#232;que poussi&#233;reuse et personnellement me donna l&#8217;envie de creuser davantage l&#8217;Odyss&#233;e d&#8217;Hom&#232;re&#8230; Paradoxe&#8230;</p><p>Et donc, un jour, il nous parla de ses recherches en physique, la fameuse MHD sur laquelle il travaillait depuis 1965&#8230;<br>Vous aurez cette semaine l&#8217;occasion d&#8217;entrer dans le c&#339;ur du sujet au fil des diff&#233;rentes &#233;missions, mais disons que la MHD permettrait de se d&#233;placer dans un fluide, en l&#8217;occurrence l&#8217;air ou l&#8217;eau, en annulant la r&#233;sistance du milieu&nbsp;; donc par exemple un sous-marin pourrait se d&#233;placer dans un silence absolu &#224; des vitesses tr&#232;s &#233;lev&#233;es et dans l&#8217;air un &#171;&nbsp;a&#233;rodyne&nbsp;&#187; MHD pourrait atteindre 15 &#224; 20 fois la vitesse du son sans le moindre bruit&nbsp;!</p><div id="youtube2-inmqVPj78_4" class="youtube-wrap" data-attrs="{&quot;videoId&quot;:&quot;inmqVPj78_4&quot;,&quot;startTime&quot;:null,&quot;endTime&quot;:null}" data-component-name="Youtube2ToDOM"><div class="youtube-inner"><iframe src="https://www.youtube-nocookie.com/embed/inmqVPj78_4?rel=0&amp;autoplay=0&amp;showinfo=0&amp;enablejsapi=0" frameborder="0" loading="lazy" gesture="media" allow="autoplay; fullscreen" allowautoplay="true" allowfullscreen="true" width="728" height="409"></iframe></div></div><p>1965 donc, d&#233;but des recherches.<br>1983, 8&#232; colloque international de MHD &#224; Moscou. Alors que la France et la plupart des pays occidentaux ont tout bonnement m&#233;pris&#233; cette piste, Jean-Pierre Petit est accueilli en h&#233;ros parce qu&#8217;il a r&#233;solu tous les probl&#232;mes physiques, notamment ceux li&#233;s &#224; l&#8217;instabilit&#233;.<br>2014, Poutine annonce la mise au point des fameux missiles hypersoniques. <br>Depuis on en a d&#233;couvert l&#8217;usage, ce que redoutait au plus haut point Jean-Pierre Petit.</p><p>Bienvenue dans mes archives,</p><p>Jean-Yves Casgha, 05/26<br><br>Entretiens <a href="https://www.jp-petit.org/">JEAN-PIERRE PETIT</a> 1983</p><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;5f1e3a10-da8a-4262-a23c-2c62f0364803&quot;,&quot;duration&quot;:564.89795,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;ef6544ca-0f35-43de-abf4-6ebe27910068&quot;,&quot;duration&quot;:538.4098,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;7685cca9-15cb-400f-b192-8d94e6aa074d&quot;,&quot;duration&quot;:575.16406,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;72d9fea4-0bd0-4257-97da-b75dd57b92f7&quot;,&quot;duration&quot;:545.2278,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;d2d88cb6-333e-4047-a24d-a7c0af582c06&quot;,&quot;duration&quot;:518.9224,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;9ed2ae81-addf-4228-a08d-4f6b24f9f6cb&quot;,&quot;duration&quot;:511.7649,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><p>Entretien <a href="https://www.jp-petit.org/">JEAN-PIERRE PETIT</a><strong> </strong>1987</p><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;a4d7ba42-ccad-47dc-b64c-c429c02065d8&quot;,&quot;duration&quot;:882.0767,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><p><strong>R&#233;serv&#233; aux abonn&#233;s (voir bas de page) :<br></strong>Entretien (Chutes) <a href="https://www.jp-petit.org/">JEAN-PIERRE PETIT</a><strong>, </strong><a href="https://theses.fr/032817398">BERTRAND LEBRUN</a> 1987 44&#8217;<strong><br></strong>Entretien (Chutes) <a href="https://www.jp-petit.org/">JEAN-PIERRE PETIT</a><strong> </strong>1987 30&#8217;<br>Entretien (Chutes) <a href="https://www.jp-petit.org/">JEAN-PIERRE PETIT</a><strong> </strong>1983 12&#8217;</p><div><hr></div><p><strong><a href="https://exotical.substack.com/p/archive-patrice-van-eersel-1cd">ARCHIVE PATRICE VAN EERSEL<br></a></strong><a href="https://exotical.substack.com/p/archive-patrice-van-eersel-1cd">Index des articles d&#233;j&#224; publi&#233;s</a></p><div class="image-gallery-embed" data-attrs="{&quot;gallery&quot;:{&quot;images&quot;:[{&quot;type&quot;:&quot;image/png&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/70bf30c6-f104-4535-8acf-d255955501ce_1076x1420.png&quot;},{&quot;type&quot;:&quot;image/png&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/d1239af2-a5cb-4a59-a035-90005dbda7d1_1072x1426.png&quot;}],&quot;caption&quot;:&quot;&quot;,&quot;alt&quot;:&quot;&quot;,&quot;staticGalleryImage&quot;:{&quot;type&quot;:&quot;image/png&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/093e8230-10d9-408f-b1a6-74bca4692c92_1456x720.png&quot;}},&quot;isEditorNode&quot;:true}"></div><p><strong><a href="https://exotical.substack.com/p/archives-jean-pierre-petit-1">English Version</a><br>PEUT-ON ENCORE RATTRAPER LES RUSSES ?<br></strong>par Patrice van Eersel<br>Premi&#232;re publication dans ACTUEL N&#176;93-98, 1987</p><p>La MHD, en URSS, &#231;a marche. Je suis all&#233; voir. En France, le meilleur sp&#233;cialiste, Jean-Pierre Petit, n&#8217;a plus un sou de cr&#233;dit et fait ses recherches dans une chambre de bonne. Honte sur nous !<br><br>&#199;a s&#8217;appelle MHD : magn&#233;tohydrodynamique. C&#8217;est aussi fort que l&#8217;invention de la poudre ou de la dynamo. &#199;a s&#8217;exp&#233;rimentait d&#233;j&#224; en 1860 au bord de la Tamise. &#199;a fera marcher les canons &#224; plasma de la guerre des &#233;toiles. &#199;a am&#233;liore, en ce moment m&#234;me, le rendement de certaines centrales &#233;lectriques russes (curieusement, aux congr&#232;s internationaux de MHD, trois cent cinquante participants sur cinq cents sont russes). &#201;trange, non ?<br>L&#8217;une des grosses t&#234;tes mondiales de la question est un Fran&#231;ais. Directeur de recherche au CNRS, Jean-Pierre Petit d&#233;montre que la MHD pourrait aussi, un jour, faire voler un a&#233;ronef. Pas tout de suite : on en est encore &#224; l&#8217;&#233;quivalent de la machine de Denis Papin. Mais les choses vont souvent plus vite que pr&#233;vu &#8212; avez-vous not&#233; la perc&#233;e fulgurante et inesp&#233;r&#233;e de la supraconductivit&#233;, depuis un an, un peu partout dans le monde ? Elle joue un r&#244;le crucial en MHD.<br>Malheureusement pour lui, les calculs de Jean-Pierre Petit pr&#233;voient obstin&#233;ment que son engin volant devrait avoir la forme d&#8217;un disco&#239;de. C&#8217;est-&#224;-dire d&#8217;une soucoupe. Or la communaut&#233; scientifique fran&#231;aise a horreur de cette forme. La simple &#233;vocation d&#8217;une soucoupe volante lui donne des boutons. Du coup, elle refuse d&#8217;&#233;couter Jean-Pierre Petit. &#171; Oui, oui, vous dit-on, il a beaucoup de talent, mais que voulez-vous&#8230; &#187;<br>Une fois sur leur liste noire, un chercheur est fichu. Seulement voil&#224;, en mati&#232;re de MHD, Petit est nettement plus fort que les autres. Aussi les savants du CNRS matent-ils r&#233;guli&#232;rement ses id&#233;es, plus ou moins en douce, en exigeant qu&#8217;il reste dans l&#8217;ombre. Puis ils mettent les id&#233;es en pratique, mais se plantent. Petit en rit. Mais de plus en plus am&#232;rement. Et la MHD fran&#231;aise reste au fond de son trou. Au secours !<br>Soyons honn&#234;tes : les OVNI ont mauvaise presse. Ma premi&#232;re r&#233;action, en apprenant que Jean-Pierre Petit s&#8217;int&#233;ressait aux soucoupes volantes, fut tr&#232;s n&#233;gative. A-t-on id&#233;e ! Puis, par hasard, je l&#8217;ai vu (en particulier au festival de Puy-Saint-Vincent, organis&#233; par France-Inter) croiser le fer avec d&#8217;&#233;minents et sceptiques confr&#232;res, du CNRS et d&#8217;ailleurs. La clart&#233; de son discours, la force de ses arguments, leur logique, l&#8217;embarras de ses contradicteurs m&#8217;ont plong&#233; dans une immense perplexit&#233;.<br>Je me renseigne : Petit serait r&#233;ellement un type tr&#232;s fort, reconnu dans le monde entier par les pros de la MHD. Je n&#8217;arrive pas &#224; y croire. Pourquoi alors le boycotterait-on ? Je sais nos savants tr&#232;s chatouilleux sur la rigueur scientifique, allergiques &#224; la moindre allusion &#171; subliminale &#187;, &#171; paranormale &#187; ou &#171; holistique &#187;, mais les th&#232;ses de Petit semblent, au contraire, tr&#232;s mastoc : rien d&#8217;einsteinien ni de quantique ! Du newtonien pur et dur, qu&#8217;on pourrait tester avec des voltm&#232;tres, des oscilloscopes et des compteurs &#224; gaz ! Qu&#8217;est-ce qui cloche ?<br>Pour en avoir le c&#339;ur net, le journal nous envoie, Petit et moi, en Union sovi&#233;tique, pour y rencontrer quelques grosses l&#233;gumes de la MHD. Il se trouve que les Popov sont les <em>number one</em> dans ce domaine. Pourquoi ? Parce qu&#8217;ils ont : 1&#176;) t&#234;tus, 2&#176;) hyper-balaises en c&#233;ramique r&#233;sistant &#224; des chaleurs d&#8217;enfer (plus de 2 500&#176;C), ce qui leur a permis, apr&#232;s des ann&#233;es de gal&#232;re, de jouer la carte MHD &#224; Reynolds faible en &#233;quilibre thermique&#8221;. &#199;a veut dire quoi ? Patience, vous allez comprendre.<br>&#192; Moscou, tout doute s&#8217;&#233;vanouit : Petit a r&#233;ellement la cote sur le march&#233; international. Les physiciens que nous rencontrons, en particulier le Dr Golubev, qui est venu nous accueillir &#224; l&#8217;a&#233;roport, dirigent de tr&#232;s grosses machines. Ils me disent en quelle estime ils tiennent mon compatriote : &#171; Lui grand savant ! Lui d&#233;j&#224; d&#233;couvert en 1967 comment annihiler terrible instabilit&#233; de Velikhov ! &#187; Je pigerai plus tard l&#8217;importance de cette d&#233;couverte et le drame de Petit : quand il la fit, encore tout d&#233;butant, c&#8217;&#233;tait trop tard : l&#8217;&#233;norme programme MHD fran&#231;ais &#233;tait en train de sombrer irr&#233;m&#233;diablement, triste <em>Titanic </em>gouvern&#233;, d&#233;j&#224;, par des mauvais. Puis Pompidou acheva le monstre et Petit dut se reconvertir, horriblement frustr&#233;, en astrophysique&#8230;</p><blockquote><p>Jean-Pierre Petit s&#8217;appr&#234;te &#224; s&#8217;envoler &#224; bord de l&#8217;ULM de ses amis Michel Katzman et Odile Monrozier, champions de deltaplane, pour une d&#233;monstration. Le sp&#233;cialiste fran&#231;ais de la MHD a le moral. Malgr&#233; l&#8217;&#233;tonnant blocage psychologique de la communaut&#233; scientifique nationale &#224; son &#233;gard, il continue &#224; vivre &#224; mach 5. Int&#233;rieurement.</p></blockquote><div class="image-gallery-embed" data-attrs="{&quot;gallery&quot;:{&quot;images&quot;:[{&quot;type&quot;:&quot;image/png&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/a1659539-00a2-47b2-ace6-49dfebc14148_1082x1424.png&quot;},{&quot;type&quot;:&quot;image/png&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/a6885f85-84c5-48a6-b4b1-3629fcc4f715_1070x1422.png&quot;}],&quot;caption&quot;:&quot;&quot;,&quot;alt&quot;:&quot;&quot;,&quot;staticGalleryImage&quot;:{&quot;type&quot;:&quot;image/png&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/4df4ec50-1de1-4156-bd1c-e154dddced77_1456x720.png&quot;}},&quot;isEditorNode&quot;:true}"></div><p>Dans l&#8217;avion, j&#8217;ai lu ses communications dans des revues de physique, am&#233;ricaines, fran&#231;aises, sovi&#233;tiques. Dans l&#8217;une d&#8217;elle, il est question de deux bizarres &#171; univers en interaction avec leurs images dans le miroir du temps &#187;&#8230; mais passons. Allons plut&#244;t visiter la grosse centrale &#233;lectrique exp&#233;rimentale U 25, dont le rendement a &#233;t&#233; sensiblement am&#233;lior&#233; gr&#226;ce &#224; une tuy&#232;re MHD.<br>Entr&#233;e brutale dans un autre genre de fantastique. D&#233;cor de <em>Brazil</em>, mais pour de vrai : formidables enchev&#234;trements de tuyaux en gros m&#233;tal mal abras&#233;, de manom&#232;tres &#224; la Fritz Lang, de caissons en cuivre aux gros boulons papillons, d&#8217;aimants g&#233;ants&#8230; Moquettes sales, carreaux cass&#233;s, machines semblables &#224; d&#8217;infects tas de rouille&#8230; Et en m&#234;me temps, &#224; l&#8217;int&#233;rieur de la tuy&#232;re, des c&#233;ramiques et des &#233;lectrodes en oxyde de zirconium, qui ont vingt ans d&#8217;avance sur l&#8217;Occident ! Et nous apprenons que les Russes sont en train de construire une vraie centrale MHD beaucoup plus grosse qu&#8217;U 25, &#224; Ryazan ; un engin qui produira cinq cents m&#233;gawatts !<br>Plus tard, nous visiterons le centre de calcul de Moscou, aux couloirs tout d&#233;glingu&#233;s, aux meubles archinuls, capharna&#252;m dont les chiffonniers d&#8217;Emma&#252;s ne voudraient pas. Nous d&#233;jeunerons dans une cantine droit sortie d&#8217;une Espagne 1950, film&#233;e par Tarkovski. Une pauvret&#233; tr&#232;s marqu&#233;e. Puis nous contemplerons longtemps les lourds ordinateurs russes, aux m&#233;moires cylindriques chrom&#233;es, entra&#238;n&#233;es par des moteurs pour machines agricoles. Cinq cents fois moins rapides que les bolides yankees !<br>Avec aussit&#244;t une question obs&#233;dante : mais comment font-ils pour envoyer leurs types dans l&#8217;espace ?<br>Une r&#233;ponse possible parmi d&#8217;autres : la technologie ultrapointue nous bluffe. On n&#8217;a pas forc&#233;ment besoin d&#8217;alliages rarissimes, &#233;lectroniquement soud&#233;s au millimicron pr&#232;s dans le vide pour partir, par exemple, &#224; la conqu&#234;te de l&#8217;espace. La navette am&#233;ricaine a foir&#233;, et elle &#233;tait pourtant construite comme une valve cardiaque pour milliardaire. Les Soyouz-Saliout russes, eux, tournent autour de la Terre avec une technologie de groupe &#233;lectrog&#232;ne. En un sens c&#8217;est rassurant. Le facteur humain compte plus qu&#8217;on croit. Un c&#244;t&#233; authentiquement cow-boy que les Am&#233;ricains n&#8217;ont plus, et qui pla&#238;t bien &#224; Jean-Pierre Petit. Je ne pense pas qu&#8217;il &#233;marge au KGB pour autant. C&#8217;est un trop joyeux rebelle, un homme trop libre &#8212; de ceux qui passent des heures en aile-delta et que les bureaucrates redoutent.<br>&#201;tudiant &#224; Sup-a&#233;ro, il n&#8217;allait jamais en cours, toujours fourr&#233; &#224; l&#8217;atelier, &#224; b&#226;tir des souffleries supersoniques. Avec si peu de mat&#233;riel que &#8212; d&#233;j&#224; ! &#8212; ses profs en &#233;taient incr&#233;dules et furieux. Plus tard, vers 1960, il se retrouva &#224; Princeton, mais imm&#233;diatement on le flanqua dehors, parce qu&#8217;il avait os&#233; franchir plusieurs portes marqu&#233;es &#171; No Entry, Strictly Forbidden &#187;, et d&#233;couvert &#8212; d&#233;j&#224; ! &#8212; une soucoupe volante. Au fond d&#8217;un labo, l&#8217;engin l&#8217;avait fait hurler de rire. C&#8217;&#233;tait un disco&#239;de de neuf m&#232;tres de diam&#232;tre (avec deux cockpits), cens&#233; avancer sur coussin d&#8217;air ce qui, selon Petit, est une mauvaise id&#233;e. Il alla imm&#233;diatement en aviser le directeur de Princeton qui le prit tr&#232;s mal et le renvoya.<br>Petit v&#233;cut quelque temps &#224; New York. &#201;pisodes savoureux &#224; Brooklyn, o&#249; il avoua qu&#8217;il venait de d&#233;couvrir (&#224; vingt ans !) que son p&#232;re s&#8217;appelait Levy, et vivait en Espagne en pratiquant catholique z&#233;l&#233; !<br>Il gagna sa vie en dessinant&#8230; (Il a un joli coup de crayon. Je conseille ses treize BD des vulgarisation parues chez Belin &#8212; les aventures d&#8217;Anselme Lanturlu &#8212; &#224; tous ceux qu&#8217;int&#233;resse l&#8217;intelligence technologique, topologique ou cosmologique&#8230;) Puis il entra au CNRS et la MHD s&#8217;empara de son &#226;me.<br>Mais c&#8217;est quoi, au fond, la MHD ? La premi&#232;re fois qu&#8217;on m&#8217;en a parl&#233;, c&#8217;&#233;tait &#224; propos de canon &#224; plasma. Une invention de Sakharov (toujours lui !) qui date de 1951. Un truc tout simple, &#224; la port&#233;e de n&#8217;importe quel atelier d&#8217;IUT et qui, l&#233;g&#232;rement perfectionn&#233;, vous crache un tore de m&#233;tal gaz&#233;ifi&#233; &#224; cent kilom&#232;tres/seconde (performance hallucinante atteinte par les Sovi&#233;tiques en 1965).<br>Ensuite, j&#8217;ai mis un moment &#224; comprendre le rapport entre ce canon, les centrales &#233;lectriques et les soucoupes volantes.<br>Dans les trois cas, vous mettez en jeu une loi physique niveau BEPC, dont je ne saurais vous faire gr&#226;ce. Sachez en effet que, si, dans un fluide, on cr&#233;e un champ magn&#233;tique B et un courant &#233;lectrique I perpendiculaire &#224; ce dernier, ce fluide subit une force de Laplace F (une b&#234;te force m&#233;canique, ou cin&#233;tique, comme vous voulez), d&#8217;intensit&#233; IB, dont la direction est donn&#233;e par la r&#232;gle dite &#171; des trois doigts &#187; : si B est port&#233; par votre index droit point&#233; vers le ciel et I par votre majeur point&#233; vers vous, F sera port&#233; par votre pouce grand ouvert, partant perpendiculairement aux deux autres vers la droite. D&#8217;accord ?<br>Partant de l&#224;, la MHD a deux d&#233;finitions. C&#8217;est soit l&#8217;art et la mani&#232;re de transformer la vitesse d&#8217;un fluide (son &#233;nergie cin&#233;tique), en &#233;lectricit&#233; ; soit l&#8217;art et la mani&#232;re d&#8217;acc&#233;l&#233;rer un fluide avec de l&#8217;&#233;nergie &#233;lectromagn&#233;tique. Autrement dit le processus est r&#233;versible. Comme dans une dynamo : soit vous p&#233;dalez et &#231;a produit du jus, soit vous fournissez du jus et &#231;a fait tourner la manivelle.<br>On dit parfois que l&#8217;inventeur de la MHD est Faraday. En 1860, l&#8217;&#233;minent savant britannique avait plac&#233; des &#233;lectrodes de part et d&#8217;autre de la Tamise, et observ&#233; que l&#8217;action combin&#233;e du champ magn&#233;tique terrestre et du mouvement de l&#8217;eau (l&#233;g&#232;rement sal&#233;e, donc conductrice) produisait un (tr&#232;s faible) courant &#233;lectrique.<br>D&#8217;autres vous parleront d&#8217;abord de Sakharov, inventeur de la MHD explosive. Dans les ann&#233;es 50, l&#8217;&#233;tonnant Andre&#239; s&#8217;amuse &#224; faire p&#233;ter des charges qui produisent des flux rapides de gaz tr&#232;s chauds, donc tr&#232;s riches en &#233;lectrons libres, c&#8217;est-&#224;-dire excellents conducteurs d&#8217;&#233;lectricit&#233;&#8230; En quinze ans, son &#233;quipe produit des courants (tr&#232;s brefs) de cent millions (!!!) d&#8217;amp&#232;res, et des champs magn&#233;tiques de vingt-cinq millions de gauss, soit deux mille cinq cents teslas, ce qui &#233;quivaut &#224; la pression faramineuse de vingt-cinq millions d&#8217;atmosph&#232;res ! Les champs magn&#233;tiques peuvent en effet se comporter comme des gaz : ils ont une pression et l&#8217;on peut les comprimer. Le canon MHD de Sakharov comprime un champ magn&#233;tique si violemment (on parle de &#171; Reynolds fort &#187;) que celui-ci est contraint de s&#8217;engouffrer &#224; l&#8217;int&#233;rieur d&#8217;un tube, d&#8217;o&#249; il s&#8217;&#233;chappe &#224; une vitesse folle, repoussant un projectile &#224; une temp&#233;rature telle que le m&#233;tal se transforme directement en gaz archibr&#251;lant : un plasma. Truc &#224; vous transpercer tous les blindages du monde.<br>La MHD de Faraday, elle, est dite &#224; &#171; Reynolds faible &#187; : son champ magn&#233;tique n&#8217;est pas rendu compact &#224; force de compression. Dans les ann&#233;es 60, c&#8217;est cette MHD-l&#224; qui passionne le plus les physiciens. Ils pensent qu&#8217;on pourrait s&#8217;en servir pour am&#233;liorer le rendement (terriblement m&#233;diocre) des centrales &#233;lectriques conventionnelles. La th&#233;orie pr&#233;voit des &#233;conomies de 30 &#224; 50 %. &#199;a joue sur des sommes consid&#233;rables : la facture p&#233;troli&#232;re.<br>L&#8217;id&#233;e consiste &#224; soumettre les gaz d&#8217;&#233;chappement des centrales &#224; de forts champs magn&#233;tiques et &#224; en tirer du courant. Mais aussit&#244;t se posent deux probl&#232;mes : 1&#176;) les champs sont trop faibles, il faut des aimants &#233;normes, gros bouffeurs d&#8217;&#233;nergie (la supraconductivit&#233; n&#8217;existe encore qu&#8217;en th&#233;orie, ou presque) et 2&#176;) les gaz de combustion des centrales ne deviennent bons conducteurs d&#8217;&#233;lectricit&#233; qu&#8217;&#224; des temp&#233;ratures si &#233;lev&#233;es (2 500&#176;C) qu&#8217;en trois secondes toute la tuy&#232;re est arrach&#233;e, broy&#233;e, r&#233;duite en bouillie.<br>S&#8217;offrent alors deux solutions : soit s&#8217;accrocher et mettre au point, patiemment des mat&#233;riaux qui supporteront ces temp&#233;ratures d&#8217;enfer &#8212; ce que font les Russes ; soit suivre l&#8217;id&#233;e tr&#232;s astucieuse de l&#8217;am&#233;ricain Kerrebrock, qui propose d&#8217;utiliser comme fluide un gaz en d&#233;s&#233;quilibre thermique : ses &#233;lectrons seraient tr&#232;s chauds, donc tr&#232;s bons conducteurs, alors que ses atomes resterraient froids (exactement ce qui se passe avec le n&#233;on de votre cuisine : vous pouvez le tenir &#224; la main, bien que ses &#233;lectrons soient &#224; 10 000 &#176;C : on dit qu&#8217;il est bi-temp&#233;rature).