Contemporary Paintings by Lauren Sansaricq<\/em><\/strong><\/p>\n

June 20\u2014August 9, 2026<\/strong><\/p>\n<\/div>\n<\/div>\n

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Jointly presented by the Thomas Cole National Historic Site and Gallery 495 in Catskill, New York. Rooted in the same Hudson Valley setting that once shaped Thomas Cole, Sansaricq\u2019s work carries forward a lineage of American landscape painting that understands nature not as backdrop, but as moral, spiritual, and existential ground.<\/p>\n<\/div>\n\n\t Information <\/a> <\/div>\n<\/div><\/div>
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\n HUDSON TALBOTT<\/h1>
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Shining Objects<\/strong><\/em><\/p>\n<\/div>\n
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April 11\u2014May 24, 2026<\/strong><\/p>\n<\/div>\n<\/div>\n
\n A career retrospective of the acclaimed artist.\u00a0The exhibition celebrates the work of the late, award-winning artist Hudson Talbott, whose\u00a0<\/span>talents have<\/span>\u00a0<\/span>inspired\u00a0<\/span>audiences for decades through his children\u2019s picture books<\/span>.<\/span><\/p>\n<\/div>\n\n\t Information <\/a> <\/div>\n<\/div><\/div>
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\n ON TREES<\/h1>
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Georgia O’Keeffe and Thomas Cole<\/strong><\/em><\/p>\n<\/div>\n
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June 21\u2014Dec 14, 2025<\/strong><\/p>\n<\/div>\n<\/div>\n
\n The exhibition explores how Thomas Cole (1801-1848) depicted trees in the year of his transformational first visit to Catskill, NY in 1825 and how Georgia O\u2019Keeffe (1887-1986) did so in her pivotal first visit to New Mexico in 1929.<\/p>\n<\/div>\n\n\t Information <\/a> <\/div>\n<\/div><\/div> <\/div>\n <\/div>\n<\/section>\n
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\n Painting Trees<\/h1>
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A Student Art Celebration<\/strong><\/em><\/p>\n<\/div>\n
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Oct 4\u2013Dec 14, 2025<\/strong><\/p>\n<\/div>\n<\/div>\n
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A student exhibition on trees featuring over 300 local youths. It was installed in the Storehouse Studio building on campus alongside public art making opportunities to paint-your-own tree.<\/div>\n<\/div>\n\n\t Information <\/a> <\/div>\n<\/div><\/div>
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\n Emily Cole<\/h1>
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Ceramics, Flora & Contemporary Responses<\/strong><\/em><\/p>\n<\/div>\n
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May 3\u2013Nov 2, 2025<\/strong><\/p>\n
Curators: Kate Menconeri, Thomas Cole Site Chief Curator, and Amanda Malmstrom, Thomas Cole Site Associate Curator<\/strong><\/p>\n<\/div>\n<\/div>\n
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The exhibition places the art of Emily Cole (1843\u20131923), daughter of Thomas Cole, into conversation with eight internationally celebrated, 21st-century artists within the Cole family’s historic home and studio.<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\t Information <\/a>
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\n Alan Michelson<\/h1>
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Prophetstown<\/strong><\/em><\/p>\n<\/div>\n
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Jul 20-Dec 1, 2024<\/strong><\/p>\n<\/div>\n<\/div>\n
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Artist Alan Michelson (Mohawk, Six Nations of the Grand River) presents a site-responsive exhibition throughout the historic artist\u2019s home and landscape including the first complete American display of\u00a0Prophetstown,\u00a0<\/i>2012;\u00a0<\/i>the first New York display of\u00a0Han\u00f6daga:yas (Town Destroyer),\u00a0<\/i>2018; and video and other mixed media installations.<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\t Information <\/a> <\/div>\n<\/div><\/div> <\/div>\n <\/div>\n<\/section>\n
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\n Native Prospects<\/h1>
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Indigeneity and Landscape<\/em><\/strong><\/p>\n<\/div>\n
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May 4-Oct 27, 2024<\/strong><\/p>\n
Curator: Scott Manning Stevens, PhD \/ Karoniaktatsie (Akwesasne Mohawk)<\/strong><\/p>\n<\/div>\n<\/div>\n
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A new exhibition juxtaposing an Indigenous approach to the articulation of land with the American landscape paintings of Thomas Cole. The exhibition presents 19th-century paintings byCole featuring Native figures, in context with Indigenous works of historic and cultural value, and artworks by contemporary Indigenous artists.<\/p>\n<\/div>\n<\/div>\n\n\t Information <\/a>
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\n Imaginary Wilds<\/h1>
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Architectural Interventions for the Thomas Cole National Historic Site<\/em><\/strong><\/p>\n<\/div>\n
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Mar 9-Apr 7, 2024<\/strong><\/p>\n<\/div>\n<\/div>\n
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A pop-up exhibition in collaboration with Rensselaer Polytechnic Institute\u2019s School of Architecture, presenting a series of student-designed architectural projects completed throughout the Fall 2022 semester that imagine a new gallery building sited within the landscape of Thomas Cole\u2019s historic home and studio in Catskill, New York.<\/p>\n<\/div>\n<\/div>\n\n\t Information <\/a>
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\n Women Reframe American Landscape<\/h1>
