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Do The Thing Anyway w/ Death Ray Robin: Part 2
Part 2 local artist interview (columbia, sc, usa)
Mar 27
•
Aisha
2
2
2
BLOOM-ing with Durand Bernarr
Album Review
Dec 30, 2025
•
Aisha
4
2
2
Reflections on Sound and Nature
Black folks relationship to nature via sound [Part I]
May 14, 2021
•
Aisha
4
3
"the beauty, the isolation, the erasure" from Kelela to Martha Wash
on truth-telling in EDM, reparations, exploitation, and the journey through it all.
Oct 9, 2025
•
Aisha
6
7
4
Do The Thing Anyway: The Journey of an Artist
Local Artist Feature- Death Ray Robin (columbia, south carolina, usa)
Feb 2
•
Aisha
4
2
4
Most Popular
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Where is the music taking us?
Jun 17, 2025
•
Aisha
8
4
A Love Letter to Old School R&B
Dec 19, 2025
•
Aisha
and
Pretty in Print
7
3
"the beauty, the isolation, the erasure" from Kelela to Martha Wash
Oct 9, 2025
•
Aisha
6
7
4
"I Must Become a Menace to My Enemies"
Feb 16
•
Aisha
6
3
Latest
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Discussions
A Love That's Larger: "Heart of Love" by Ras-I
Album Review
May 15
•
Aisha
2
1
Comin' From Where *They're From
Part 1: Cleveland, Ohio and Black Artistry
Mar 12
•
Aisha
4
3
"I Must Become a Menace to My Enemies"
by June Jordan (1936-2002)- a reading and a call for playlists
Feb 16
•
Aisha
6
3
A Love Letter to Old School R&B
When nostalgia is done right- The Boy Is Mine Tour
Dec 19, 2025
•
Aisha
and
Pretty in Print
7
3
Quick Bite #4: Black-Owned Record Stores Outside the U.S.
Record Stores Part 2!
Sep 8, 2025
•
Aisha
4
2
bloody bloody sounds!
the music that shapes the narratives in horror films where Black folks are present
Jul 28, 2025
•
Aisha
5
2
Quick bite! #3: Questionnaire with Stevan
producer, multi-instrumentalist, director Stevan answers some questions about his upcoming EP, Arrested Development
Jul 22, 2025
•
Aisha
3
2
2
a jazz album + a wistful love song stuck in my head
Summer Listens from tenor saxophonist, Reese Cloud and Burundi-Australian multi-hyphenate artist, Stevan
Jun 27, 2025
•
Aisha
6
3
Where is the music taking us?
ambient elements in Black music [part 1 kinda]
Jun 17, 2025
•
Aisha
8
4
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