<br>Les Occidentaux (en France le CEA, EDF et la Compagnie g&#233;n&#233;rale d&#8217;&#233;lectricit&#233;) optent massivement pour une solution Kerrebrock. Partout, on investit des fortunes dans la construction de tuy&#232;res MHD &#171; bi-temp&#233;ratures &#187;. Mais l&#224;, nouveau probl&#232;me : en bi-temp&#233;rature, impossible d&#8217;utiliser directement les gaz d&#8217;&#233;chappement des centrales, car les grosses mol&#233;cules de gaz carbonique absorbent toute l&#8217;&#233;nergie des &#233;lectrons &#171; chauds &#187;. Il faut donc un circuit secondaire, charg&#233;, par exemple, d&#8217;un m&#233;lange d&#8217;argon et de c&#233;sium. On investit donc d&#8217;autres millions&#8230; Cette fois, &#231;a devrait commencer &#224; marcher. H&#233;las&#8230; <br>On est en 1965, et tous les pros se retrouvent au congr&#232;s de Newcastle. Sheinlin, le patron de la MHD russe, l&#8217;une des stars, pr&#233;sente &#224; ses confr&#232;res un nouveau venu : le jeune Evgueni Velikhov (qui deviendra n&#176; 1 de la science sovi&#233;tique vingt ans apr&#232;s, sous Gorbatchev). Velikhov annonce gentiment que d&#8217;apr&#232;s ses calculs, la MHD bi-temp&#233;rature court au devant d&#8217;un redoutable adversaire. Une sorte de monstre qui fichera en l&#8217;air tous les beaux projets. Il s&#8217;agit d&#8217;une onde de choc. Un machin qui se met &#224; <em>turbuler</em> &#224; partir d&#8217;une certaine intensit&#233; du champ magn&#233;tique et transforme votre plasma en un mille-feuilles strictement imperm&#233;able &#224; l&#8217;&#233;lectricit&#233;.</p><blockquote><p>Le circuit &#233;lectrique IBM de la grande photo (carr&#233; sombre) est supraconducteur &#224; 87 &#176;K. D&#233;couverte colossale, sans doute la plus importante de la d&#233;cennie en physique. Elle apporte un argument inesp&#233;r&#233; &#224; l&#8217;id&#233;e de propulsion MHD de Jean-Pierre Petit : il est d&#233;sormais imaginable de cr&#233;er un jour d&#8217;&#233;normes champs magn&#233;tiques avec du mat&#233;riel l&#233;ger.</p></blockquote><div class="image-gallery-embed" data-attrs="{&quot;gallery&quot;:{&quot;images&quot;:[{&quot;type&quot;:&quot;image/png&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/d0ac39fb-0fcd-42d4-a633-f28403367a41_1092x1422.png&quot;},{&quot;type&quot;:&quot;image/png&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/cb19bfd4-89e5-4cea-b125-538309d9d49a_1082x1424.png&quot;}],&quot;caption&quot;:&quot;&quot;,&quot;alt&quot;:&quot;&quot;,&quot;staticGalleryImage&quot;:{&quot;type&quot;:&quot;image/png&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/b18b608f-1276-4aa0-aa1f-602afae92f70_1456x720.png&quot;}},&quot;isEditorNode&quot;:true}"></div><p>Effectivement, le monstre surgit bient&#244;t. On le baptise <em>Instabilit&#233; de Velikhov</em>. Il est terrible. Devant lui, toutes les tuy&#232;res MHD bi-temp&#233;ratures du monde doivent s&#8217;incliner, les unes apr&#232;s les autres, totalement impuissantes : le courant ne passe pas et personne ne trouve de solution.<br>C&#8217;est alors que se pointe notre ami. En rentrant d&#8217;Angleterre vers Moscou, Velikhov s&#8217;est arr&#234;t&#233; quelques jours &#224; Paris. Jean-Pierre Petit, qui vient tout juste de s&#8217;embarquer dans la gal&#232;re MHD (dans une sous-traitance CNRS, pour le CEA) sympathise avec le Russe. Entre deux hu&#238;tres &#224; Pigalle, Velikhov donne &#224; Petit quelques renseignements &#171; de base &#187;, qui le mettent brutalement sur les rails. Du coup, en quelques mois, le Fran&#231;ais ingurgite sans probl&#232;me, et par le menu, les quatre cents pages joliment trapues de la bible des milieux &#171; bi-temp&#233;rature &#187; : <em>The Mathematical Theory of Non Uniform Gases</em>, de Chapman et Cowling. Et tout de suite &#231;a d&#233;colle.<br>Ph&#233;nom&#232;ne &#233;trange : comment un chercheur prend-il lentement de l&#8217;avance sur ses coll&#232;gues, au point qu&#8217;un beau jour ceux-ci ne peuvent plus le rattraper, m&#234;me en lui coupant tout cr&#233;dit et en l&#8217;obligeant &#224; travailler dans une chambre de bonne avec des bouts de ficelle ? &#192; l&#8217;Institut de m&#233;canique des fluides de Marseille, Petit d&#233;couvre, r&#232;gle de calcul en main (on n&#8217;a pas encore de micro-ordinateurs) que l&#8217;instabilit&#233; de Velikhov dispara&#238;t dans certaines conditions (en gros, si l&#8217;on parvient &#224; pousser le g&#233;n&#233;rateur &#224; plein r&#233;gime). En quelques mois (on est en 67), il le prouve exp&#233;rimentalement. En utilisant un m&#233;lange H&#233;lium-Argon, Petit fait cracher au &#171; tube &#224; choc &#187; de son labo deux millions de watts ! (&#199;a ne dure que quelques centi&#232;mes de seconde, mais &#231;a suffit largement). Hurlements de victoire. Pour la premi&#232;re fois au monde le monstre a &#233;t&#233; dompt&#233; !<br>Une perc&#233;e inesp&#233;r&#233;e. Le patron de Petit se voit d&#233;j&#224; c&#233;l&#232;bre ! On sable le champagne&#8230;<br>Les pauvres ignorent qu&#8217;&#224; l&#8217;&#201;lys&#233;e la d&#233;cision est prise : on abandonne la MHD. Trop ch&#232;re. Trop impuissante devant l&#8217;instabilit&#233; de Velikhov. &#192; la base, les protestations du jeune Petit n&#8217;y feront rien. Et la d&#233;valuation du franc acc&#233;l&#232;re la d&#233;b&#226;cle. On ferme.<br>Par hasard, Petit apprend alors que sa d&#233;couverte n&#8217;a m&#234;me pas &#233;t&#233; communiqu&#233;e au minist&#232;re. Balzac, le responsable financier du minist&#232;re s&#8217;en &#233;tonne. Mais c&#8217;est trop tard. Du coup, d&#233;go&#251;t&#233;, Petit abandonne la m&#233;canique des fluides. Il se tourne vers l&#8217;astrophysique et entre &#224; l&#8217;observatoire de Marseille.<br>L&#8217;histoire pourrait s&#8217;arr&#234;ter l&#224;. &#192; l&#8217;Ouest la MHD est morte. En Union sovi&#233;tique, les chercheurs poursuivent laborieusement sur la voie de l&#8217;&#233;quilibre thermique, en peaufinant leurs c&#233;ramiques. Jean-Pierre Petit, lui, n&#8217;emb&#234;te plus personne. Il essaye de comprendre les &#233;toiles. Pendant plusieurs ann&#233;es il va de nouveau marcher, mais cette fois sans le savoir, sur les traces de Sakharov. En 67, celui-ci a en effet invent&#233; un mod&#232;le d&#8217;univers g&#233;mellaire (jumeaux) avec inversion de la fl&#232;che du temps&#8230;<br>Et pourtant l&#8217;aventure continue. De fa&#231;on toute simple. Tout d&#8217;un coup, vous avez deux morceaux de votre vie qui s&#8217;embo&#238;tent, sans que vous l&#8217;ayez pr&#233;vu. Un jour, Petit repense &#224; ses exp&#233;riences dans les sous-sols de Sup-a&#233;ro. L&#8217;endroit &#233;tait alors hant&#233; par Coanda, un vieil ing&#233;nieur roumain, inventeur trop pr&#233;coce d&#8217;un avion &#224; r&#233;action en 1909 (!), qui r&#234;vait de construire une soucoupe volante. C&#8217;est-&#224;-dire un engin capable de voler &#224; mach 5 au ras des toits &#171; Tout le probl&#232;me, disait l&#8217;anc&#234;tre, est de supprimer l&#8217;onde de choc devant l&#8217;appareil. &#187; Il pensait qu&#8217;on pouvait le faire en aspirant l&#8217;air en amont. Oui, admettait Petit, mais comment ? Et voil&#224; soudain que, vingt ans plus tard, le bonhomme a une illumination : la solution, mais c&#8217;est la MHD !<br>Il serait trop long d&#8217;entrer dans les d&#233;tails. Si cela vous int&#233;resse, lisez donc <em>Le mur du silence</em>, la bande dessin&#233;e sp&#233;cialement consacr&#233;e &#224; ce sujet. En deux jours, le projet est r&#233;dig&#233;. L&#8217;a&#233;ronef MHD sera une sorte d&#8217;aspirateur &#233;lectromagn&#233;tique, qui sucera puissamment l&#8217;air devant lui et le chassera sur l&#8217;aval. Logiquement, ce mode de propulsion devrait supprimer l&#8217;onde de choc frontale ou de bourrage de l&#8217;air sur le nez de tout engin supersonique.<br>Oui mais voil&#224; : d&#233;sormais Petit est astrophysicien et sa nouvelle id&#233;e ne rel&#232;ve pas de sa nouvelle discipline. Le cloisonnement scientifique interdit ce genre de chass&#233;-crois&#233;. Par chance, il tombe alors sur un autre &#171; savant furieux &#187;, comme il aime dire, d&#233;nomm&#233; Vitton, astronome de son &#233;tat, qui a acc&#232;s &#224; un laboratoire d&#8217;astronomie spatiale bien pourvu en mat&#233;riel. Vitton est vite passionn&#233; par les id&#233;es de Petit. Apr&#232;s avoir longuement r&#233;fl&#233;chi, les deux hommes d&#233;cident qu&#8217;ils n&#8217;ont qu&#8217;une alternative : renoncer ou monter une exp&#233;rience clandestine dans une cave du labo.<br>On est en 1976. Petit imagine l&#8217;exp&#233;rience suivante : lorsqu&#8217;un bateau se d&#233;place, les vagues qu&#8217;il cr&#233;e &#224; la surface de l&#8217;eau reproduisent fid&#232;lement la forme des ondes de choc ; il faudrait donc essayer d&#8217;annihiler la vague d&#8217;&#233;trave, non pas d&#8217;un bateau, mais d&#8217;une maquette d&#8217;a&#233;rodynamique, par un proc&#233;d&#233; de MHD. Reste &#224; trouver de quoi produire un champ magn&#233;tique suffisant.<br>Second coup de chance : un Toulousain, sp&#233;cialiste en micro-ondes, poss&#232;de un gros &#233;lectro-aimant d&#8217;un quart de tonne. Petit et Vitton transportent donc leur bricolage &#224; Toulouse. En une heure, sous les yeux effar&#233;s des &#233;lectroniciens, les voil&#224; en train de faire couler de l&#8217;eau acidul&#233;e dans une sorte de conduit de chercheur d&#8217;or, sous l&#8217;&#233;lectro-aimant accroch&#233; &#224; son palan ! Une vague d&#8217;&#233;trave appara&#238;t autour de la petite maquette de soucoupe. Vitton branche alors le g&#233;n&#233;rateur MHD et &#8212; miracle ! &#8212; la vague dispara&#238;t imm&#233;diatement. Les deux comp&#232;res sautent en l&#8217;air, ils hurlent de joie. Tandis que les &#233;lectroniciens s&#8217;interrogent : &#171; Mais qu&#8217;est-ce qui se passe ? Mais qu&#8217;est-ce qu&#8217;il faut regarder ? &#187;<br>Leur enthousiasme est tel que l&#8217;ami toulousain accepte de leur pr&#234;ter son &#233;lectro-aimant. Ils le ram&#232;nent donc en catimini &#224; Marseille, dans leur cave secr&#232;te, et s&#8217;appr&#234;tent &#224; entamer une s&#233;rie d&#8217;exp&#233;riences gratin&#233;es. Quand h&#233;las, un technicien vend la m&#232;che : Vitton est somm&#233; par ses chefs de cesser imm&#233;diatement sa petite plaisanterie. Plus d&#8217;atelier clandestin.<br>Petit tente alors d&#8217;officialiser sa recherche. Il se trouve qu&#8217;&#224; l&#8217;&#233;poque, le ph&#233;nom&#232;ne OVNI a le vent en poupe. Le CNES (centre national d&#8217;&#233;tudes spatiales) nomme m&#234;me une commission d&#8217;enqu&#234;te, le GEPAN (groupe d&#8217;&#233;tude des ph&#233;nom&#232;nes a&#233;riens non identifi&#233;s), charg&#233; d&#8217;explorer l&#8217;incroyable amoncellement de t&#233;moignages sur les machines cens&#233;es venir du ciel. Petit prend le probl&#232;me &#224; rebrousse-poils : il ne pose pas a priori l&#8217;hypoth&#232;se sur les &#171; extra-terrestres &#187;, mais montre que l&#8217;&#233;tat actuel des connaissances permet encore de concevoir (grandeur nature) des engins pr&#233;sentant de troublantes similitudes avec les fameuses soucoupes : m&#234;me forme, m&#234;me d&#233;placement hypersonique sans onde de choc, et bient&#244;t, m&#234;mes ph&#233;nom&#232;nes lumineux autour de l&#8217;engin &#8212; quand il d&#233;couvre qu&#8217;il serait logique d&#8217;ioniser l&#8217;&#233;quateur du disque depuis l&#8217;int&#233;rieur par hautes fr&#233;quences.<br>L&#8217;exp&#233;rience de simulation sur courant d&#8217;eau acidul&#233;e ayant r&#233;ussi, Petit propose donc au GEPAN d&#8217;essayer d&#8217;annihiler, non plus une vague d&#8217;&#233;trave, mais bel et bien une onde de choc supersonique : dans la tuy&#232;re, on mettra un obstacle qui cr&#233;era une onde de choc qu&#8217;on fera sauter par MHD.<br>Peu &#224; peu une sorte de pi&#232;ge se referme sur notre ami. R&#233;trospectivement, tout semble s&#8217;&#234;tre pass&#233; comme si la mission r&#233;elle du GEPAN avait &#233;t&#233; de rassurer la population (&#171; vous voyez, on s&#8217;en occupe &#187;), et d&#8217;enterrer l&#8217;ennuyeux dossier. Jugez plut&#244;t.<br>Petit discute avec le GEPAN, qui trouve ses id&#233;es int&#233;ressantes, mais d&#233;cide d&#8217;en confier un d&#233;but d&#8217;ex&#233;cution &#224; quelqu&#8217;un d&#8217;autre. Pourquoi diable ? Histoire de garder le contr&#244;le ? Sur quoi ? Difficile de savoir. On lui r&#233;pond des trucs &#233;vasifs. Des histoires de carri&#232;re compl&#232;tement nulles&#8230;<br>L&#8217;objectif, donc, est d&#8217;annihiler par MHD une onde de choc dans une tuy&#232;re supersonique. Pour am&#233;liorer le rendement du g&#233;n&#233;rateur MHD, Petit pense qu&#8217;il faut ioniser l&#8217;engin par des sortes de pores, le long des lignes de passage du courant. L&#8217;affaire est tr&#232;s d&#233;licate. Et comme il est &#233;cart&#233; de la manip&#8217; (mais pourquoi ?) celle-ci &#233;choue. C&#8217;est tellement nul que le GEPAN sera finalement dissous &#224; cause de cet &#233;chec.<br>Petit tient le coup. Et pourtant, quelle cascade de d&#233;veines ! Menac&#233; par ses chefs, l&#8217;alli&#233; Vitton doit abandonner la partie. Puis c&#8217;est l&#8217;accident : Petit se prend l&#8217;&#233;lectro-aimant de deux cents kilos sur les reins. Un an d&#8217;h&#244;pital. Des ann&#233;es de r&#233;&#233;ducation. Mais il ne l&#226;che pas. Et il trouve un nouvel alli&#233;, un &#233;tudiant de troisi&#232;me cycle nomm&#233; Lebrun&#8230;<br>Pendant quelques ann&#233;es le labo sauvage sera r&#233;install&#233; dans une chambre de bonne, &#224; Aix. Sans doute la seule chambre de bonne au monde fournie en 30 000 volts. L&#224;, un matin, face au millefeuilles de l&#8217;instabilit&#233; de Velikhov, Petit voit la d&#233;charge &#233;lectrique soudain s&#8217;enfuir et suivre un trajet curviligne compliqu&#233;, avant de s&#8217;en aller griller un d&#233;licat voltm&#232;tre num&#233;rique. Petit se gratte la t&#234;te. Il r&#233;alise que le courant est pass&#233; par les endroits o&#249; le champ magn&#233;tique &#233;tait minimal. Il en tire imm&#233;diatement une nouvelle le&#231;on contre le millefeuilles de Velikhov : il faut prendre le probl&#232;me &#224; l&#8217;envers, et moduler localement le champ magn&#233;tique, de fa&#231;on &#224; r&#233;aligner la d&#233;charge.<br>On est en 83 et Petit obtient du CNRS d&#8217;aller pr&#233;senter cette nouvelle d&#233;couverte au huiti&#232;me colloque international de MHD, &#224; Moscou. L&#224;-bas, il est le seul Fran&#231;ais. Gaston Lagaffe malgr&#233; lui ! En revanche, il y a des Japonais. Et les Am&#233;ricains reviennent, bluff&#233;s par l&#8217;U25 des Sovi&#233;tiques. Mais il est surtout question de recherches en &#233;quilibre thermique, pas tellement en &#171; bi-temp&#233;rature &#187;. Et Petit ne repr&#233;sente que lui-m&#234;me. Il n&#8217;a pas le moindre labo derri&#232;re lui. Il ne compte plus. Il y a longtemps que son poste de directeur de recherche au CNRS est une pure abstraction. On a tout fait pour qu&#8217;il demeure un cas isol&#233;.<br>Or justement, il y a ce Lebrun, qui travaille d&#8217;arrache-pied &#224; sa th&#232;se sur l&#8217;annihilation de l&#8217;onde de choc et menace de devenir le v&#233;ritable associ&#233; du &#171; fou &#187;. Ensemble, Petit et lui d&#233;cident provisoirement de se passer de labo et de tout simuler sur ordinateurs. Un coup de piston miraculeux de Jacques Attali ayant momentan&#233;ment fait plier les pontes du CNRS, Lebrun obtient royalement une bourse de six mille francs par mois. C&#8217;est assez pour lui permettre de travailler nuit et jour, sur son Macintosh. Petit fait pareil sur le sien. L&#8217;intelligence artificielle confirme la th&#232;se : la MHD permet bel et bien d&#8217;annihiler l&#8217;onde de choc !<br>La chance reviendrait-elle ?<br>L&#8217;intervention d&#8217;Attali, que Petit parvient &#224; sensibiliser, notamment avec sa collection de b&#233;d&#233;s, fait de l&#8217;effet. Combarnous, directeur du secteur Sciences physiques de l&#8217;ing&#233;nieur au CNRS, accepte bon gr&#233; mal gr&#233; de d&#233;marcher aupr&#232;s de tous les labos de m&#233;canique des fluides : quelqu&#8217;un voudrait-il un cr&#233;dit de deux millions pour mettre en &#339;uvre le projet de Petit ? Personne ! Un comble, pour un labo : refuser l&#8217;argent qu&#8217;on lui propose. Il y a carr&#233;ment du tabou dans l&#8217;air.<br>Finalement, en 85, un labo accepte : celui de thermodynamique de Rouen. Petit et Lebrun font plusieurs fois le trajet Aix-Rouen. L&#8217;exp&#233;rience serait en partie financ&#233;e par la DRET (c&#8217;est-&#224;-dire l&#8217;arm&#233;e). Aussi les deux &#171; &#233;nergum&#232;nes &#187; sont-ils amen&#233;s &#224; plancher devant des experts militaires. Apparemment, Petit fait bon effet, et les experts lui disent sans ambages. Pourtant le verdict tombe brutalement : l&#8217;exp&#233;rience rouennaise se fera sans Jean-Pierre Petit. Les autorit&#233;s militaires ont &#233;t&#233; cat&#233;goriques. On voudrait rendre un homme fou qu&#8217;on ne s&#8217;y prendrait pas autrement. D&#8217;ici quelques mois, &#224; Rouen, les id&#233;es de Petit vont &#234;tre mises en pratique, mais de nouveau sans lui. C&#8217;est Ubu qui continue.<br>Alors, apr&#232;s avoir envisag&#233; de tout laisser tomber, le bonhomme se remet &#224; penser &#224; un labo sauvage. Dans un garage cette fois ! Pour avoir la place d&#8217;installer un &#171; tube &#224; choc &#187;. Selon toute vraisemblance, les Rouennais se planteront, en essayant l&#8217;exp&#233;rience &#224; chaud, tandis que, de leur c&#244;t&#233;, Petit et Lebrun tenteront la m&#234;me exp&#233;rience, dans leur garage de chiffonniers, mais en plus fort : &#224; froid. De quoi faire p&#226;lir les bureaucrates.<br>Sur le fond, Petit est s&#251;r de son coup. Pour entrer dans l&#8217;&#232;re de l&#8217;hypersonique en atmosph&#232;re, il faut annihiler cette foutue onde de choc, et pour cela, &#171; aider le gaz &#224; contourner l&#8217;obstacle &#187; : saisir d&#233;licatement les mol&#233;cules d&#8217;air qui d&#233;boulent sur l&#8217;amont et les aider &#224; passer en laissant le fluide dans l&#8217;&#233;tat o&#249; on l&#8217;avait trouv&#233; en entrant&#8230; Dans ce contournement, il faut, &#224; certains endroits acc&#233;l&#233;rer le gaz, et &#224; d&#8217;autres le ralentir. Pour l&#8217;acc&#233;l&#233;rer, il faut lui fournir de l&#8217;&#233;nergie (cin&#233;tique), et quand on le ralentit, c&#8217;est lui qui nous en fournit : le prix &#224; payer est juste la diff&#233;rence entre les deux, les calculs de Lebrun sur ordinateur le d&#233;montrent. (Le jeune associ&#233; de Petit passe brillamment sa th&#232;se sur ce sujet. Les r&#233;sultats en seront publi&#233;s &#224; Tsukuba, en 86, au 9e congr&#232;s de MHD. Dommage qu&#8217;on interdise &#224; Lebrun de poursuivre, m&#234;me &#224; 6 000 F par mois !)<br>La seule chose qui emp&#234;che de r&#233;aliser cette machine volante du XXIe si&#232;cle ? C&#8217;est le poids actuel du kilowatt &#233;lectrique et du tesla magn&#233;tique. Les g&#233;n&#233;rateurs et les &#233;lectro-aimants p&#232;sent comme des &#233;l&#233;phants morts. Mais qui aurait pu pr&#233;voir les progr&#232;s foudroyants en mati&#232;re de supraconductivit&#233;, effectu&#233;s un peu partout dans le monde depuis un an ? Autrefois, la supraconduction &#8212; c&#8217;est-&#224;-dire la disparition de la r&#233;sistance du m&#233;tal au courant, et donc la possibilit&#233; de champs magn&#233;tiques g&#233;ants &#8212; n&#8217;&#233;tait possible qu&#8217;&#224; tr&#232;s basse temp&#233;rature (pr&#232;s du z&#233;ro absolu (-273&#176;C), et donc avec des installations &#233;normes. Les derni&#232;res d&#233;couvertes semblent indiquer qu&#8217;on se dirige &#224; grands pas vers une supraconductivit&#233; &#224; temp&#233;rature beaucoup plus douce, voire ambiante, et donc vers du mat&#233;riel l&#233;ger.<br>Ajoutez &#224; &#231;a la perspective (in&#233;luctable ?) de mini-g&#233;n&#233;rateurs &#233;lectriques &#224; fusion contr&#244;l&#233;e, et l&#8217;a&#233;rodynamique MHD devient carr&#233;ment un must. Le point de passage oblig&#233; du vol hypersonique en air dense.<br>Imaginez la diff&#233;rence : &#224; Mach 2, Concorde d&#233;pense 40 % de son &#233;nergie &#224; cr&#233;er ce bang inutile et destructeur de carreaux. &#192; plus grande vitesse, la part de l&#8217;&#233;nergie qui file dans l&#8217;onde de choc cro&#238;t vertigineusement. L&#8217;a&#233;rodynamique MHD volera tranquillement entre Mach 5 et Mach 10. Au ras des toits. Sans pollution.<br>Bon sang, avis aux sponsors !</p><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/subscribe?&quot;,&quot;text&quot;:&quot;S'abonner&quot;,&quot;language&quot;:&quot;fr&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption"><strong>CARE &#8211; ARCHIVES EN LIGNE</strong> est une publication ind&#233;pendante soutenue par ses lectrices et ses lecteurs. 