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The mysterious power of the "pillow shot"
How cinema's empty spaces tune us to life’s fleeting wonders and eternal questions
Jun 12
26
2
10
Our inability to imagine a better world is preventing us from having one
A.I. threatened to kill human creativity. Whatever comes next will force us to revive it
Jun 5
50
12
18
Making "dangerous" documentaries about CEOs, scammers, and extremists
Oscar-nominated filmmaker JED ROTHSTEIN on interviewing jihadists, his hit WeWork doc, and the hazards of making films that speak truth to power in 2026
May 29
12
4
Disney Trash Cinema
In the ’70s and ’80s, live-action Disney movies were shaggy, offbeat, and bizarre.
May 22
26
5
5
Twilight of the gods
Movie stars have dimmed in the digital age. Here's how they might shine again
May 15
59
13
15
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Shut up and shoot something
Nov 7, 2025
125
14
33
Ten of the Best Underexposed Movies I Saw in 2025
Dec 19, 2025
79
36
12
Return to the Unknown
Mar 27
78
23
29
Damnation of memory: The vanishing of Ron Howard’s COCOON
Sep 12, 2025
84
25
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The Strange History of Movie Bumpers
The origins of cinema’s most mysterious logos
May 8
19
2
6
Researchers found a cure brain for brain rot: experimental film
Heal yourself with the Underexposed Experimental Film Playlist, Volume One
May 1
38
12
Inside the first film festival ever held in a prison
Featuring RICKY director RASHAD FRETT and co-writer LIN QUE AYOUNG
Apr 24
13
5
3
This public high school built a film program from scratch. Now it’s a global force
Inside PPAS FILM, where teens are winning top prizes at major international festivals
Apr 17
36
14
13
Why do we worship cult movies?
Featuring MEREDITH ALLOWAY, director and co-writer of FORBIDDEN FRUITS
Apr 10
14
4
This Texas Noir Strikes Like a Rattlesnake
JEREMY ALLEN WHITE, MACKENZIE DAVIS and MARK PELLEGRINO star in BAD TURN WORSE. A conversation with directors ZEKE and SIMON HAWKINS
Apr 3
13
1
Return to the Unknown
The Lost Art of Mystique: Why Filmmakers Should Stop Oversharing in the Digital Age
Mar 27
78
23
29
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Underexposed
Unearthing the hidden gems of cinema, old and new, with filmmaker and erstwhile NYU film teacher Alex Rollins Berg
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