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   ]]></content:encoded></item><item><title><![CDATA[Archives: Jean-Pierre Petit 1]]></title><description><![CDATA[ARCHIVES: JEAN-YVES CASGHA - PRISM ESCAPE - PATRICE VAN EERSEL]]></description><link>https://exotical.substack.com/p/archives-jean-pierre-petit-1</link><guid isPermaLink="false">https://exotical.substack.com/p/archives-jean-pierre-petit-1</guid><pubDate>Mon, 04 May 2026 16:33:17 GMT</pubDate><enclosure url="https://substackcdn.com/image/youtube/w_728,c_limit/inmqVPj78_4" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/p/archives-jean-pierre-petit-1?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Partager&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/p/archives-jean-pierre-petit-1?utm_source=substack&utm_medium=email&utm_content=share&action=share"><span>Partager</span></a></p><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Partager CARE - ONLINE ARCHIVES&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/?utm_source=substack&utm_medium=email&utm_content=share&action=share"><span>Partager CARE - ONLINE ARCHIVES</span></a></p><p><a href="https://exotical.substack.com/p/archives-jean-pierre-petit-1-9ef">French Version</a><br><br>ARCHIVE PRISM ESCAPE<br><a href="https://exotical.substack.com/p/archive-interview-jean-pierre-petit">Interview JEAN-PIERRE PETIT for PRISM ESCAPE #2, 2003</a> </p><div><hr></div><p><strong><a href="https://exotical.substack.com/p/les-emissions">LES ARCHIVES SECRETES DU BOULEVARD DE L&#8217;&#201;TRANGE</a><br></strong><a href="https://exotical.substack.com/p/les-emissions">Index des &#233;missions d&#233;j&#224; publi&#233;es</a><br><br>I met Jean-Pierre Petit, an engineer and physicist at the CNRS, in Aix-en-Provence where he was conducting research on magnetohydrodynamics (MHD), while I was studying Comparative Grammar of Indo-European Languages at the university.<br>At first glance, nothing could have been further apart&#8212;except that this brilliant polymath was teaching a course at the Faculty of Letters on the emerging field of computing, starting at undergraduate level, with a particularly unusual program for a linguist since he introduced us to a computer tool he had created, capable of inventing words that did not exist but nonetheless carried meaning!<br>He had named it LOGOTRON, &#8220;the place of discourse&#8221;&#8230;He even devoted a volume of his fascinating comic-book series <em><a href="http://savoir-sans-frontieres.com/">The Adventures of Anselme Lanturlu</a></em> to it, which I recommend from high school to age 77!</p><p>To say the least, it was mind-blowing: nothing to do with Latin, Greek, Sanskrit, Old Irish, Welsh and other vanished languages and dialects. This exceptionally brilliant young researcher&#8212;who climbed cliffs and flew gliders, humorous, completely atypical and paradoxically rigorous, who drew and popularized ideas to perfection, endowed with a prodigious memory&#8212;perfectly illustrated the phrase of Plato: &#8220;one must follow the subtle network of affinities that links words, things, beings&#8230;&#8221;<br>At the same time, he was Gyro Gearloose, the hero of The Walt Disney Company: early computers had one constant, their tendency to &#8220;bug out.&#8221;<br>No matter, Jean-Pierre Petit always had in his pockets a multitude of pencils and tools with which, while continuing to speak to us, he opened the heart of the plastic, metal and multiple soldered machine and repaired it. He would then take the opportunity to explain to us what the machine had done and his own intervention.<br>Then he would move on to writing a few lines of code, always commenting on them to us, until the magic happened: the tiny greenish screen would both flash a small white spark and emit an unpleasant sound. A pause and the Logotron came back to life&#8230;</p><p>In reality, it was a simple random program that combined Greek roots and produced new words: &#8220;podoclaste,&#8221; from &#8220;pod&#8221; (foot) and &#8220;clast&#8221; (to break), created a &#8220;precious&#8221; alternative to the very familiar <em>pain in the neck</em>&#8230;But this was 1972/73 and this game fascinated us. We liked to believe that all the words that meant nothing or rather that did not describe existing objects at that time were simply waiting their turn&#8230;<br>And Jean-Pierre himself acknowledged that he used it to stimulate his brain: a new word could generate a new idea. And for a researcher, that is a good way to move forward&#8230;<br>In this case, for us, Jean-Pierre Petit felt like a gust of air in a dusty library and personally gave me the desire to delve further into the Odyssey&#8230;Paradox&#8230;</p><p>And so, one day, he spoke to us about his research in physics, the famous MHD he had been working on since 1965&#8230;<br>This week you will have the opportunity to enter the heart of the subject through the various programs, but let us say that MHD would make it possible to move through a fluid&#8212;in this case air or water&#8212;by canceling the resistance of the medium; thus, for example, a submarine could move in absolute silence at very high speeds, and in the air an &#8220;MHD aerodyne&#8221; could reach 15 to 20 times the speed of sound without the slightest noise!</p><div id="youtube2-inmqVPj78_4" class="youtube-wrap" data-attrs="{&quot;videoId&quot;:&quot;inmqVPj78_4&quot;,&quot;startTime&quot;:null,&quot;endTime&quot;:null}" data-component-name="Youtube2ToDOM"><div class="youtube-inner"><iframe src="https://www.youtube-nocookie.com/embed/inmqVPj78_4?rel=0&amp;autoplay=0&amp;showinfo=0&amp;enablejsapi=0" frameborder="0" loading="lazy" gesture="media" allow="autoplay; fullscreen" allowautoplay="true" allowfullscreen="true" width="728" height="409"></iframe></div></div><p>1965, then, the beginning of the research.<br>1983, 8th International Conference on MHD in Moscow. While France and most Western countries had simply dismissed this line of research, Jean-Pierre Petit was welcomed as a hero because he had solved all the physical problems, particularly those related to instability.<br>2014, Vladimir Putin announces the development of the famous hypersonic missiles.<br>Since then, their use has become apparent&#8212;exactly what Jean-Pierre Petit feared most.</p><p>Welcome to my archives,</p><p>Jean-Yves Casgha, 05/26<br><br>Interviews <a href="https://www.jp-petit.org/">JEAN-PIERRE PETIT</a> 1983</p><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;5f1e3a10-da8a-4262-a23c-2c62f0364803&quot;,&quot;duration&quot;:564.89795,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;ef6544ca-0f35-43de-abf4-6ebe27910068&quot;,&quot;duration&quot;:538.4098,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;7685cca9-15cb-400f-b192-8d94e6aa074d&quot;,&quot;duration&quot;:575.16406,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;72d9fea4-0bd0-4257-97da-b75dd57b92f7&quot;,&quot;duration&quot;:545.2278,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;d2d88cb6-333e-4047-a24d-a7c0af582c06&quot;,&quot;duration&quot;:518.9224,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;9ed2ae81-addf-4228-a08d-4f6b24f9f6cb&quot;,&quot;duration&quot;:511.7649,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><p>Interview <a href="https://www.jp-petit.org/">JEAN-PIERRE PETIT</a><strong> </strong>1987</p><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;a4d7ba42-ccad-47dc-b64c-c429c02065d8&quot;,&quot;duration&quot;:882.0767,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><p><strong>Subscribers only (see bottom of page):<br></strong>Interview (Outtakes) <a href="https://www.jp-petit.org/">JEAN-PIERRE PETIT</a><strong>, </strong><a href="https://theses.fr/032817398">BERTRAND LEBRUN</a> 1987 44&#8217;<strong><br></strong>Interview (Outtakes) <a href="https://www.jp-petit.org/">JEAN-PIERRE PETIT</a><strong> </strong>1987 30&#8217;<br>Interview (Outtakes) <a href="https://www.jp-petit.org/">JEAN-PIERRE PETIT</a><strong> </strong>1983 12&#8217;</p><div><hr></div><p><strong><a href="https://exotical.substack.com/p/archive-patrice-van-eersel">ARCHIVE PATRICE VAN EERSEL<br>Index of previously published articles</a></strong></p><div class="image-gallery-embed" data-attrs="{&quot;gallery&quot;:{&quot;images&quot;:[{&quot;type&quot;:&quot;image/png&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/70bf30c6-f104-4535-8acf-d255955501ce_1076x1420.png&quot;},{&quot;type&quot;:&quot;image/png&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/d1239af2-a5cb-4a59-a035-90005dbda7d1_1072x1426.png&quot;}],&quot;caption&quot;:&quot;&quot;,&quot;alt&quot;:&quot;&quot;,&quot;staticGalleryImage&quot;:{&quot;type&quot;:&quot;image/png&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/093e8230-10d9-408f-b1a6-74bca4692c92_1456x720.png&quot;}},&quot;isEditorNode&quot;:true}"></div><p><strong><a href="https://exotical.substack.com/p/archives-jean-pierre-petit-1-9ef">French Version</a><br>CAN WE STILL CATCH UP WITH THE RUSSIANS?<br></strong>by Patrice van Eersel<br>First published in ACTUEL N&#176;93-98, 1987</p><p>MHD works in the USSR. I went to see it. In France, the best specialist, Jean-Pierre Petit, no longer has a cent of funding and conducts his research in a maid&#8217;s room. Shame on us!</p><p>It&#8217;s called MHD: magnetohydrodynamics. It is as powerful as the invention of gunpowder or the dynamo. It was already being experimented with in 1860 on the banks of the Thames. It will power the plasma cannons of Star Wars. Right now, it is improving the efficiency of certain Russian power plants (curiously, at international MHD conferences, three hundred and fifty participants out of five hundred are Russian). Strange, isn&#8217;t it?<br>One of the world&#8217;s leading minds in this field is French. A research director at the CNRS, Jean-Pierre Petit demonstrates that MHD could also, one day, make an aircraft fly. Not immediately: we are still at the equivalent stage of Denis Papin&#8217;s machine. But things often move faster than expected&#8212;have you noticed the sudden and unexpected breakthrough in superconductivity over the past year, all over the world? It plays a crucial role in MHD.<br>Unfortunately for him, Jean-Pierre Petit&#8217;s calculations stubbornly predict that his flying device would have to be discoid in shape. In other words, a saucer. Yet the French scientific community detests this form. The mere mention of a flying saucer makes it break out in hives. As a result, it refuses to listen to Jean-Pierre Petit. &#8220;Yes, yes, they tell you, he has a lot of talent, but what can you do&#8230;&#8221;<br>Once on their blacklist, a researcher is finished. The problem is that, in MHD, Petit is clearly stronger than the others. So CNRS scientists regularly take up his ideas, more or less discreetly, insisting that he remain in the shadows. Then they put the ideas into practice&#8212;but fail. Petit laughs about it. But more and more bitterly. And French MHD remains stuck in its hole. Help!<br>Let&#8217;s be honest: UFOs have a bad reputation. My first reaction, upon learning that Jean-Pierre Petit was interested in flying saucers, was very negative. What a notion! Then, by chance, I saw him (notably at the Puy-Saint-Vincent festival, organized by France Inter) cross swords with eminent and skeptical colleagues, from the CNRS and elsewhere. The clarity of his discourse, the strength of his arguments, their logic, and the discomfort of his opponents plunged me into deep perplexity.<br>I inquire further: Petit is said to be genuinely brilliant, recognized worldwide by MHD professionals. I find it hard to believe. Why, then, is he being boycotted? I am familiar with our scientists&#8212;very sensitive about scientific rigor, allergic to the slightest &#8220;subliminal,&#8221; &#8220;paranormal,&#8221; or &#8220;holistic&#8221; allusion&#8212;but Petit&#8217;s theses seem, on the contrary, extremely solid: nothing Einsteinian or quantum! Pure, hard Newtonian physics, testable with voltmeters, oscilloscopes, and gas meters! What&#8217;s wrong?<br>To get to the bottom of it, the newspaper sent Petit and me to the Soviet Union to meet some of the big names in MHD. It turns out the Popovs are <em>number one</em> in this field. Why? Because they have: (1) stubbornness, (2) top-level expertise in ceramics capable of withstanding infernal temperatures (over 2,500&#176;C), which, after years of struggle, allowed them to pursue low-Reynolds MHD in thermal equilibrium. What does that mean? Patience&#8212;you&#8217;ll understand.<br>In Moscow, all doubt disappears: Petit truly enjoys high standing on the international scene. The physicists we meet, particularly Dr. Golubev, who comes to greet us at the airport, run very large machines. They tell me how highly they regard my compatriot: &#8220;He great scientist! He already discovered in 1967 how to annihilate the terrible Velikhov instability!&#8221; I will later grasp the importance of this discovery&#8212;and Petit&#8217;s tragedy: when he made it, still a complete beginner, it was already too late. The massive French MHD program was collapsing irreversibly, a sad <em>Titanic</em> already steered by the wrong people. Then Georges Pompidou finished off the monster, and Petit had to retrain, terribly frustrated, in astrophysics&#8230;</p><blockquote><p>Jean-Pierre Petit is about to take off aboard the ultralight aircraft of his friends Michel Katzman and Odile Monrozier, hang-gliding champions, for a demonstration. The French MHD specialist is in high spirits. Despite the astonishing psychological blockage of the national scientific community toward him, he continues to live at Mach 5. Inwardly.</p></blockquote><div class="image-gallery-embed" data-attrs="{&quot;gallery&quot;:{&quot;images&quot;:[{&quot;type&quot;:&quot;image/png&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/a1659539-00a2-47b2-ace6-49dfebc14148_1082x1424.png&quot;},{&quot;type&quot;:&quot;image/png&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/a6885f85-84c5-48a6-b4b1-3629fcc4f715_1070x1422.png&quot;}],&quot;caption&quot;:&quot;&quot;,&quot;alt&quot;:&quot;&quot;,&quot;staticGalleryImage&quot;:{&quot;type&quot;:&quot;image/png&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/4df4ec50-1de1-4156-bd1c-e154dddced77_1456x720.png&quot;}},&quot;isEditorNode&quot;:true}"></div><p>On the plane, I read his papers published in physics journals&#8212;American, French, Soviet. In one of them, there was mention of two strange &#8220;universes interacting with their images in the mirror of time&#8221;&#8230;but let&#8217;s move on. Let us instead visit the large experimental power plant U-25, whose efficiency has been significantly improved thanks to an MHD nozzle.<br>A brutal entry into another kind of the fantastic. A <em>Brazil</em>-like setting, but for real: formidable tangles of large, roughly finished metal pipes, Fritz Lang&#8211;style pressure gauges, copper casings with big wing nuts, giant magnets&#8230;Dirty carpets, broken tiles, machines resembling foul heaps of rust&#8230;And at the same time, inside the nozzle, ceramics and zirconium oxide electrodes that are twenty years ahead of the West! And we learn that the Russians are building a real MHD plant much larger than U-25, in Ryazan; a machine that will produce five hundred megawatts!<br>Later, we visit the Moscow computing center, with its utterly dilapidated corridors, its dreadful, a jumble that even Emma&#252;s ragpickers wouldn&#8217;t want. We have lunch in a canteen straight out of 1950s Spain, as if filmed by Andrei Tarkovsky. A very marked poverty. Then we spend a long time contemplating the heavy Russian computers, with their chrome cylindrical memories driven by motors for agricultural machines. Five hundred times slower than the American speedsters!<br>And immediately an obsessive question arises: how do they manage to send their people into space?<br>One possible answer among others: ultra-advanced technology dazzles us. One does not necessarily need ultra-rare alloys, electronically welded to the nearest micromicron in a vacuum, to set out, for example, to conquer space. The American shuttle failed, yet it had been built like a heart valve for a billionaire. The Russian Soyuz-Salyut craft, on the other hand, orbit the Earth with generator-like technology. In a sense, it is reassuring. The human factor counts more than one thinks. There is an authentically cowboy side that the Americans no longer have, and that appeals greatly to Jean-Pierre Petit. I don&#8217;t think he&#8217;s on the KGB payroll for all that. He is too joyful a rebel, too free a man&#8212;one of those who spend hours in a hang glider and whom bureaucrats fear.<br>As a student at Sup&#8217;A&#233;ro, he never attended classes, always holed up in the workshop, building supersonic wind tunnels. With so little equipment that&#8212;even then!&#8212;his professors were incredulous and furious. Later, around 1960, he found himself at Princeton University, but was immediately thrown out because he had dared to pass through several doors marked &#8220;No Entry, Strictly Forbidden,&#8221; and discovered&#8212;already!&#8212;a flying saucer. Deep inside a lab, it had made people roar with laughter. It was a nine-meter-diameter discoid (with two cockpits), supposed to move on an air cushion&#8212;which, according to Petit, is a bad idea. He immediately informed the director of Princeton, who took it very badly and expelled him.<br>Petit lived for some time in New York. Memorable episodes in Brooklyn, where he confessed that he had just discovered (at twenty!) that his father was named Levy and lived in Spain as a devout practicing Catholic!<br>He earned his living by drawing&#8230;(He has a fine hand. I recommend his thirteen popular science comic books published by Belin&#8212;<em>The Adventures of Anselme Lanturlu</em>&#8212;to anyone interested in technological, topological, or cosmological intelligence&#8230;) Then he joined the CNRS, and MHD took hold of his soul.<br>But what exactly is MHD? The first time I heard about it, it was in connection with a plasma cannon. An invention by Andrei Sakharov (always him!) dating from 1951. A very simple device, within reach of any technical workshop, which, slightly improved, can spit out a torus of vaporized metal at one hundred kilometers per second (a staggering performance achieved by the Soviets in 1965).<br>After that, it took me a while to understand the connection between this cannon, power plants, and flying saucers.<br>In all three cases, you are dealing with a basic high-school-level physical law, which I cannot spare you. Indeed, if, in a fluid, one creates a magnetic field B and an electric current I perpendicular to it, the fluid experiences a Laplace force F (a simple mechanical or kinetic force), of magnitude IB, whose direction is given by the so-called &#8220;three-finger rule&#8221;: if B is along your right index finger pointing upward and I along your middle finger pointing toward you, F will follow your thumb, extended perpendicular to the other two, pointing to the right. Agreed?<br>From there, MHD has two definitions. It is either the art of transforming the velocity of a fluid (its kinetic energy) into electricity; or the art of accelerating a fluid using electromagnetic energy. In other words, the process is reversible. As in a dynamo: either you pedal and it produces current, or you supply current and it turns the crank.<br>It is sometimes said that the inventor of MHD is Michael Faraday. In 1860, the eminent British scientist placed electrodes on either side of the Thames and observed that the combined action of the Earth&#8217;s magnetic field and the motion of the water (slightly salty, thus conductive) produced a (very weak) electric current.<br>Others will first mention Sakharov, inventor of explosive MHD. In the 1950s, the remarkable Andrei amused himself by detonating charges that produced fast flows of very hot gases, rich in free electrons&#8212;that is, excellent electrical conductors&#8230;In fifteen years, his team produced (very brief) currents of one hundred million (!!!) amperes and magnetic fields of twenty-five million gauss, that is, two thousand five hundred teslas, equivalent to the staggering pressure of twenty-five million atmospheres! Magnetic fields can indeed behave like gases: they have pressure and can be compressed. Sakharov&#8217;s MHD cannon compresses a magnetic field so violently (one speaks of &#8220;high Reynolds&#8221;) that it is forced into a tube, from which it escapes at tremendous speed, pushing a projectile at such a temperature that the metal transforms directly into a fiercely burning gas: a plasma. Enough to pierce any armor in the world.<br>Faraday&#8217;s MHD, on the other hand, is called &#8220;low Reynolds&#8221;: its magnetic field is not compacted by compression. In the 1960s, this is the form of MHD that most fascinates physicists. They believe it could be used to improve the (terribly poor) efficiency of conventional power plants. The theory predicts savings of 30 to 50 percent. This involves enormous sums: the oil bill.<br>The idea is to subject the exhaust gases of power plants to strong magnetic fields and extract current from them. But two problems immediately arise: (1) the fields are too weak, requiring enormous magnets that consume vast amounts of energy (superconductivity still exists mostly in theory), and (2) combustion gases become good electrical conductors only at temperatures so high (2,500&#176;C) that within three seconds the entire nozzle is torn apart, crushed, reduced to pulp.<br>Two solutions then present themselves: either persist and patiently develop materials capable of withstanding such infernal temperatures&#8212;which is what the Russians do&#8212;or follow the very clever idea of the American Kerrebrock, who proposes using a gas in thermal non-equilibrium: its electrons would be very hot, hence excellent conductors, while its atoms would remain cold (exactly as in the neon light in your kitchen: you can hold it in your hand even though its electrons are at 10,000&#176;C&#8212;it is called a two-temperature system).<br>Westerners (in France the CEA, EDF, and the Compagnie G&#233;n&#233;rale d&#8217;&#201;lectricit&#233;) massively opt for the Kerrebrock solution. Everywhere, fortunes are invested in building &#8220;two-temperature&#8221; MHD nozzles. But here again a new problem arises: in a two-temperature system, it is impossible to use power plant exhaust gases directly, because large carbon dioxide molecules absorb all the energy of the &#8220;hot&#8221; electrons. A secondary circuit is therefore required, for example using a mixture of argon and cesium. More millions are invested&#8230;This time, it should start working. Alas&#8230;<br>It is 1965, and all the professionals gather at the Newcastle conference. Sheinlin, head of Russian MHD and one of its stars, introduces a newcomer to his colleagues: the young Evgeny Velikhov (who would become number one in Soviet science twenty years later under Gorbachev). Velikhov gently announces that, according to his calculations, two-temperature MHD is heading straight toward a formidable adversary&#8212;a kind of monster that will wreck all these fine projects. It is a shock wave: something that begins to oscillate beyond a certain magnetic field intensity and turns your plasma into a mille-feuille structure, completely impermeable to electricity.</p><blockquote><p>The IBM electrical circuit in the large photo (dark square) is superconducting at 87&#176;K. A colossal discovery, undoubtedly the most important of the decade in physics. It provides an unexpected boost to Jean-Pierre Petit&#8217;s idea of MHD propulsion: it is now conceivable that one day enormous magnetic fields could be created using lightweight equipment.</p></blockquote><div class="image-gallery-embed" data-attrs="{&quot;gallery&quot;:{&quot;images&quot;:[{&quot;type&quot;:&quot;image/png&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/d0ac39fb-0fcd-42d4-a633-f28403367a41_1092x1422.png&quot;},{&quot;type&quot;:&quot;image/png&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/cb19bfd4-89e5-4cea-b125-538309d9d49a_1082x1424.png&quot;}],&quot;caption&quot;:&quot;&quot;,&quot;alt&quot;:&quot;&quot;,&quot;staticGalleryImage&quot;:{&quot;type&quot;:&quot;image/png&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/b18b608f-1276-4aa0-aa1f-602afae92f70_1456x720.png&quot;}},&quot;isEditorNode&quot;:true}"></div><p>Indeed, the monster soon appeared. It was named the <em>Velikhov instability</em>. It was formidable. Before it, all the two-temperature MHD nozzles in the world had to bow, one after another, completely powerless: the current would not flow, and no one could find a solution.<br>That is when our friend stepped in. On his way back from England to Moscow, Velikhov stopped for a few days in Paris. Jean-Pierre Petit, who had just embarked on the MHD venture (as a CNRS subcontractor for the CEA), struck up a friendship with the Russian. Between two oysters in Pigalle, Velikhov gave Petit a few &#8220;basic&#8221; insights that suddenly set him on track. Within a few months, the Frenchman effortlessly absorbed, in detail, the four hundred dense pages of the bible of &#8220;two-temperature&#8221; media: <em>The Mathematical Theory of Non-Uniform Gases</em> by Chapman and Cowling. And things immediately took off.<br>A strange phenomenon: how does a researcher gradually pull ahead of his colleagues to the point that, one day, they can no longer catch up with him&#8212;even by cutting off all his funding and forcing him to work in a maid&#8217;s room with makeshift means? At the Institute of Fluid Mechanics in Marseille, Petit discovered, slide rule in hand (there were no microcomputers yet), that the Velikhov instability disappears under certain conditions (roughly speaking, if the generator is pushed to full capacity). Within a few months (it was 1967), he proved it experimentally. Using a helium-argon mixture, Petit made the &#8220;shock tube&#8221; in his lab deliver two million watts! (It lasted only a few hundredths of a second, but that was more than enough.) Cries of victory. For the first time in the world, the monster had been tamed!<br>An unexpected breakthrough. Petit&#8217;s boss already saw himself becoming famous! Champagne was opened&#8230;<br>The poor fools did not know that, at the &#201;lys&#233;e, the decision had been made: MHD would be abandoned. Too expensive. Too powerless in the face of the Velikhov instability. From the outset, the protests of the young Petit would change nothing. And the devaluation of the franc accelerated the collapse. The program was shut down.<br>By chance, Petit then learned that his discovery had not even been communicated to the ministry. Balzac, the financial official at the ministry, was astonished. But it was too late. Disgusted, Petit abandoned fluid mechanics. He turned to astrophysics and joined the Marseille Observatory.<br>The story could have ended there. In the West, MHD was dead. In the Soviet Union, researchers continued laboriously along the path of thermal equilibrium, refining their ceramics. Jean-Pierre Petit, meanwhile, bothered no one anymore. He tried to understand the stars. For several years, he would again, without knowing it, follow in the footsteps of Andrei Sakharov. In 1967, Sakharov had indeed devised a model of a twin universe with a reversal of the arrow of time&#8230;<br>And yet the adventure continued. Quite simply. Suddenly, two parts of your life fit together without your having planned it. One day, Petit thought back to his experiments in the basements of Sup&#8217;A&#233;ro. The place had then been haunted by Coand&#259;, an old Romanian engineer, the prematurely inventive creator of a jet aircraft in 1909 (!), who dreamed of building a flying saucer&#8212;that is, a craft capable of flying at Mach 5 just above rooftops. &#8220;The whole problem,&#8221; the old man said, &#8220;is to eliminate the shock wave in front of the craft.&#8221; He believed it could be done by sucking in the air upstream. Yes, Petit agreed&#8212;but how? And suddenly, twenty years later, the man had an illumination: the solution&#8212;that was MHD!<br>It would take too long to go into details. If you are interested, read <em>The Silence Barrier</em>, the comic book devoted specifically to this subject. In two days, the project was written up. The MHD aircraft would be a kind of electromagnetic vacuum cleaner, powerfully sucking in the air ahead and expelling it downstream. Logically, this mode of propulsion should eliminate the frontal shock wave or air compression at the nose of any supersonic craft.<br>But now Petit was an astrophysicist, and his new idea did not belong to his new discipline. Scientific compartmentalization forbade this kind of crossover. By chance, he then met another &#8220;mad scientist,&#8221; as he liked to say, named Vitton, an astronomer with access to a well-equipped space astronomy laboratory. Vitton quickly became fascinated by Petit&#8217;s ideas. After long reflection, the two men decided they had only one alternative: give up or set up a clandestine experiment in a basement lab.<br>It was 1976. Petit devised the following experiment: when a boat moves, the waves it creates on the surface of the water faithfully reproduce the shape of shock waves; one should therefore try to annihilate the bow wave&#8212;not of a boat, but of an aerodynamic model&#8212;by means of MHD. The problem was to find a way to generate a sufficient magnetic field.<br>A second stroke of luck: a specialist in microwaves in Toulouse had a large electromagnet weighing a quarter of a ton. Petit and Vitton transported their contraption there. Within an hour, under the astonished eyes of the electronics engineers, they were making acidulated water flow through a kind of gold-panner&#8217;s trough under the electromagnet suspended from its hoist! A bow wave formed around the small saucer model. Vitton then switched on the MHD generator and&#8212;miracle!&#8212;the wave disappeared instantly. The two accomplices jumped up and shouted with joy, while the engineers wondered: &#8220;What&#8217;s happening? What are we supposed to look at?&#8221;<br>Their enthusiasm was such that their Toulouse friend agreed to lend them his electromagnet. They secretly brought it back to Marseille, to their hidden basement, and prepared to begin a series of daring experiments. But alas, a technician spilled the beans: Vitton was ordered by his superiors to stop his little game immediately. No more clandestine workshop.<br>Petit then tried to officialize his research. At the time, the UFO phenomenon was gaining attention. The CNES even set up an investigation group, GEPAN, tasked with examining the extraordinary accumulation of reports about machines supposedly coming from the sky. Petit approached the problem from the opposite angle: he did not assume extraterrestrial origins but showed that, given current knowledge, it was still possible to conceive (full-scale) craft with striking similarities to the famous saucers: same shape, same hypersonic motion without shock waves, and soon the same luminous phenomena around the craft&#8212;once he realized it would be logical to ionize the disk&#8217;s equator from within using high frequencies.<br>Since the simulation experiment with acidulated water had succeeded, Petit proposed to GEPAN to attempt not merely to annihilate a bow wave but a true supersonic shock wave: inside a nozzle, an obstacle would create a shock wave, which would then be canceled by MHD.<br>Gradually, a kind of trap closed around our friend. In retrospect, it seemed as though GEPAN&#8217;s real mission had been to reassure the public (&#8220;you see, we&#8217;re taking care of it&#8221;) and to bury the troublesome issue. Judge for yourself.<br>Petit discussed matters with GEPAN, which found his ideas interesting but decided to entrust their initial implementation to someone else. Why? To maintain control? Over what? Hard to say. He was given vague answers. Petty career considerations&#8230;<br>The objective, then, was to annihilate a shock wave in a supersonic nozzle using MHD. To improve the efficiency of the MHD generator, Petit believed the craft should be ionized through pores along the current lines. The matter was very delicate. And since he was excluded from the experiment (but why?), it failed. It was such a failure that GEPAN was eventually dissolved because of it.<br>Petit held on. And yet, what a cascade of misfortune! Threatened by his superiors, his ally Vitton had to withdraw. Then came the accident: Petit had a two-hundred-kilogram electromagnet fall onto his back. A year in the hospital. Years of rehabilitation. But he did not give up. And he found a new ally, a graduate student named Lebrun&#8230;<br>For several years, the makeshift lab was reinstalled in a maid&#8217;s room in Aix. Probably the only such room in the world equipped with 30,000 volts. There, one morning, faced with the mille-feuille structure of the Velikhov instability, Petit saw the electrical discharge suddenly escape and follow a complicated curved path before frying a delicate digital voltmeter. He scratched his head. He realized that the current had passed through regions where the magnetic field was minimal. He immediately drew a new lesson against Velikhov&#8217;s &#8220;mille-feuille&#8221;: the problem must be tackled in reverse, locally modulating the magnetic field so as to realign the discharge.<br>It was 1983, and Petit obtained permission from the CNRS to present this new discovery at the eighth international MHD conference in Moscow. There, he was the only Frenchman&#8212;an unwilling outsider! The Japanese were present, and the Americans had returned, impressed by the Soviets&#8217; U-25. But the focus was mainly on thermal equilibrium research, not so much on &#8220;two-temperature&#8221; systems. And Petit represented only himself. He no longer counted. His position as research director at the CNRS had long since become purely nominal. Everything had been done to isolate him.<br>And yet there was Lebrun, working tirelessly on his thesis on shock-wave annihilation and threatening to become the true partner of the &#8220;madman.&#8221; Together, Petit and Lebrun decided, for the time being, to dispense with laboratories and simulate everything on computers. Thanks to a providential intervention by Jacques Attali, Lebrun obtained a modest grant&#8212;just enough to work day and night on his Macintosh. Petit did the same on his. Artificial intelligence confirmed the thesis: MHD can indeed annihilate the shock wave!<br>Was luck returning?<br>Attali&#8217;s intervention had an effect. Combarous, head of engineering physical sciences at the CNRS, reluctantly agreed to canvass fluid mechanics laboratories: would anyone like two million francs to implement Petit&#8217;s project? No one! A paradox for a laboratory: refusing money. There was clearly a taboo.<br>Finally, in 1985, a lab agreed: the thermodynamics lab in Rouen. Petit and Lebrun traveled back and forth between Aix and Rouen. The experiment would be partly funded by the military. The two &#8220;oddballs&#8221; were asked to present their work before military experts. Apparently, Petit made a good impression, and the experts said so openly. Yet the verdict fell abruptly: the Rouen experiment would proceed without Jean-Pierre Petit. The military authorities had been categorical. If one wanted to drive a man mad, one could hardly do better. Within months, in Rouen, Petit&#8217;s ideas would be put into practice&#8212;again without him. It&#8217;s Ubu that carries on.<br>After considering giving up, Petit began once more to think of a makeshift lab&#8212;this time in a garage, to have space for a shock tube. Most likely, the Rouen team would fail by attempting the experiment at high temperature, while Petit and Lebrun would try the same experiment in their ragged garage&#8212;but more powerfully, at low temperature. Enough to make bureaucrats pale.<br>Fundamentally, Petit was sure of his approach. To enter the era of hypersonic flight in the atmosphere, one must annihilate that cursed shock wave, and to do so, &#8220;allow the gas to flow around the obstacle&#8221;: gently seize the air molecules arriving upstream and help them pass by, leaving the fluid in the same state as when it entered&#8230; In this bypass, one must accelerate the gas in some places and slow it down in others. To accelerate it, energy must be supplied; when it is slowed, it gives energy back: the cost is simply the difference between the two, as Lebrun&#8217;s computer calculations demonstrate. (The young associate successfully defended his thesis on this subject. The results were published in Tsukuba in 1986, at the 9th MHD conference. A pity he was not allowed to continue, even on a modest stipend!)<br>The only thing preventing the realization of this flying machine of the twenty-first century? The current weight of the kilowatt of electricity and the tesla of magnetic field. Generators and electromagnets weigh like dead elephants. But who could have predicted the rapid advances in superconductivity achieved worldwide over the past year? Previously, superconductivity&#8212;the disappearance of electrical resistance, and thus the possibility of giant magnetic fields&#8212;was only possible at extremely low temperatures (near absolute zero), requiring massive installations. Recent discoveries suggest that we are moving rapidly toward superconductivity at much higher, even ambient temperatures&#8212;and therefore toward lightweight equipment.<br>Add to this the (inevitable?) prospect of mini electrical generators based on controlled fusion, and MHD aerodynamics becomes an absolute must&#8212;the gateway to hypersonic flight in dense air.<br>Imagine the difference: at Mach 2, Concorde uses 40% of its energy to create that useless, window-shattering boom. At higher speeds, the share of energy lost to the shock wave increases dramatically. MHD aerodynamics would cruise calmly between Mach 5 and Mach 10. At rooftop level. 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   ]]></content:encoded></item><item><title><![CDATA[Interview : Alejandro Jodorowski]]></title><description><![CDATA[ARCHIVE PRISM ESCAPE]]></description><link>https://exotical.substack.com/p/interview-alejandro-jodorowski-e98</link><guid isPermaLink="false">https://exotical.substack.com/p/interview-alejandro-jodorowski-e98</guid><pubDate>Sat, 02 May 2026 18:28:42 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!etrk!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F849afad8-4949-49ab-a60c-13a3db0e8f85_6115x4118.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/p/interview-alejandro-jodorowski-e98?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Partager&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/p/interview-alejandro-jodorowski-e98?utm_source=substack&utm_medium=email&utm_content=share&action=share"><span>Partager</span></a></p><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Partager CARE - ONLINE ARCHIVES&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/?utm_source=substack&utm_medium=email&utm_content=share&action=share"><span>Partager CARE - ONLINE ARCHIVES</span></a></p><p><a href="https://exotical.substack.com/p/interview-alejandro-jodorowski">English Version</a></p><p>Premi&#232;re publication dans PRISM ESCAPE #1, 2001</p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!etrk!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F849afad8-4949-49ab-a60c-13a3db0e8f85_6115x4118.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!etrk!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F849afad8-4949-49ab-a60c-13a3db0e8f85_6115x4118.jpeg 424w, https://substackcdn.com/image/fetch/$s_!etrk!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F849afad8-4949-49ab-a60c-13a3db0e8f85_6115x4118.jpeg 848w, https://substackcdn.com/image/fetch/$s_!etrk!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F849afad8-4949-49ab-a60c-13a3db0e8f85_6115x4118.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!etrk!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F849afad8-4949-49ab-a60c-13a3db0e8f85_6115x4118.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!etrk!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F849afad8-4949-49ab-a60c-13a3db0e8f85_6115x4118.jpeg" width="1456" height="981" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/849afad8-4949-49ab-a60c-13a3db0e8f85_6115x4118.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:981,&quot;width&quot;:1456,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:3981332,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://exotical.substack.com/i/165005143?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F849afad8-4949-49ab-a60c-13a3db0e8f85_6115x4118.jpeg&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!etrk!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F849afad8-4949-49ab-a60c-13a3db0e8f85_6115x4118.jpeg 424w, https://substackcdn.com/image/fetch/$s_!etrk!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F849afad8-4949-49ab-a60c-13a3db0e8f85_6115x4118.jpeg 848w, https://substackcdn.com/image/fetch/$s_!etrk!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F849afad8-4949-49ab-a60c-13a3db0e8f85_6115x4118.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!etrk!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F849afad8-4949-49ab-a60c-13a3db0e8f85_6115x4118.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a><figcaption class="image-caption">Photo Samuel Kirsenbaum pour PRISM ESCAPE...</figcaption></figure></div><h3>Pour une mutation de la conscience humaine</h3><p><strong>"You are excrement. You can change yourself into gold", expliquait Alejandro Jodorowsky dans son film </strong><em><strong>La montagne sacr&#233;e</strong></em><strong>. Son oeuvre est un athanor. L'initiation se compose de films (</strong><em><strong>Fando &amp; Lys, El Topo, Santa Sangre</strong></em><strong>...), de BD (</strong><em><strong>L'Incal</strong></em><strong>, avec Moebius, </strong><em><strong>La caste des m&#233;tabarrons</strong></em><strong>, avec Gim&#233;nez&#8230;), de livres (</strong><em><strong>L'&#233;chelle des anges, La danse de la r&#233;alit&#233;</strong></em><strong>,&#8230;) et de Tarot. La philosophie du Tarot, Alexandro Jodorowsky la distille chaque mercredi dans un bistrot parisien. Simplement pour aider ceux qui souffrent. Simplement. Pour aider ceux qui souffrent, ce po&#232;te s&#232;me des graines de conscience. Cet entretien se d&#233;roule quelques minutes avant une de ces lectures.</strong></p><p><strong>Pourriez-vous nous apporter des pr&#233;cisions sur le Tarot ?<br></strong><br>L'origine du Tarot reste inconnue. On peut le faire remonter jusqu'&#224; 1200 /1300.</p><p><strong>J'ai assist&#233; &#224; quelques-unes de vos lectures et j'ai constat&#233; que &#231;ela pouvait aider les gens...<br></strong><br>Oui, &#231;a aide les gens. Sinon ils ne viendraient pas. Et vouloir aider les gens ce n'est pas un crime. Ce n'est pas avoir un &#233;go monstrueux. Et ce n'est pas se prendre pour un gourou ni pour un magicien. C'est simplement &#234;tre un &#234;tre qui a de la bont&#233; et qui aide les autres &#234;tres humains. Parce qu'il souffre de voir souffrir les &#234;tres. Il n'y a pas de myst&#232;re. Le Tarot, comme la vie, a des aspects magiques. La vie n'est pas une construction rationnelle, par exemple au moins huit heures par jour tu rentres dans le monde du r&#234;ve.</p><p><strong>Dans un livre consacr&#233; aux mutations auxquelles l'humanit&#233; doit se pr&#233;parer, comme celles li&#233;es &#224; Tchernobyl, figure un entretien o&#249; vous expliquez les techniques pour contr&#244;ler ses r&#234;ves. Toute votre &#339;uvre parle de mutation de conscience. Comment allons nous muter ?<br></strong><br>Quand tu parles de la mutation de Tchernobyl, il s'agit de mutation n&#233;gative. Mais il peut y avoir des mutations positives aussi. On devrait travailler pour provoquer une mutation dans l'esprit des communs. Parce que ce sont eux qui font le monde, ce sont eux qui votent et qui font les guerres, et pas les politiciens qu'ils choisissent. Il serait bien de s'occuper de la masse, non ? Je ne vais pas changer le monde. Je vais commencer &#224; le changer. Personne ne peut changer le monde. Mais on peut commencer &#224; le changer.</p><p><strong>Lors de vos lectures, vous demandez parfois au gens d'accomplir des actes pour le moins surr&#233;alistes...<br></strong><br>Bueno. Ca semble surr&#233;aliste parce que ces actes ne sont pas rationnels. Je donne des m&#233;taphores pour parler &#224; l'inconscient. Et l'inconscient n'est pas rationnel. L'inconscient est surr&#233;aliste. Il n'ob&#233;it pas aux lois du quotidien. Et m&#234;me le quotidien est surr&#233;aliste. Je viens de lire dans le journal qu'il y a deux jours, un jumeau en bicyclette a &#233;t&#233; &#233;cras&#233; par un camion. Et qu'au m&#234;me endroit deux heures plus tard, son fr&#232;re s'&#233;tait fait &#233;craser par un autre camion. C'est compl&#232;tement surr&#233;aliste. Le quotidien est plein de miracles, de choses impossibles, de choses bizarres. Il n'y a pas de limite entre le r&#233;el et le magique.</p><p><strong>Etes-vous satisfait de la fa&#231;on dont le r&#233;el est trait&#233; dans nos soci&#233;t&#233;s ?<br></strong><br>Il a des diff&#233;rences entre chaque pays. Disons qu'en France la situation est p&#233;nible. C'est un pays cart&#233;sien p&#233;nible. O&#249; l'esprit g&#233;n&#233;ral est vraiment dans une d&#233;cadence abominable. Il y a une d&#233;cadence litt&#233;raire et m&#234;me philosophique. On a qu'&#224; voir la t&#233;l&#233;, les livres qui ont du succ&#232;s, o&#249; on parle intelligemment du cul et que de &#231;a. Ca fait de la peine.</p><p><strong>Vous avez des projets actuellement ?<br></strong><br>Je n'ai jamais de projets. J'agis d'instinct. Je travaille tranquillement sur des pi&#232;ces de th&#233;&#226;tre, des expositions, l'&#233;criture de vingt livres &#224; la fois. Je pr&#233;pare deux ou trois ou quatre films. J'essaie de faire le film <em>Abel et Ca&#239;n</em>. Le cin&#233;ma d&#233;pend de l'&#233;conomie et il est difficile de r&#233;unir des fonds quand on veut faire un film personnel. Mais l'arriv&#233;e des cam&#233;ras num&#233;riques change cette donn&#233;e et permet &#224; des petits cin&#233;astes de faire leur propre film, tranquille, et c'est tout. Voil&#224; l'oeuvre d'une nouvelle expression qui oubliera la production industrielle.</p><p><strong>Vous vous int&#233;ressez &#233;galement &#224; la po&#233;sie...<br></strong><br>La po&#233;sie est la chose qui m'int&#233;resse le plus. Qui me passionne le plus. Il y a au niveau plan&#233;taire une v&#233;ritable r&#233;volution po&#233;tique. Des jeunes deviennent &#233;diteurs de po&#233;sies. Ils communiquent par des r&#233;seaux exactement comme les terroristes. Mais la po&#233;sie reste confidentielle et n'est pas industrielle.</p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!qRLY!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9e3a4691-b727-4e70-9b68-38e5318f6341_1887x1269.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!qRLY!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9e3a4691-b727-4e70-9b68-38e5318f6341_1887x1269.jpeg 424w, https://substackcdn.com/image/fetch/$s_!qRLY!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9e3a4691-b727-4e70-9b68-38e5318f6341_1887x1269.jpeg 848w, https://substackcdn.com/image/fetch/$s_!qRLY!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9e3a4691-b727-4e70-9b68-38e5318f6341_1887x1269.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!qRLY!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9e3a4691-b727-4e70-9b68-38e5318f6341_1887x1269.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!qRLY!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9e3a4691-b727-4e70-9b68-38e5318f6341_1887x1269.jpeg" width="1456" height="979" 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srcset="https://substackcdn.com/image/fetch/$s_!qRLY!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9e3a4691-b727-4e70-9b68-38e5318f6341_1887x1269.jpeg 424w, https://substackcdn.com/image/fetch/$s_!qRLY!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9e3a4691-b727-4e70-9b68-38e5318f6341_1887x1269.jpeg 848w, https://substackcdn.com/image/fetch/$s_!qRLY!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9e3a4691-b727-4e70-9b68-38e5318f6341_1887x1269.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!qRLY!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9e3a4691-b727-4e70-9b68-38e5318f6341_1887x1269.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a><figcaption class="image-caption">Photo Samuel Kirsenbaum pour PRISM ESCAPE...</figcaption></figure></div><p><strong>Quel est selon vous l'avenir de l'esp&#232;ce humaine ?<br></strong><br>L'esp&#232;ce humaine doit vivre autant d'ann&#233;es que l'univers. Arriver jusqu'&#224; la fin de l'univers. C'est son but. Elle conna&#238;tra alors tout l'univers et sera sa conscience. Elle cr&#233;era un autre univers.</p><p><strong>Vous &#234;tes un des rares artistes disposant d'une large audience qui ose cette d&#233;marche de fulguration, d'illumination des gens...<br></strong><br>Pourquoi aurais-je une d&#233;marche politique ? La r&#233;volution politique ne m'int&#233;resse pas. Seule la r&#233;volution po&#233;tique m'int&#233;resse. Pourquoi n'aurais-je pas une d&#233;marche spirituelle ? J'ai un esprit. Je le sens. Pourquoi m'enfermerais-je dans une prison rationnelle, quand je sens mon inconscient, l&#224;, comme un oc&#233;an ? Et pourquoi je me mettrais des limites quand je sens l'illimit&#233; dans ma pens&#233;e ? Pourquoi je me d&#233;finirais quand je me sens non d&#233;fini ?</p><p><strong>Cette prise de conscience g&#233;n&#233;rera-t-elle une nouvelle politique, une nouvelle &#233;cologie ?<br></strong><br>Peut-on savoir ? Je suis un rouage d'un infini engrenage. Mais je suis l&#224;.</p><p><strong>Vous en avez peut-&#234;tre pris conscience plus que certains ?<br></strong><br>Tu ne devrais pas penser qu'un &#234;tre comme moi se compare. Je serais un minable. Jamais je ne pourrais dire que je suis sup&#233;rieur aux autres. Je n'ai pas un esprit de champion. J'ai un esprit de saint, de saint citoyen, hors de la religion. Je recherche la saintet&#233; avant tout, pas la saintet&#233; sexuelle, mais la saintet&#233; spirituelle. Une personne qui cherche la saintet&#233; ne peut pas se sentir sup&#233;rieure aux autres. Et je ne me sens pas non plus diff&#233;rent. Parce que je connais mon essence, enfin je crois la conna&#238;tre. Et en croyant conna&#238;tre mon essence, je la sens, et en la sentant, &#224; ma fa&#231;on, je la sens dans les autres. Alors je vois mon &#233;galit&#233; dans tout &#234;tre. Je sens l'&#233;galit&#233; supr&#234;me. Je sens l'union &#224; tout.</p><p><strong>Vous pensez que les fran&#231;ais la sentent aussi ?<br></strong><br>Je ne vois pas de fran&#231;ais, je vois des &#234;tres humains. Le fran&#231;ais c'est leur surface. Personne n'est fran&#231;ais. On est des &#234;tres humain avant tout. Il faut allez &#224; l'essentiel. Le plus simple nous cherche. Ce qu'on cherche nous poursuit. Le Graal ne cherche pas le sang du Christ. Il re&#231;oit le sang du Christ. Le Graal re&#231;oit le sang sacr&#233; et apr&#232;s il le verse soit vers les l&#232;vres d'un croyant, soit &#224; la terre. Les chinois disent "perceptible vers le ciel et actif vers la terre". Nous sommes des r&#233;ceptacles faits pour donner, pas pour garder.</p><p><strong>Faits pour se dissoudre ?<br></strong><br>On est comme un nuage. C'est le mat&#233;riel qui se dissout. La conscience ne peut pas se dissoudre parce qu'elle n'est pas mat&#233;rielle.</p><p><strong>Est elle &#233;ternelle ?<br></strong><br>D'une certaine fa&#231;on, oui. Mais pas l'individuel. Les lois de l'univers sont &#233;ternelles, &#231;a c'est la conscience. Donc dans moi, il y a l'&#233;ternit&#233; comme dans toi. Rien ne se dissout.</p><p><strong>Y-a-t-il une transformation de l'&#226;me ?<br></strong><br>Une floraison. L'&#226;me s'ouvre. Elle ne se transforme pas. La graine fleurit. L'&#226;me est comme la plante. Si on est exhaustif avec sa pens&#233;e, la conscience est immutable. Elle n'ob&#233;it pas au changement. Parce qu'elle n'est ni dans l'espace ni dans le temps. Si elle &#233;tait dans l'espace et dans le temps, elle changerait. Ce qu'on appelle conscience, c'est le noyau conscient. Ce noyau l&#224; ne peut pas changer, il est immutable sur des milliers d'ann&#233;es, d&#232;s ce que tu appelles naissance jusqu'&#224; ce que tu appelles mort et encore. Immutable. El&#233;mentaire mon cher Watson.</p><p><strong>Logique...<br></strong><br>D&#232;s qu'on utilise des mots, on tombe dans le domaine de la logique. Mais la v&#233;rit&#233; n'a jamais &#233;t&#233; les mots. Si tu veux trouver la moindre v&#233;rit&#233; et arriver au vrai monde, il faut sortir des mots. L'intellect est constitu&#233; de mots. Le mental non, c'est une &#233;nergie qui acquiert sa force dans le silence complet.</p><p><strong>Dans quelques minutes, vous allez rejoindre la France profonde&#8230;<br></strong><br>Tu insistes &#224; voir la France. Tu sais il y a des italiens, des allemands, des chiliens, il y a toutes les nationalit&#233;s. Tant qu'on voit le monde &#224; travers un seul langage et une seule nationalit&#233;, on est limit&#233;. Il faut avoir plusieurs nationalit&#233;s et au moins deux langues. Les langues, les nationalit&#233;s, les traditions sont des prisons. Il faut s'en lib&#233;rer. Les pays sont des enfants qui doivent grandir jusqu'&#224; devenir plan&#232;te. Les basques, les palestiniens, les isra&#233;liens, etc... Ces gens qui luttent pour leur petite identification mais mon Dieu c'est&#8230; Cette civilisation l&#224; est stupide. On va la jeter aux poubelles de l'Histoire. Toutes ces limitations nous font choisir des politiciens qui nous correspondent. Des politiciens en lesquels personne ne croit plus. Et on est oblig&#233;, et moi aussi, de voter pour des gars ignobles. Ils sont aussi ignobles les uns que les autres. Ce sont des gangsters et des voleurs. Personne ne croit en eux, ne les admire, ne les aime, et on voudrais t'obliger &#224; voter pour eux en sachant qu'eux ne comptent pas, que ce sont des pantins de l'&#233;conomie, et que derri&#232;re il y a les banquiers. Il faut que &#231;a change, c'est lamentable. Les masques sont tomb&#233;s. Ce sont les servants d'une &#233;conomie malade et criminelle. Chacun se doit de donner son petit grain de r&#234;ve &#224; la conscience citoyenne.</p><p><strong>Comment avez-vous r&#233;agi aux attentats du 11 septembre ?<br></strong><br>Absolument contre les deux camps. Les Etats-Unis ont provoqu&#233; un golem et le golem s'est jet&#233; contre eux. Et maintenant nous payons tous cette situation. Une situation lamentable des deux c&#244;t&#233;s. Il faut bombarder Isra&#235;l et la Palestine avec une pluie de po&#232;mes disant : "Ca suffit bande de connards, &#231;a suffit, arr&#234;tez, c'est stupide". Et on doit faire &#231;a des deux cot&#233;s. Ces guerres, comme ceux qui les font, sont stupides et inutiles. Le Bien, le Mal, mais on n'est plus au Moyen Age ! Le syst&#232;me boursier est stupide, le syst&#232;me bancaire est stupide, la conception de l'argent est stupide. Il faut changer l'argent. Il faut changer tout le syst&#232;me. O&#249; que l'on aille, il faut semer des graines de conscience &#224; tout moment, partout. Ce sont surtout ceux qui ont &#233;tudi&#233; qui doivent le faire. Ceux qui n'ont pas &#233;tudi&#233; ne le feront pas. Ce sont les gens qui ont cultiv&#233; leur esprit qui parlent comme moi. Si j'&#233;tais un banlieusard en train de me submerger dans le rap comme unique solution sociale possible, je ne parlerais pas comme &#231;a. Avant tout il faut se d&#233;velopper soit m&#234;me. J'ai cherch&#233; les personnes qui avaient un degr&#233; de conscience plus vaste que le mien. Et c'est pour &#231;a que je me suis approch&#233; du Tarot. Le Tarot c'est un instrument qui ouvre la conscience. Mais je me suis aussi approch&#233; des arts martiaux, de la po&#233;sie, du th&#233;&#226;tre. Je me suis approch&#233; de tout ce qui pouvait repousser mes limites. C'est une fa&#231;on de survivre. Avant je voulais &#234;tre ma&#238;tre. Aujourd'hui je ne veux &#234;tre qu'un continuel &#233;l&#232;ve. Et tout ce que je veux pour moi je le veux pour les autres. Mais les autres parfois ne peuvent pas avoir ce que j'ai parce que j'ai le talent, l'imagination. Mais j'ai pass&#233; des ann&#233;es &#224; les d&#233;velopper. Je me suis battu contre la po&#233;sie, contre le langage, contre le style, contre tout. Mais je pense que tout le monde peut faire quelque chose dans ce qu'il est. Nous devons lutter pour une mutation de la pens&#233;e et une r&#233;&#233;valuation de la morale. Pose moi une derni&#232;re question.</p><p><strong>Comment finir cette interview ?<br></strong><br>La meilleure fa&#231;on de finir une chose, c'est en la finissant... Mais je dirais que rien ne finit. Tout continue. Nos chemins se sont crois&#233;s. Tu vas suivre ton chemin et moi le mien. On ne na&#238;t pas, on ne meurt pas. Tout est continuation. Puisque tu as parl&#233; d'avenir du monde, regarde ce chat d&#233;contract&#233;. Si tout le monde avait le bonheur de ce chat l&#224;, tout irait bien. Il y a des moments de paix dans ce monde, comme ce chat. S'il y a un moment de paix, &#231;a veut dire qu'elle existe.</p><p><strong>La paix existe, on a la preuve...<br></strong><br>Elle est l&#224; la preuve, tu vois l&#224;, on a un miracle. Et regarde le plaisir que ce chat a &#224; communiquer avec un &#234;tre humain. Parce que je ne suis pas son ma&#238;tre, je suis seulement un &#234;tre humain pour lui. Il pourrait prendre exactement le m&#234;me plaisir avec toi. Tu veux voir ? Prend le chat... Tu vois, caresse-le... Ca y est, il est &#224; toi, la paix est &#224; toi.</p><p>Alexandro Jodorowsky, <em>La Danse de la r&#233;alit&#233;</em>, Albin Michel<br>Alexandro Jodorowsky, <em>Symbolique du tarot</em>, CD ROM, Emeria</p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!Sg1c!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F268da1c4-b31c-4adf-aa91-187989cabbf0_2914x4353.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!Sg1c!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F268da1c4-b31c-4adf-aa91-187989cabbf0_2914x4353.jpeg 424w, https://substackcdn.com/image/fetch/$s_!Sg1c!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F268da1c4-b31c-4adf-aa91-187989cabbf0_2914x4353.jpeg 848w, https://substackcdn.com/image/fetch/$s_!Sg1c!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F268da1c4-b31c-4adf-aa91-187989cabbf0_2914x4353.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!Sg1c!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F268da1c4-b31c-4adf-aa91-187989cabbf0_2914x4353.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!Sg1c!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F268da1c4-b31c-4adf-aa91-187989cabbf0_2914x4353.jpeg" width="1456" height="2175" 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srcset="https://substackcdn.com/image/fetch/$s_!Sg1c!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F268da1c4-b31c-4adf-aa91-187989cabbf0_2914x4353.jpeg 424w, https://substackcdn.com/image/fetch/$s_!Sg1c!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F268da1c4-b31c-4adf-aa91-187989cabbf0_2914x4353.jpeg 848w, https://substackcdn.com/image/fetch/$s_!Sg1c!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F268da1c4-b31c-4adf-aa91-187989cabbf0_2914x4353.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!Sg1c!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F268da1c4-b31c-4adf-aa91-187989cabbf0_2914x4353.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" 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Pour acc&#233;der &#224; davantage de contenus, enrichis de sons, de photos et de vid&#233;os, et pour soutenir notre travail : Abonnez-vous ! 9 &#8364; / mois ou 49 &#8364; / an, merci</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Tapez votre e-mail&#8230;" tabindex="-1"><input type="submit" class="button primary" value="S'abonner"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><p><strong>Avertissement :</strong> Les archives pr&#233;sentes sur ce site sont prot&#233;g&#233;es par le droit d&#8217;auteur. Toute reproduction, diffusion ou utilisation sans autorisation pr&#233;alable est strictement interdite.</p>]]></content:encoded></item><item><title><![CDATA[Interview: Alejandro Jodorowski]]></title><description><![CDATA[ARCHIVE PRISM ESCAPE]]></description><link>https://exotical.substack.com/p/interview-alejandro-jodorowski</link><guid isPermaLink="false">https://exotical.substack.com/p/interview-alejandro-jodorowski</guid><pubDate>Sat, 02 May 2026 18:26:04 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!BUta!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe2d26c09-94f3-4b0b-a0b6-aace8867d3fb_6115x4118.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/p/interview-alejandro-jodorowski?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Partager&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/p/interview-alejandro-jodorowski?utm_source=substack&utm_medium=email&utm_content=share&action=share"><span>Partager</span></a></p><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Partager CARE - ONLINE ARCHIVES&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/?utm_source=substack&utm_medium=email&utm_content=share&action=share"><span>Partager CARE - ONLINE ARCHIVES</span></a></p><p><a href="https://exotical.substack.com/p/interview-alejandro-jodorowski-e98">French Version</a></p><p>First published in PRISM ESCAPE #1, 2001</p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!BUta!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe2d26c09-94f3-4b0b-a0b6-aace8867d3fb_6115x4118.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!BUta!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe2d26c09-94f3-4b0b-a0b6-aace8867d3fb_6115x4118.jpeg 424w, https://substackcdn.com/image/fetch/$s_!BUta!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe2d26c09-94f3-4b0b-a0b6-aace8867d3fb_6115x4118.jpeg 848w, https://substackcdn.com/image/fetch/$s_!BUta!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe2d26c09-94f3-4b0b-a0b6-aace8867d3fb_6115x4118.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!BUta!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe2d26c09-94f3-4b0b-a0b6-aace8867d3fb_6115x4118.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!BUta!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe2d26c09-94f3-4b0b-a0b6-aace8867d3fb_6115x4118.jpeg" width="1456" height="981" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/e2d26c09-94f3-4b0b-a0b6-aace8867d3fb_6115x4118.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:981,&quot;width&quot;:1456,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:3981332,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:&quot;https://exotical.substack.com/i/179641550?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe2d26c09-94f3-4b0b-a0b6-aace8867d3fb_6115x4118.jpeg&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!BUta!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe2d26c09-94f3-4b0b-a0b6-aace8867d3fb_6115x4118.jpeg 424w, https://substackcdn.com/image/fetch/$s_!BUta!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe2d26c09-94f3-4b0b-a0b6-aace8867d3fb_6115x4118.jpeg 848w, https://substackcdn.com/image/fetch/$s_!BUta!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe2d26c09-94f3-4b0b-a0b6-aace8867d3fb_6115x4118.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!BUta!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe2d26c09-94f3-4b0b-a0b6-aace8867d3fb_6115x4118.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a><figcaption class="image-caption">Photo Samuel Kirsenbaum for PRISM ESCAPE</figcaption></figure></div><h3>For a shift in human consciousness</h3><p>"You are excrement. You can change yourself into gold ", Alejandro Jodorowsky explains in his film <em>The Holy Mountain</em>. Because Josorowsky the alchemist uses his work as an athanor. The initiation is made up of films (<em>Fando &amp; Lys, El Topo, Santa Sangre</em>...), of strip cartoons (<em>L' Incal</em>, created with Moebius, <em>La Caste des M&#233;tabarrons</em>, created with Gim&#233;nez...), of books and of the Tarot. Alexandro Jodorowsky indeed dispenses the philosophy of the Tarot each Wednesday in a Parisian cafe, just to help those who suffer. The poet sows the seeds of consciousness. This interview took place a few minutes before one of these readings.<br><br><strong>Could you tell us something about the Tarot ?<br></strong><br>The origins of the Tarot remain unknown. We only know that it already existed in he 13th Century.</p><p><strong>I've seen you reading the cards before and I noticed that it could help people.<br><br></strong>Yes, it helps people, otherwise they wouldn't come. And it is not a crime to try to help people. It has nothing to do with being self-centered. And it doesn't mean that you take yourself for a magician or a guru. It is just being someone good who wants to help other people - you suffer when you see people suffering. There is no mystery. The Tarot, just like life in general, has an air of magic. Life is not something rational. For example, for at least 8 hours a day you enter into a world made of dreams.</p><p><strong>In a book dealing with the mutations humanity can expect, one can read about the mutations that Chernobyl brings on. There's also an interview in that book in which you explain how to control dreams. Your work is dealing with the mutation of our consciousness. Which form will this mutation take ?<br></strong><br>The Chernobyl mutations that you mentioned are negative mutations. But you can find positive mutations too. We should work to create a mutation in the spirit of common people. Because they make the world go round, they vote and make war, and not the politicians they've chosen. Don't you think it would be good to take care of the masses ? I'm not going to change the world. I intend to begin to change it. Nobody can change the world. But we can start changing it.</p><p>After your rets???.WWWWWWWWW<br><br>Bueno. It seems to be surrealistic because these acts are not rational. I give them a metaphor in order to talk to their unconscious. And the unconscious is not something rational, it is surrealistic. It doesn't obey the laws of daily life. Everyday life is surrealistic. I just read in the paper that a twin riding a bicycle was crushed by a truck two days ago. And two hours later in the same place his brother was crushed by another truck. It is absolutely surrealistic. Every day life is made of miracles, weird and inexplicable events. There is no borderline between reality and magic.</p><p><strong>Are you satisfied by the way our societies are dealing with reality ?<br><br></strong>It's different in every country. Let's just say that in France there is a very unpleasant situation. France is a very cartesian and annoying country where the spirit is awfully decadent. There is a literary and even philosophical decline. You only have to watch television, or read successful books, that cleverly deal with sex and nothing else. I find it very sad.</p><p><strong>Do you have any projects at the moment ?<br></strong><br>I don't have any projects. I act instinctively. I work peacefully on plays, exhibits, twenty books at the same time. I am preparing two or three or four films. I'm trying to make a film entitled <em>Abel &amp; Ca&#239;n</em>. Cinema depends on economics and it is hard to find funding to make the films I want to make. But the arrival of DV cameras has changed the rules and given indie film makers the opportunity to produce their own films. This is the birth of a new way of expressing ourselves, that will make us forget the industrial production.</p><p><strong>You are also interested in poetry.<br></strong><br>Poetry is my main interest, I am passionately fond of it. You can find a real poetic revolution on a planetary level. Some young people publish poetry. They communicate thanks to networks, exactly like terrorists do. But poetry remains confidential and not industrial.</p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!eyJW!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F86d94cc0-0cd7-4bf0-ad11-a68f5656fd3d_1887x1269.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!eyJW!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F86d94cc0-0cd7-4bf0-ad11-a68f5656fd3d_1887x1269.jpeg 424w, https://substackcdn.com/image/fetch/$s_!eyJW!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F86d94cc0-0cd7-4bf0-ad11-a68f5656fd3d_1887x1269.jpeg 848w, https://substackcdn.com/image/fetch/$s_!eyJW!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F86d94cc0-0cd7-4bf0-ad11-a68f5656fd3d_1887x1269.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!eyJW!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F86d94cc0-0cd7-4bf0-ad11-a68f5656fd3d_1887x1269.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!eyJW!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F86d94cc0-0cd7-4bf0-ad11-a68f5656fd3d_1887x1269.jpeg" width="1456" height="979" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/86d94cc0-0cd7-4bf0-ad11-a68f5656fd3d_1887x1269.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:979,&quot;width&quot;:1456,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:606736,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:&quot;https://exotical.substack.com/i/179641550?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F86d94cc0-0cd7-4bf0-ad11-a68f5656fd3d_1887x1269.jpeg&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!eyJW!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F86d94cc0-0cd7-4bf0-ad11-a68f5656fd3d_1887x1269.jpeg 424w, https://substackcdn.com/image/fetch/$s_!eyJW!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F86d94cc0-0cd7-4bf0-ad11-a68f5656fd3d_1887x1269.jpeg 848w, https://substackcdn.com/image/fetch/$s_!eyJW!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F86d94cc0-0cd7-4bf0-ad11-a68f5656fd3d_1887x1269.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!eyJW!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F86d94cc0-0cd7-4bf0-ad11-a68f5656fd3d_1887x1269.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a><figcaption class="image-caption">Photo Samuel Kirsenbaum for PRISM ESCAPE</figcaption></figure></div><p><strong>How do you see the future of humanity ?<br><br></strong>Human kind will live as many years as the universe. It will live until the end of the universe. It is its goal. It will then be acknowledged by the whole universe and will become its consciousness. Then it will create another universe.</p><p><strong>You are one of the few artists that have a large audience who dares to illuminate people with fulguration.<br></strong><br>Why should I try to touch people through politics ? I am not interested in political revolution, I am only interested in poetic revolution. Why shouldn't I try to touch people by spiritual means ? I have a spirit. I can feel it. Why should I limit myself to being a rational being when I feel my unconscious is as big as an ocean ? And why should I see myself as limited when I feel that my thoughts are unlimited ? Why should I consider myself as having been defined when I feel indefinable ?</p><p><strong>Will this new way of thinking engender new politics, a new ecology ?<br><br></strong>Who knows ? I am the wheels of an infinite gearing. But here I am.</p><p><strong>You may have become aware of it in a strong way than other people ?<br><br></strong>You shouldn't think someone like me wants to compare himself to anyone. I would be a despicable person. I could never say that I rank over the others. I don't have the spirit of a champion. I have the spirit of a Saint, a Saint Citizen who has nothing to do with religion. I am looking for holiness first of all. Not for sexual holiness, but spiritual holiness. When you are looking for holiness you can't believe you rank over the others. And I don't think I am different either. Because I know my essence, at least I think I know it. And by believing I know my essence, I can feel it. And by feeling it, in my own way, I feel it in others. Then I feel equal to any being. I feel the supreme equality, I feel a union with everything.</p><p><strong>Do you think French people feel it too ?<br><br></strong>I can't see French people, I can only see human beings. "French" is only the superficial part, nobody's "French". Above all, we're human beings, we must go right to the essential. The most simple looks for us. What we're looking for seeks us out. The Grail doesn't look for Christ's blood, the Grail receives the Holy Blood and then pours it either into the lips of a believer, or onto the ground. The Chinese say : "Perceptible toward the sky and active toward the ground". We are receptacles designed for giving, not made for keeping.</p><p><strong>Designed to be dissolved ?<br><br></strong>We're like clouds. It is the tangible which gets dissolved. Consciousness cannot be dissolved because it's not physical.</p><p><strong>Is it eternal ?<br><br></strong>In a way, yes, it is. But the individual is not. The laws of the universe are everlasting, and that is consciousness. So, inside me there is eternity as inside you. Nothing is being dissolved.</p><p><strong>Is there a transformation of the soul ?<br><br></strong>There is a blossoming. The soul opens itself, it doesn't get altered. The seed flowers. The soul is like the plant. If we are exhaustive with our soul, consciousness is immutable. It doesn't obey alteration, because it's both out of space and out of time. If the soul were part of both space and time, it would change. What is called consciousness is the conscious nucleus. This nucleus cannot change, it is immutable over thousands of years, from so called birth until so called death and beyond. Immutable. Elementary my dear Watson.</p><p><strong>Logical&#8230;<br></strong><br>As soon as we're using words, we're in the field of logic. But truth has never been words. If you want to find the truth and get inside the real world, then you have to leave words. The intellect is made up of words, the mind isn't. It's an energy that gains its strength in complete silence.</p><p><strong>In a few minutes you'll be reaching the broad mass of French people&#8230;<br><br></strong>You insist on considering France. You know, there are Italians, Germans, Chileans, there are all sorts of nationalities. As long as we see the world through a single language and through a single nationality, we're restricted. We have to be of multinational and multilingual. Languages, nationalities and traditions are a prison - we have to free ourselves from them. Countries are like children who must grow up until becoming an only planet. The Basques, Palestinians, Israelis etc&#8230; those people who struggle for their own little identification, my God it's&#8230; This very civilization is nonsense. We're going to throw it into the trashbins of history. All these restrictions make us choose politicians who suit us well. Nobody believes in politicians anymore. We have to vote for vile people, so do I. They're all as vile as one another. There are gangsters and thieves. Nobody believes in them, or admires them, or likes them. And they would like to make you vote for them, knowing nevertheless that they are the puppets of the economy and that behind it all, there are the bankers. It has to change, it's pitiful. Masks have fallen down. They are the servants of a sick and criminal economy. Each one of them has to give his little ounce of dream to collective consciousness.</p><p><strong>How did you react to attacks on Sept 11th ?<br><br></strong>I was absolutely against both sides. The US has given birth to a golem and the golem has risen up against it. And now we're all paying for this situation, an appalling situation on both sides. We should bombard Israel and Palestine with a rain of poems that say : "That's enough, pack of silly buggers, that's enough, stop it, this is foolish". And we have to do it on both sides. These wars, just like those who are making them, are stupid and useless. The Good, the Evil, we're not in the middle ages anymore ! The stock market system is stupid, the banking system is stupid, the concept of money is stupid. We have to change money. We must change the whole system. Wherever you go, you have to sow grains of consciousness, anytime, anywhere. It is mostly those who have studied who have to do it. Those who haven't studied won't do it. It is those who have cultivated their mind who talk like I do. If I were a commuter, engulfing myself into rap music as the only social response ever possible, I wouldn't talk that way. First of all, you have to develop your own self. I've been looking for people who have a higher level of awareness than I have. And that's the reason why I got closer to the Tarot. Tarot is a tool which opens up consciousness. I also got closer to martial arts, poetry and theatre, closer to anything that could push my limits away. It is a way of survival. In the past, I wanted to be a master, now I only want to be an eternal student. And everything I want for me, I want for the others. Sometimes, the others can't have what I have, because I have the talent and the imagination. I've spent years trying to elaborate them. I've fought against poetry, language, style, against everything. But I also think anybody can do something with what he is and what he's got. We have to battle for a mutation of the thinking and for a reassessment of moral standards. Ask me a last question.</p><p><strong>How can we end this interview ?<br><br></strong>The best way to finish something is finishing it&#8230; But I would say that nothing ever ends. Everything carries on. Our paths have met. You're going to follow your own path and I'm going to follow mine. We are not born, we don't die. Everything is continuation. Since you alluded to the world's future, have a look at this laid-back cat. If anybody were happy as this cat, then everything would be fine. There are moments of peace in this world, like this cat. If there is a moment of peace, it means that it exists.</p><p><strong>Peace can be true, we have evidence of it...<br><br></strong>The evidence - here it is - you see here we have a miracle. Look at the pleasure that this cat has in communicating with a human being. I'm not his master, I'm only a human being. It could take exactly the same pleasure with you. Do you want to see ? Take the cat&#8230;You see... Stroke it&#8230; Here it is, it's yours. Peace is yours.</p><p>Alexandro Jodorowsky, <em>La Danse de la r&#233;alit&#233;</em>, Albin Michel<br>Alexandro Jodorowsky, <em>Symbolique du tarot</em>, CD ROM, Emeria</p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!Sg1c!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F268da1c4-b31c-4adf-aa91-187989cabbf0_2914x4353.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!Sg1c!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F268da1c4-b31c-4adf-aa91-187989cabbf0_2914x4353.jpeg 424w, 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Any reproduction, distribution, or use without prior authorization is strictly prohibited.</p>]]></content:encoded></item><item><title><![CDATA[Article : MISSION IMPOSSIBLE DANS L'UNIVERS PLIE par Patrice Van Eersel - Dessins de Manuel Simões]]></title><description><![CDATA[ARCHIVE PATRICE VAN EERSEL]]></description><link>https://exotical.substack.com/p/article-mission-impossible-dans-lunivers</link><guid isPermaLink="false">https://exotical.substack.com/p/article-mission-impossible-dans-lunivers</guid><pubDate>Wed, 29 Apr 2026 14:50:05 GMT</pubDate><enclosure url="https://substack-post-media.s3.amazonaws.com/public/images/11a59ff2-e3d6-4ef3-a835-8e418155e6fd_641x302.png" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/p/article-mission-impossible-dans-lunivers?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Partager&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/p/article-mission-impossible-dans-lunivers?utm_source=substack&utm_medium=email&utm_content=share&action=share"><span>Partager</span></a></p><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Partager CARE - ONLINE ARCHIVES&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/?utm_source=substack&utm_medium=email&utm_content=share&action=share"><span>Partager CARE - ONLINE ARCHIVES</span></a></p><p><strong><a href="https://exotical.substack.com/p/archive-patrice-van-eersel-1cd">ARCHIVE PATRICE VAN EERSEL<br></a></strong><a href="https://exotical.substack.com/p/archive-patrice-van-eersel-1cd">Index des articles d&#233;j&#224; publi&#233;s</a><br><br><a href="https://exotical.substack.com/p/article-mission-impossible-in-the">English Version</a><br><strong>MISSION IMPOSSIBLE DANS L&#8217;UNIVERS PLI&#201;</strong> <br>par Patrice Van Eersel - Dessins de Manuel Sim&#245;es<br>Premi&#232;re publication dans ACTUEL N&#176;38, 1982</p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!z30T!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2c488488-35a5-4f54-aec1-2298e0d65a84_2623x3487.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" 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Toute reproduction, diffusion ou utilisation sans autorisation pr&#233;alable est strictement interdite.</p>]]></content:encoded></item><item><title><![CDATA[Article : MISSION IMPOSSIBLE IN THE ENFOLDED UNIVERSE by Patrice Van Eersel - Art by Manuel Simões]]></title><description><![CDATA[ARCHIVE PATRICE VAN EERSEL]]></description><link>https://exotical.substack.com/p/article-mission-impossible-in-the</link><guid isPermaLink="false">https://exotical.substack.com/p/article-mission-impossible-in-the</guid><pubDate>Wed, 29 Apr 2026 14:48:11 GMT</pubDate><enclosure url="https://substack-post-media.s3.amazonaws.com/public/images/6d03c9b3-20e7-4f7a-bfad-9ebb632129d5_641x302.png" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/p/article-mission-impossible-in-the?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Partager&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/p/article-mission-impossible-in-the?utm_source=substack&utm_medium=email&utm_content=share&action=share"><span>Partager</span></a></p><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Partager CARE - ONLINE ARCHIVES&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/?utm_source=substack&utm_medium=email&utm_content=share&action=share"><span>Partager CARE - ONLINE ARCHIVES</span></a></p><p><strong><a href="https://exotical.substack.com/p/archive-patrice-van-eersel">ARCHIVE PATRICE VAN EERSEL<br>Index of previously published articles</a></strong><br><br><a href="https://exotical.substack.com/p/article-mission-impossible-dans-lunivers">French Version</a><br><strong>MISSION IMPOSSIBLE IN THE ENFOLDED UNIVERSE</strong> <br>by Patrice Van Eersel - Art by Manuel Sim&#245;es<br>First published in ACTUEL N&#176;38, 1982</p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!z30T!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2c488488-35a5-4f54-aec1-2298e0d65a84_2623x3487.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!z30T!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2c488488-35a5-4f54-aec1-2298e0d65a84_2623x3487.jpeg 424w, https://substackcdn.com/image/fetch/$s_!z30T!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2c488488-35a5-4f54-aec1-2298e0d65a84_2623x3487.jpeg 848w, https://substackcdn.com/image/fetch/$s_!z30T!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2c488488-35a5-4f54-aec1-2298e0d65a84_2623x3487.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!z30T!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2c488488-35a5-4f54-aec1-2298e0d65a84_2623x3487.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!z30T!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2c488488-35a5-4f54-aec1-2298e0d65a84_2623x3487.jpeg" width="1456" height="1936" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/2c488488-35a5-4f54-aec1-2298e0d65a84_2623x3487.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1936,&quot;width&quot;:1456,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:null,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:null,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!z30T!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2c488488-35a5-4f54-aec1-2298e0d65a84_2623x3487.jpeg 424w, https://substackcdn.com/image/fetch/$s_!z30T!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2c488488-35a5-4f54-aec1-2298e0d65a84_2623x3487.jpeg 848w, https://substackcdn.com/image/fetch/$s_!z30T!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2c488488-35a5-4f54-aec1-2298e0d65a84_2623x3487.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!z30T!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2c488488-35a5-4f54-aec1-2298e0d65a84_2623x3487.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p>Hurrying toward Birkbeck College in London, I had in mind a few very concrete questions to ask Professor David Bohm, the eminent physicist.<br>All my questions concerned the subtle nature of matter. Obviously! An accordion player was passing nearby, playing an old tune that gave me chills.<br>How could I have guessed that this strange musical shiver had its place in cutting-edge physics???<br>And yet, it was through these gateways that I was about to tip into the enfolded  universe.</p><blockquote><p>Damn, already 3 o&#8217;clock! I&#8217;m meeting the professor in 20 minutes&#8230; Let&#8217;s recap one last time those damn principles of modern physics&#8230;</p></blockquote><blockquote><p>At the heart of the mystery: quantum mechanics. Thanks to it, we&#8217;ve known since the 1920s that, deep down, matter is an entanglement of waves. Waves that can be mathematically calculated, even though we perceive NONE of them, except for certain interferences and a few &#8220;probability bulges&#8221; called &#8220;particles.&#8221; That&#8217;s already pretty wild, but on top of that these &#8220;bulges&#8221; seem to exist only when they are observed. Why? We don&#8217;t know. Total fog. Help! I want out!</p></blockquote><blockquote><p>Physicists have been swimming in this fog for 50 years, and Bohm is said to be one of the first to have figured out what lies behind it??? How the hell did he do it?</p></blockquote><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!_8fZ!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F6d691b99-bf49-468e-8245-86d6363f87b7_2618x3447.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!_8fZ!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F6d691b99-bf49-468e-8245-86d6363f87b7_2618x3447.jpeg 424w, https://substackcdn.com/image/fetch/$s_!_8fZ!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F6d691b99-bf49-468e-8245-86d6363f87b7_2618x3447.jpeg 848w, https://substackcdn.com/image/fetch/$s_!_8fZ!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F6d691b99-bf49-468e-8245-86d6363f87b7_2618x3447.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!_8fZ!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F6d691b99-bf49-468e-8245-86d6363f87b7_2618x3447.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!_8fZ!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F6d691b99-bf49-468e-8245-86d6363f87b7_2618x3447.jpeg" width="1456" height="1917" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/6d691b99-bf49-468e-8245-86d6363f87b7_2618x3447.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1917,&quot;width&quot;:1456,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:3634678,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:&quot;https://exotical.substack.com/i/195449074?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F6d691b99-bf49-468e-8245-86d6363f87b7_2618x3447.jpeg&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!_8fZ!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F6d691b99-bf49-468e-8245-86d6363f87b7_2618x3447.jpeg 424w, https://substackcdn.com/image/fetch/$s_!_8fZ!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F6d691b99-bf49-468e-8245-86d6363f87b7_2618x3447.jpeg 848w, https://substackcdn.com/image/fetch/$s_!_8fZ!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F6d691b99-bf49-468e-8245-86d6363f87b7_2618x3447.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!_8fZ!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F6d691b99-bf49-468e-8245-86d6363f87b7_2618x3447.jpeg 1456w" sizes="100vw"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><blockquote><p>One thing puzzles me, Professor, if matter is fuzzy, why do we see it so clearly?</p></blockquote><blockquote><p>Well, we perceive reality only through our senses, don&#8217;t we?<br>And we know that all our senses are, roughly speaking, systems&#8230;</p></blockquote><blockquote><p>&#8230;with lenses, with objectives. Now, an objective, you see, is condemned to &#8220;objectify&#8221;: it can only translate reality into objects, even if, deep down, that has nothing to do with it.</p></blockquote><blockquote><p>Our &#8220;objective&#8221; vision of the world would be just one expression of a more subtle reality? But which one? Ah! Patience!</p></blockquote><blockquote><p>Bohm began his career by studying the Einstein&#8211;Podolsky&#8211;Rosen paradox. He was the first, in 1953, to carry out the experimental protocol of what had initially been only a theoretical demonstration meant to challenge the &#8220;uncertainty relations&#8221; of the quantum mechanicians of the Copenhagen school. Einstein hated the idea of matter being merely &#8220;probable.&#8221; So our story goes back to 1927, in Brussels.</p></blockquote><blockquote><p>According to your theory, dear Niels, information would have to travel from L to N faster than light, which is impossible. That would imply telepathy!</p></blockquote><blockquote><p>Obvious!</p></blockquote><blockquote><p>No way!</p></blockquote><blockquote><p>?</p></blockquote><blockquote><p>The &#8220;Einstein&#8211;Podolsky&#8211;Rosen paradox&#8221; became famous. Imagine this: united at C, two individuals, a and b, of undetermined sex, suddenly rush toward L and N. It is only upon arrival that each one chooses a sex. Now quantum particles behave as follows: if a becomes male at L, at that very instant b automatically becomes female at N. It&#8217;s inexplicable. Einstein refused to believe it.</p></blockquote><blockquote><p>Let&#8217;s skip 50 years of wild controversies in a single panel&#8230;</p></blockquote><blockquote><p>No, Albert, you&#8217;re the one who&#8217;s wrong&#8212;and precisely by virtue of general relativity, because&#8230;</p></blockquote><blockquote><p>Excuse me, dear Mr. Bohr, but my inequality theorem&#8230;</p></blockquote><blockquote><p>Hey, Pfleegor, poor Bell seems to ignore that six series of lab experiments have demolished his theorem and vindicate quantum mechanics. Against Einstein!</p></blockquote><blockquote><p>&#8230;And let&#8217;s meet again in 1982. No major theory had appeared since 1927, when suddenly&#8230;</p></blockquote><blockquote><p>The theory of the enfolded universe made us prick up our ears. Einstein had appreciated the work of the young Bohm&#8212;without suspecting that the latter would find an answer that would make the paradox vanish!</p></blockquote><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!U_np!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F8e8184b8-110a-4b47-ad21-730b567fe0e5_2640x3496.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!U_np!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F8e8184b8-110a-4b47-ad21-730b567fe0e5_2640x3496.jpeg 424w, https://substackcdn.com/image/fetch/$s_!U_np!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F8e8184b8-110a-4b47-ad21-730b567fe0e5_2640x3496.jpeg 848w, https://substackcdn.com/image/fetch/$s_!U_np!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F8e8184b8-110a-4b47-ad21-730b567fe0e5_2640x3496.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!U_np!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F8e8184b8-110a-4b47-ad21-730b567fe0e5_2640x3496.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!U_np!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F8e8184b8-110a-4b47-ad21-730b567fe0e5_2640x3496.jpeg" width="1456" height="1928" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/8e8184b8-110a-4b47-ad21-730b567fe0e5_2640x3496.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1928,&quot;width&quot;:1456,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:4716810,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:&quot;https://exotical.substack.com/i/195449074?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F8e8184b8-110a-4b47-ad21-730b567fe0e5_2640x3496.jpeg&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!U_np!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F8e8184b8-110a-4b47-ad21-730b567fe0e5_2640x3496.jpeg 424w, https://substackcdn.com/image/fetch/$s_!U_np!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F8e8184b8-110a-4b47-ad21-730b567fe0e5_2640x3496.jpeg 848w, https://substackcdn.com/image/fetch/$s_!U_np!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F8e8184b8-110a-4b47-ad21-730b567fe0e5_2640x3496.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!U_np!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F8e8184b8-110a-4b47-ad21-730b567fe0e5_2640x3496.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><blockquote><p>I inject a drop of ink into the gelatin separating these two cylinders&#8230;</p></blockquote><blockquote><p>&#8230; I rotate the outer cylinder&#8230;</p></blockquote><blockquote><p>The drop of ink spreads and disappears.</p></blockquote><blockquote><p>If I turn in the other direction, it gathers and reappears.</p></blockquote><blockquote><p>Then Bohm injects several drops at different stages, and accelerates the rotation in the opposite direction. Imagining that everything is invisible except the drops, they would appear and disappear mysteriously. To the point that several of them might seem to be only a single jumping drop. Well, this device represents an &#8220;implicate order,&#8221; folded&#8212;or more precisely enfolded&#8212;in which the visible drops are only the &#8220;explicate order&#8221;: literally, an &#8220;abstraction.&#8221;</p></blockquote><blockquote><p>Here you have an image of the behavior of elementary particles, which mysteriously cease to exist in the interval of the &#8220;quantum jump.&#8221;</p></blockquote><blockquote><p>All quantum paradoxes lead mathematically to the same conclusion: what our senses observe seems to be only the &#8220;abstraction&#8221; of another, more subtle order&#8212; the implicate order of the enfolded universe!!! Why &#8220;enfolded&#8221;?</p></blockquote><blockquote><p>That&#8217;s exactly the problem: in this strange order, time and space are also enfolded! For a mathematician, it&#8217;s simple, but suddenly all everyday examples are imperfect. They just give an idea: thus, in a seed there is a folded tree, and in each point of a hologram&#8230;</p></blockquote><blockquote><p>&#8230;a three-dimensional image. In this Japanese origami, the &#8220;enfolded&#8221; order of the swan is paradoxically represented by the unfolded sheet.</p></blockquote><blockquote><p>By the way, I was thinking&#8212;we have a perfect example: before the Big Bang, our universe was folded into a single point. At the very core of matter, we find the same<br>patterns. Each particle would contain the universe!???</p></blockquote><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!aCZT!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fda756f88-4a20-4358-8fca-40814cedbc17_2652x3448.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!aCZT!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fda756f88-4a20-4358-8fca-40814cedbc17_2652x3448.jpeg 424w, https://substackcdn.com/image/fetch/$s_!aCZT!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fda756f88-4a20-4358-8fca-40814cedbc17_2652x3448.jpeg 848w, https://substackcdn.com/image/fetch/$s_!aCZT!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fda756f88-4a20-4358-8fca-40814cedbc17_2652x3448.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!aCZT!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fda756f88-4a20-4358-8fca-40814cedbc17_2652x3448.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!aCZT!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fda756f88-4a20-4358-8fca-40814cedbc17_2652x3448.jpeg" width="1456" height="1893" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/da756f88-4a20-4358-8fca-40814cedbc17_2652x3448.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1893,&quot;width&quot;:1456,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:3853013,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:&quot;https://exotical.substack.com/i/195449074?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fda756f88-4a20-4358-8fca-40814cedbc17_2652x3448.jpeg&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!aCZT!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fda756f88-4a20-4358-8fca-40814cedbc17_2652x3448.jpeg 424w, https://substackcdn.com/image/fetch/$s_!aCZT!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fda756f88-4a20-4358-8fca-40814cedbc17_2652x3448.jpeg 848w, https://substackcdn.com/image/fetch/$s_!aCZT!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fda756f88-4a20-4358-8fca-40814cedbc17_2652x3448.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!aCZT!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fda756f88-4a20-4358-8fca-40814cedbc17_2652x3448.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><blockquote><p>The only scientific way to evoke the &#8220;enfolded&#8221; universe is a mathematics based on &#8220;holographic metamorphoses,&#8221; whose transformations of our different algebras are only expressions. Unfortunately, these &#8220;multiple&#8221; maths don&#8217;t speak to many people,<br>so we must content ourselves with more trivial demonstrations.</p></blockquote><blockquote><p>An ultra-simple example to grasp how the theory of the enfolded universe resolves Einstein&#8217;s paradox: two cameras film the same fish, which ends up projected on two screens.</p></blockquote><blockquote><p>If the spectators ignore that this explicate order (the screens) is only a projection of a more subtle implicate order (the aquarium), they will never understand the correlation (faster than light!) between the two images.</p></blockquote><blockquote><p>But Bohm goes further: Everything seems to indicate that the &#8220;enfolded&#8221; structure of matter is what first touches our consciousness.</p></blockquote><blockquote><p>PAST &#8212; PRESENT &#8212; FUTURE</p></blockquote><blockquote><p>Follow this carefully: 1) Relativity tells us that matter extends in time as well<br>as in space, and that each of us exists in a &#8220;tube&#8221; of reality, of which we believe<br>only the present slice exists. Yet 2)&#8230;</p></blockquote><blockquote><p>Relativists know it: the world does not become,</p></blockquote><blockquote><p>it is.</p></blockquote><blockquote><p>Thus, in the enfolded order, present, past and future interpenetrate.</p></blockquote><blockquote><p>This is where&#8230; 3) Bohm&#8217;s theory struck me: it brings emotions into physics!<br>Let&#8217;s first say that in &#8220;multiple&#8221; mathematics, &#8220;what is&#8221; is a pure global movement<br>and not measurable.</p></blockquote><blockquote><p>Now we have proof of this movement through musical emotion. When a sequence<br>of notes moves us, it does not unfold mechanically, but instead seems to telescope<br>within it past, present and future notes&#8230;</p></blockquote><blockquote><p>This intuition is also supported by important discoveries in the study of the brain&#8230;</p></blockquote><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!E_2q!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2732a378-ffb4-4ec0-984d-01133f957d34_2627x3495.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!E_2q!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2732a378-ffb4-4ec0-984d-01133f957d34_2627x3495.jpeg 424w, https://substackcdn.com/image/fetch/$s_!E_2q!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2732a378-ffb4-4ec0-984d-01133f957d34_2627x3495.jpeg 848w, https://substackcdn.com/image/fetch/$s_!E_2q!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2732a378-ffb4-4ec0-984d-01133f957d34_2627x3495.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!E_2q!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2732a378-ffb4-4ec0-984d-01133f957d34_2627x3495.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!E_2q!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2732a378-ffb4-4ec0-984d-01133f957d34_2627x3495.jpeg" width="1456" height="1937" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/2732a378-ffb4-4ec0-984d-01133f957d34_2627x3495.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1937,&quot;width&quot;:1456,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:4845159,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:&quot;https://exotical.substack.com/i/195449074?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2732a378-ffb4-4ec0-984d-01133f957d34_2627x3495.jpeg&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="https://substackcdn.com/image/fetch/$s_!E_2q!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2732a378-ffb4-4ec0-984d-01133f957d34_2627x3495.jpeg 424w, https://substackcdn.com/image/fetch/$s_!E_2q!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2732a378-ffb4-4ec0-984d-01133f957d34_2627x3495.jpeg 848w, https://substackcdn.com/image/fetch/$s_!E_2q!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2732a378-ffb4-4ec0-984d-01133f957d34_2627x3495.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!E_2q!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2732a378-ffb4-4ec0-984d-01133f957d34_2627x3495.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><blockquote><p>Neuropsychologist Karl Pribram has indeed established (1) that all our perceptions are decomposed in our brain into simple waves, whose neurons store the &#8220;memory&#8221; of the interferences. This gives us a holographic memory, where each piece of the brain contains all our states of consciousness &#8220;enfolded&#8221; within it.</p></blockquote><blockquote><p>An obligatory passage for all our perceptions (including for physicists!): the hundred billion neuronal lakes of the brain, with their hundred thousand billion electrical fields interfering with one another.</p></blockquote><blockquote><p>The work of neuropsychologists on gestures (here, walking) is formal: we do not store in memory little bits of gestures one after another, but rather the &#8220;images&#8221; of global mathematical functions, containing the entire curve of our gestures, for which, suddenly, past, present and future no longer make sense.</p></blockquote><blockquote><p>Thank you very much!</p></blockquote><blockquote><p>In short, the &#8220;enfolded&#8221; universe would be something both hyper-mysterious and totally banal. Only the West&#8217;s &#8220;objectivist&#8221; obsession would have made us forget that it is the very foundation of reality.</p></blockquote><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!lzry!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa64486e0-6f56-42c5-b04d-55a628f0ae94_2628x3496.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!lzry!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa64486e0-6f56-42c5-b04d-55a628f0ae94_2628x3496.jpeg 424w, https://substackcdn.com/image/fetch/$s_!lzry!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa64486e0-6f56-42c5-b04d-55a628f0ae94_2628x3496.jpeg 848w, https://substackcdn.com/image/fetch/$s_!lzry!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa64486e0-6f56-42c5-b04d-55a628f0ae94_2628x3496.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!lzry!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa64486e0-6f56-42c5-b04d-55a628f0ae94_2628x3496.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!lzry!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa64486e0-6f56-42c5-b04d-55a628f0ae94_2628x3496.jpeg" width="1456" height="1937" 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srcset="https://substackcdn.com/image/fetch/$s_!lzry!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa64486e0-6f56-42c5-b04d-55a628f0ae94_2628x3496.jpeg 424w, https://substackcdn.com/image/fetch/$s_!lzry!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa64486e0-6f56-42c5-b04d-55a628f0ae94_2628x3496.jpeg 848w, https://substackcdn.com/image/fetch/$s_!lzry!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa64486e0-6f56-42c5-b04d-55a628f0ae94_2628x3496.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!lzry!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa64486e0-6f56-42c5-b04d-55a628f0ae94_2628x3496.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><blockquote><p>If I understand correctly, Professor, you&#8217;re claiming that our consciousnesses are directly part of the enfolded universe?!!!</p></blockquote><blockquote><p>Well&#8230; yes!</p></blockquote><blockquote><p>So, in a way, your lab is inside your head?!</p></blockquote><blockquote><p>In a way&#8230;</p></blockquote><blockquote><p>But then you&#8217;re throwing out the sacrosanct principle of &#8220;separability&#8221;<br>on which all our science is based! And yet that science hasn&#8217;t done so badly,<br>since it has enabled us to fly airplanes and send rockets to the moon&#8230;</p></blockquote><blockquote><p>Of course! Up to now our science has referred only to the explicate order of the universe, which has enough autonomy for us to derive quite a lot from it.</p></blockquote><blockquote><p>Only, this relative autonomy has reached its limit with the study of the speed of light<br>and the paradoxes of quantum mechanics. If we want to go further, we must change order&#8230;</p></blockquote><blockquote><p>&#8230;and the laws of that order are very strange. What little we know suggests that the &#8220;void&#8221; is an ocean of energy in which each part contains the whole. And that the hologram replaces the lens as an instrument of perception.</p></blockquote><blockquote><p>And here, Bohm&#8217;s theory completely blew my mind.</p></blockquote><blockquote><p>We can conclude without difficulty that it is a rather crude illusion to see in each human being a reality independent from other humans and from nature. In fact, these are only fragments of a single reality. Failing to take this into account inevitably exposes us to a serious and lasting confusion of all the senses.</p></blockquote><blockquote><p>No, no and no! Go back to London quickly and bring me photos of that enfolded universe! I want to know what it looks like!</p></blockquote><blockquote><p>Enfolded, not wrinkled!</p></blockquote><p>Bibliography &#8212; In English, <em>Wholeness and the Implicate Order</em> (Routledge &amp; Kegan, London). In French, Bohm wrote two chapters of <em>Science et conscience</em> (Stock).<br>Also, Jacotte Chollet and Andr&#233; Voisin interviewed David Bohm in the program <em>Chasse &#224; l&#8217;homme</em>, broadcast May 20, 1982 on Antenne 2.</p><div><hr></div><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/subscribe?&quot;,&quot;text&quot;:&quot;S'abonner&quot;,&quot;language&quot;:&quot;fr&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption"><strong>CARE &#8211; ONLINE ARCHIVES</strong> is an independent publication supported by its readers. To access more content &#8212; enriched with audio, photos, and videos &#8212; and to support our work: Subscribe! &#8364;5/month or &#8364;30/year. 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Any reproduction, distribution, or use without prior authorization is strictly prohibited.</p>]]></content:encoded></item><item><title><![CDATA[Les archives secrètes du boulevard de l'étrange # 44]]></title><description><![CDATA[EXORCISME, SAGESSE, CHIROPRAXIE, MYTHOLOGIE, SORCELLERIE, PARANORMAL, G&#201;OBIOLOGIE, IRRATIONNEL, &#201;SOT&#201;RISME]]></description><link>https://exotical.substack.com/p/les-archives-secretes-du-boulevard-322</link><guid isPermaLink="false">https://exotical.substack.com/p/les-archives-secretes-du-boulevard-322</guid><pubDate>Mon, 27 Apr 2026 16:01:20 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!WWTn!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F56c0f69b-81bb-48c8-a7d5-db08400de18c_2399x3365.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p class="button-wrapper" 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ARCHIVES</span></a></p><p><strong><a href="https://exotical.substack.com/p/les-emissions">LES ARCHIVES SECRETES DU BOULEVARD DE L&#8217;&#201;TRANGE</a><br></strong><a href="https://exotical.substack.com/p/les-emissions">Index des &#233;missions du </a><em><strong><a href="https://exotical.substack.com/p/les-emissions">Boulevard de l&#8217;&#233;trange</a></strong></em><a href="https://exotical.substack.com/p/les-emissions"> d&#233;j&#224; publi&#233;es</a></p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!WWTn!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F56c0f69b-81bb-48c8-a7d5-db08400de18c_2399x3365.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" 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srcset="https://substackcdn.com/image/fetch/$s_!WWTn!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F56c0f69b-81bb-48c8-a7d5-db08400de18c_2399x3365.jpeg 424w, https://substackcdn.com/image/fetch/$s_!WWTn!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F56c0f69b-81bb-48c8-a7d5-db08400de18c_2399x3365.jpeg 848w, https://substackcdn.com/image/fetch/$s_!WWTn!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F56c0f69b-81bb-48c8-a7d5-db08400de18c_2399x3365.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!WWTn!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F56c0f69b-81bb-48c8-a7d5-db08400de18c_2399x3365.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a><figcaption class="image-caption">Festival international du film sur les ph&#233;nom&#232;nes paranormaux, Lille),1984</figcaption></figure></div><p>C&#8217;est l&#8217;excellente astrologue &#171;&nbsp;voyante&nbsp;&#187; <a href="https://exotical.substack.com/p/les-archives-secretes-du-boulevard-4aa">Marie Delclos</a> qui m&#8217;a pr&#233;sent&#233; Jean-Luc Caradeau. Deux passionn&#233;s jusqu&#8217;au fond de l&#8217;&#226;me d&#8217;une insondable bienveillance, toujours en qu&#234;te de v&#233;rit&#233; et pr&#234;ts &#224; &#233;clater de rire au moindre pr&#233;texte&#8230;<br>Bref ils respiraient le bonheur, et il ne fallait pas bien longtemps pour d&#233;couvrir leur immense culture &#233;sot&#233;rique.<br>Passionnant.</p><p>Chercheur, auteur, &#233;diteur, Jean-Luc Caradeau a aussi cr&#233;&#233; un <a href="https://www.caradeau.fr">site </a>dans lequel il &#171;&nbsp;pr&#233;sente&nbsp;&#187; ainsi&nbsp;son parcours :<br>&#171;&nbsp;C&#8217;est un chemin que je suis depuis 1968 ; les progr&#232;s que j&#8217;ai accomplis sur cette route sont jalonn&#233;s d&#8217;articles, de livres, de rencontres, de conf&#233;rences.<br>Toutes ces choses sont le fruit d&#8217;exp&#233;riences, de succ&#232;s et d&#8217;&#233;checs et ne valent rien de plus que la sinc&#233;rit&#233;, les heures de veilles, ou de m&#233;ditation, les lectures nombreuses et la transpiration d&#233;pens&#233;es depuis des ann&#233;es pour les acqu&#233;rir&nbsp;&#187;.&nbsp;<br>Pour lui la magie est une science, les arts divinatoires sont des outils et les math&#233;matiques occultes vont de Pythagore &#224; la Kabbale. Mais il faut s&#8217;int&#233;resser aussi au Yoga, au Yi-King ou au Ki parce que cette connaissance concerne toutes les civilisations.</p><p>En fait, le mot &#171;&nbsp;magie&nbsp;&#187; vient du grec classique &#171;&nbsp;mag&#233;&#239;a&nbsp;&#187; qui signifiait &#171;&nbsp;religion des mages perses&nbsp;&#187; mais aussi &#171;&nbsp;sorcellerie&nbsp;&#187;. On le trouve dans une inscription grav&#233;e au 6&#232; si&#232;cle avant J&#233;sus-Christ et elle concerne une victoire de Darius 1er qui lui permettra de fonder l&#8217;Empire Perse devenu l&#8217;Iran&#8230;<br>Mais la m&#234;me racine &#171;&nbsp;mag&nbsp;&#187;, en Perse, signifie &#224; la fois la sagesse et la science&#8230;<br>Bref, ne pas s&#8217;int&#233;resser au sujet pourrait &#234;tre consid&#233;r&#233; comme une faute contre l&#8217;histoire de l&#8217;Humanit&#233;&#8230;</p><p>Ce jour-l&#224;, signe de confiance, Jean-Luc Caradeau m&#8217;avait propos&#233; d&#8217;assister, seul mais avec mon magn&#233;tophone, &#224; une c&#233;r&#233;monie particuli&#232;re, un d&#233;senvo&#251;tement.<br>Trop longue pour &#234;tre diffus&#233;e en une seule fois, avec Martine Gibert qui r&#233;alisait l&#8217;&#233;mission, nous l&#8217;avions d&#233;coup&#233;e en trois parties que nous vous proposons aujourd&#8217;hui.</p><p>Bienvenue dans mes archives.<br>Jean-Yves Casgha, 04/26</p><p><br>EXORCISME <br>Entretien <a href="https://www.caradeau.fr/">JEAN-LUC CARADEAU</a> (D&#233;senvo&#251;tement de Madeleine) 1/3 1983</p><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;e457aeda-8628-4f70-a09e-49182c3a319f&quot;,&quot;duration&quot;:573.1004,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><p>Entretien <a href="https://www.caradeau.fr/">JEAN-LUC CARADEAU</a> (D&#233;senvo&#251;tement de Madeleine) 2/3 1983</p><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;654ba8a8-badc-4d3e-98e3-6663c63fee32&quot;,&quot;duration&quot;:584.09796,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><p>Entretien <a href="https://www.caradeau.fr/">JEAN-LUC CARADEAU</a> (D&#233;senvo&#251;tement de Madeleine) 3/3 1983</p><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;502ed2c8-e712-449b-934c-e9ec9f398115&quot;,&quot;duration&quot;:563.0955,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><p>SAGESSE Entretien <a href="https://fr.wikipedia.org/wiki/Yvan_Amar">YVAN AMAR</a> 2/3 1987</p><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;8b7e04c4-47c5-4c19-8be0-a9d3e0edc7c1&quot;,&quot;duration&quot;:1187.213,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><p><br><strong>R&#233;serv&#233; aux abonn&#233;s :<br></strong>PARANORMAL Entretiens <a href="https://fr.wikipedia.org/wiki/Nelly_Kaplan">NELLY KAPLAN</a>, VLADIMIR VEROVACKI, <a href="https://fr.wikipedia.org/wiki/Alejandro_Jodorowsky">ALEJANDRO JODOROWSKY</a>, PASCAL MORABITO, CLAUDE CATESSON  (Festival international du film sur les ph&#233;nom&#232;nes paranormaux, Lille) 2/2 1984<br>CHIROPRAXIE Entretien Dr. MONFRAIS, Dr BURIG, PASCAL FLUTEAU 2/2 1985<br>MYTHOLOGIE Entretien <a href="https://www.babelio.com/auteur/Jolle-de-Gravelaine/118450">JOE&#770;LLE DE GRAVELAINE</a> (Lilith) 1986<br>SORCELLERIE Entretien <a href="https://www.babelio.com/auteur/Edith-Acedo/47415">EDITH ACEDO</a> (<em>Ces mains qui lisent les corps</em><strong>) </strong>2/2 1985<br>G&#201;OBIOLOGIE Entretien LORENZO RAPELLI 1987<br>IRRATIONNEL Entretien <a href="https://www.babelio.com/auteur/Stephane-Deligeorges/2787">STE&#769;PHANE DELIGEORGES</a> 1/3 1986<br>&#201;SOT&#201;RISME Entretien ANDR&#201; GUY (<a href="https://gallica.bnf.fr/ark:/12148/bpt6k33789974/f9.item.texteImage">ENEL</a>) 1/2 1985</p><div><hr></div><p>PARANORMAL Catalogue FESTIVAL INTERNATIONAL DU FILM SUR LES PHENOMENES PARANORMAUX, Lille 1984<br><br><strong>Pensez &#224; nous suivre aussi sur notre page <a href="https://www.facebook.com/profile.php?id=100088764724660">facebook</a> pour connaitre toute notre actualit&#233;.</strong></p><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/subscribe?&quot;,&quot;text&quot;:&quot;S'abonner&quot;,&quot;language&quot;:&quot;fr&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption"><strong>CARE &#8211; ARCHIVES EN LIGNE</strong> est une publication ind&#233;pendante soutenue par ses lectrices et ses lecteurs. Pour acc&#233;der &#224; davantage de contenus, enrichis de sons, de photos et de vid&#233;os, et pour soutenir notre travail : Abonnez-vous ! 5 &#8364; / mois ou 30 &#8364; / an, merci</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Tapez votre e-mail&#8230;" tabindex="-1"><input type="submit" class="button primary" value="S'abonner"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><p><strong><br>Avertissement :</strong> Toutes les archives pr&#233;sentes sur ce site sont prot&#233;g&#233;es par le droit d&#8217;auteur. Toute reproduction, diffusion ou utilisation sans autorisation pr&#233;alable est strictement interdite. </p>
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   ]]></content:encoded></item><item><title><![CDATA[Les archives secrètes du boulevard de l'étrange # 43]]></title><description><![CDATA[LES ARCHIVES SECRETES DU BOULEVARD DE L&#8217;&#201;TRANGE]]></description><link>https://exotical.substack.com/p/les-archives-secretes-du-boulevard-564</link><guid isPermaLink="false">https://exotical.substack.com/p/les-archives-secretes-du-boulevard-564</guid><pubDate>Mon, 20 Apr 2026 16:15:54 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!aV9T!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fae98ed19-2d09-43a4-98ea-47d15a5d6ca1_1024x768.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/p/les-archives-secretes-du-boulevard-564?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Partager&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/p/les-archives-secretes-du-boulevard-564?utm_source=substack&utm_medium=email&utm_content=share&action=share"><span>Partager</span></a></p><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Partager CARE - ONLINE ARCHIVES&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="https://exotical.substack.com/?utm_source=substack&utm_medium=email&utm_content=share&action=share"><span>Partager CARE - ONLINE ARCHIVES</span></a></p><p><strong><a href="https://exotical.substack.com/p/les-emissions">LES ARCHIVES SECRETES DU BOULEVARD DE L&#8217;&#201;TRANGE</a><br></strong><a href="https://exotical.substack.com/p/les-emissions">Index des &#233;missions du </a><em><strong><a href="https://exotical.substack.com/p/les-emissions">Boulevard de l&#8217;&#233;trange</a></strong></em><a href="https://exotical.substack.com/p/les-emissions"> d&#233;j&#224; publi&#233;es</a></p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!aV9T!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fae98ed19-2d09-43a4-98ea-47d15a5d6ca1_1024x768.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!aV9T!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fae98ed19-2d09-43a4-98ea-47d15a5d6ca1_1024x768.jpeg 424w, https://substackcdn.com/image/fetch/$s_!aV9T!,w_848,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fae98ed19-2d09-43a4-98ea-47d15a5d6ca1_1024x768.jpeg 848w, https://substackcdn.com/image/fetch/$s_!aV9T!,w_1272,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fae98ed19-2d09-43a4-98ea-47d15a5d6ca1_1024x768.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!aV9T!,w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fae98ed19-2d09-43a4-98ea-47d15a5d6ca1_1024x768.jpeg 1456w" sizes="100vw"><img src="https://substackcdn.com/image/fetch/$s_!aV9T!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fae98ed19-2d09-43a4-98ea-47d15a5d6ca1_1024x768.jpeg" width="1024" height="768" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/ae98ed19-2d09-43a4-98ea-47d15a5d6ca1_1024x768.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:768,&quot;width&quot;:1024,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:null,&quot;alt&quot;:&quot;What is the Lucky Charm for the Horse in 2026? Chinese Astrology&quot;,&quot;title&quot;:null,&quot;type&quot;:null,&quot;href&quot;:null,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:true,&quot;internalRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="What is the Lucky Charm for the Horse in 2026? Chinese Astrology" title="What is the Lucky Charm for the Horse in 2026? Chinese Astrology" srcset="https://substackcdn.com/image/fetch/$s_!aV9T!,w_424,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fae98ed19-2d09-43a4-98ea-47d15a5d6ca1_1024x768.jpeg 424w, https://substackcdn.com/image/fetch/$s_!aV9T!,w_848,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fae98ed19-2d09-43a4-98ea-47d15a5d6ca1_1024x768.jpeg 848w, https://substackcdn.com/image/fetch/$s_!aV9T!,w_1272,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fae98ed19-2d09-43a4-98ea-47d15a5d6ca1_1024x768.jpeg 1272w, https://substackcdn.com/image/fetch/$s_!aV9T!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fae98ed19-2d09-43a4-98ea-47d15a5d6ca1_1024x768.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg role="img" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><title></title><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a><figcaption class="image-caption">2026, ann&#233;e du cheval de feux pour l&#8217;astrologie chinoise</figcaption></figure></div><p>J&#8217;ai mis du temps &#224; rencontrer Yvan Amar.<br>Et pourtant les &#171;&nbsp;signes&nbsp;&#187; ne manquaient pas&nbsp;: Martine Gibert d&#8217;abord, la r&#233;alisatrice du Boulevard de l&#8217;Etrange, Gilles Farcet, Marc de Smedt, Jacques Salom&#233;, Marie de Hennezel et quelques autres faisaient r&#233;f&#233;rence &#224; ce &#171;&nbsp;sage&nbsp;&#187; en qu&#234;te d&#8217;un pont entre Orient et Occident, un peu comme Michel Cazenave, l&#8217;homme des &#171;&nbsp;Chemins de la Connaissance&nbsp;&#187; sur France Culture, avec ses Colloques de Cordoue et de Tsukuba&#8230;C&#8217;est vrai qu&#8217;avec un p&#232;re juif, une m&#232;re chr&#233;tienne et premier disciple &#233;tranger d&#8217;un ma&#238;tre hindou, Yvan Amar avait l&#8217;art de la synth&#232;se chevill&#233; &#224; l&#8217;&#226;me&#8230;</p><p>Marie de Hennezel en fera m&#234;me un livre, &#171;&nbsp;Mourir les yeux ouverts&nbsp;&#187; en 2005, avec ce r&#233;sum&#233;&nbsp;:</p><p><em>&#171;&nbsp;Atteint d&#8217;une insuffisance respiratoire gravissime, avec laquelle il s&#8217;est battu pendant plus de dix ans, Yvan Amar a eu le temps de voir la mort venir. A 49 ans, il s&#8217;est &#233;teint, dignement, sereinement, dans les bras de son &#233;pouse, Nad&#232;ge. C&#8217;est le t&#233;moignage de celle-ci que&nbsp;Marie de Hennezel&nbsp;a recueilli dans </em>&#171; Mourir les yeux ouverts &#187;<em> (Ed. Albin Michel, env. 15 &#8364;).</em></p><p><em>Une m&#233;ditation sur la fin de la vie et la mani&#232;re d&#8217;accompagner ceux qui y sont confront&#233;s, dans un monde o&#249; la mort n&#8217;est plus accept&#233;e comme un &#233;v&#233;nement naturel de la vie.&nbsp;&#187;</em></p><p>Ah, Nad&#232;ge&#8230; Comme tous les alchimistes, Yvan avait sa &#171;&nbsp;Dame Pernelle&nbsp;&#187;, la Femme sans laquelle aucun n&#8217;atteint le Grand &#338;uvre&#8230;<br>Je vous recommande de lire sa/leur biographie&nbsp;: https://yvanamar.fr/biographie-2/</p><p>Un jour donc, apr&#232;s plusieurs &#233;changes t&#233;l&#233;phoniques, j&#8217;obtiens un rendez-vous, chez lui.<br>C&#8217;&#233;tait le d&#233;but de sa longue maladie et Yvan s&#233;lectionnait le temps qui lui restait.<br>J&#8217;arrive dans une cath&#233;drale de verre et d&#8217;acier, insolite construction perdue au fond du Luberon. Je suis seul avec mon Nagra et son micro de reportage. Je ne parviens pas &#224; avoir de souvenirs pr&#233;cis, sinon que j&#8217;&#233;tais dans une bulle &#171;&nbsp;d&#8217;Ailleurs&nbsp;&#187; et que j&#8217;y ai au moins dormi une nuit.<br>Plus exactement &#171;&nbsp;pass&#233; une nuit&nbsp;&#187; parce que j&#8217;ai la sensation que nous n&#8217;avons cess&#233; d&#8217;&#233;changer, parfois en silence, au point de ressentir la vibration secr&#232;te de la phrase de<br>Platon &#171;&nbsp;il faut suivre le r&#233;seau subtil des affinit&#233;s qui relie les &#234;tres&nbsp;&#187;&#8230;</p><p>Mais Yvan n&#8217;avait-il pas fond&#233; &#171;&nbsp;Les Editions du Reli&#233;&nbsp;&#187;, les bien nomm&#233;es https://fr.wikipedia.org/wiki/&#201;ditions_du_Reli&#233;</p><p>Bienvenue dans mes archives.</p><p>Jean-Yves Casgha, 04/26<br></p><p>SAGESSE Entretien <a href="https://fr.wikipedia.org/wiki/Yvan_Amar">YVAN AMAR</a> 1/3 1987</p><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;0bc459dd-db92-4ef9-b9e7-21611f3fd9c1&quot;,&quot;duration&quot;:1158.0082,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><p>NOSTRADAMUS Entretien RENE&#769; CHAPUS 3/3 1985</p><div class="native-audio-embed" data-component-name="AudioPlaceholder" data-attrs="{&quot;label&quot;:null,&quot;mediaUploadId&quot;:&quot;be3e0956-7f10-4c4e-8b2f-4d85d09848ab&quot;,&quot;duration&quot;:975.43835,&quot;downloadable&quot;:false,&quot;isEditorNode&quot;:true}"></div><p><br><strong>R&#233;serv&#233; aux abonn&#233;s :<br></strong>ASTROLOGIE Entretien <a href="https://gallica.bnf.fr/ark:/12148/bpt6k33882903.texteImage">JEAN DJIBRIL DIABY</a> (<em>La nouvelle astrologie chinoise</em>) 1985<br>GE&#769;OBIOLOGIE Entretien <a href="https://www.abadennou.fr/auteurs/garel.htm">JEAN-PIERRE GAREL</a> 1987<br>PARANORMAL Entretien JEAN-REMY DELEAGE (Festival international du film sur les ph&#233;nom&#232;nes paranormaux, Lille) 1/2 1984<br>LES CALENDRIERS Entretien <a href="https://fr.wikipedia.org/wiki/Jean-Louis_Heudier">JEAN-LOUIS HEUDIER</a> 1984<br>CHIROPRAXIE Entretien LUCIEN VAIMBER 1/2 1985<br>GUERISSEURS Entretien <a href="https://fr.wikipedia.org/wiki/Daniel_Friedmann">DANIEL FRIEDMAN</a> 2/2 1984<br>SORCELLERIE Entretien <a href="https://www.babelio.com/auteur/Edith-Acedo/47415">EDITH ACEDO</a> (<em>Ces mains qui lisent les corps</em><strong>) </strong>1/2 1985<br><br><strong>Pensez &#224; nous suivre aussi sur notre page <a href="https://www.facebook.com/profile.php?id=100088764724660">facebook</a> pour connaitre toute notre actualit&#233;.</strong></p><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://exotical.substack.com/subscribe?&quot;,&quot;text&quot;:&quot;S'abonner&quot;,&quot;language&quot;:&quot;fr&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption"><strong>CARE &#8211; ARCHIVES EN LIGNE</strong> est une publication ind&#233;pendante soutenue par ses lectrices et ses lecteurs. Pour acc&#233;der &#224; davantage de contenus, enrichis de sons, de photos et de vid&#233;os, et pour soutenir notre travail : Abonnez-vous ! 5 &#8364; / mois ou 30 &#8364; / an, merci</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Tapez votre e-mail&#8230;" tabindex="-1"><input type="submit" class="button primary" value="S'abonner"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><p><strong><br>Avertissement :</strong> Toutes les archives pr&#233;sentes sur ce site sont prot&#233;g&#233;es par le droit d&#8217;auteur. Toute reproduction, diffusion ou utilisation sans autorisation pr&#233;alable est strictement interdite. </p>
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