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Susie Barstow & Her Circle \/ Contemporary Practices<\/em><\/strong><\/p>\n
May 6-Oct 29, 2023<\/strong><\/p>\n<\/div>\n
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Curators: Dr. Nancy Siegel, Professor of Art History at Towson University; Kate Menconeri, Chief Curator and Director of Curatorial Affairs, Contemporary Art, and Fellowship at the Thomas Cole Site; and Amanda Malmstrom, Associate Curator at the Thomas Cole Site.<\/strong><\/p>\n<\/div>\n
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A two-part exhibition and accompanying publication illuminating the artistic contributions and perspectives of women.\u00a0<\/em>The project reinserts\u00a0<\/em>the\u00a0accomplished 19^{th<\/sup>-century American artist Susie Barstow (1836-1923) into the history of the Hudson River School of landscape painting and presents work by contemporary artists who expand and challenge how we think about \u201cland\u201d and \u201clandscape\u201d today.<\/p>\n<\/div>\n<\/div>\n\n\t Information <\/a>}
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\n The Pollinator Pavilion<\/h1>
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Aug 7, 2020-May 9, 2023<\/b><\/p>\n<\/div>\n
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By Mark Dion and Dana Sherwood<\/strong><\/p>\n<\/div>\n
The site-specific outdoor public artwork designed by internationally renowned artists Mark Dion and Dana Sherwood. The Pavilion provides a fantastical architectural setting to encounter birds year-round while exploring a nurturing relationship with nature.<\/p>\n<\/div>\n\n\t Information <\/a> <\/div>\n<\/div><\/div>
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\n MARC SWANSON<\/h1>
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A Memorial to Ice at the Dead Deer Disco<\/em><\/strong><\/p>\n
Jul 16-Nov 27, 2022<\/strong><\/p>\n<\/div>\n
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A new series of installations by Marc Swanson inspired by the artwork and writings of Thomas Cole (1801-1848).\u00a0A Memorial to Ice<\/em>\u00a0is jointly presented at the Thomas Cole National Historic Site and MASS MoCA. The companion exhibitions are curated by Denise Markonish, Senior Curator and Director of Exhibitions at MASS MoCA.<\/p>\n<\/div>\n<\/div>\n\n\t Information <\/a>
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\n Thomas Cole’s Studio<\/h1>
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Memory and Inspiration<\/em><\/strong><\/p>\n
Apr 30-Oct 30, 2022<\/strong><\/p>\n<\/div>\n
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Curator: Franklin Kelly, Senior Curator and Christiane Ellis Valone Curator of American Paintings at the National Gallery of Art.<\/strong><\/p>\n<\/div>\n
This exhibition reassembles the paintings that were in Thomas Cole\u2019s studio when he died suddenly at the age of 47 in 1848 and explores the significance of the artist\u2019s late work for art in America.<\/p>\n<\/div>\n\n\t Information <\/a>
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\n Cross Pollination<\/h1>
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Heade, Cole, Church & Our Contemporary Moment<\/em><\/strong><\/p>\n
Jun 12-Oct 31, 2021<\/strong><\/p>\n
Presented across both the Thomas Cole National Historic Site & Frederic Church’s Olana<\/em><\/p>\n<\/div>\n
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A collaborative exhibition of 19th-century and contemporary art exploring the theme of \u201ccross pollination\u201d in art and the environment.<\/p>\n
Created by Thomas Cole National Historical Site, The Olana Partnership at Olana State Historic Site, and Crystal Bridges Museum of American Art, Bentonville, Arkansas. Its tour is organized by Crystal Bridges.<\/p>\n<\/div>\n\n\t Information <\/a>
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\n SHI GUORUI:<\/h1>
\n Ab\/Sense-Pre\/Sense<\/h1>
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Curator: Kate Menconeri, Thomas Cole Site Curator<\/strong><\/p>\n<\/div>\n
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Sep 22-Dec 15, 2019<\/strong><\/p>\n<\/div>\n
\n The exhibition features a new series of large-scale landscape photographs by the international contemporary artist Shi Guorui that pay homage to the landscapes and legacy of Thomas Cole. The exhibition is part of our annual series OPEN HOUSE: Contemporary Art in Conversation with Cole<\/em>.<\/p>\n<\/div>\n\n\t Information <\/a>
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\n Thomas Cole’s Refrain: <\/h1>
\n The Paintings of Catskill Creek<\/h1>
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Curator: H. Daniel Peck, John Guy Vassar, Jr., Professor Emeritus of English, Vassar College<\/strong><\/p>\n<\/div>\n
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May 4-Nov 3, 2019<\/strong><\/p>\n<\/div>\n
\n The exhibition illuminates Thomas Cole’s Catskill Creek paintings, considered for the first time as an integral series.<\/p>\n<\/div>\n \n\t Information <\/a>
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\n The Art of Emily Cole<\/h1>
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Curator: Amanda Malmstrom, 2019 Cole Fellow<\/strong><\/p>\n
March 2- Aug 11, 2019<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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The first solo exhibition of Emily Cole\u2019s artwork on both paper and porcelain, revealing her exquisitely painted botanicals. Emily Cole was Thomas Cole’s daughter and the only one of his children to
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Emily Cole, Untitled\u00a0<\/em>(detail), n.d., watercolor and pencil on paper, 7 5\/16? x 10 5\/16?.<\/p>\n<\/div>\n <\/div>\n<\/div><\/div>
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\n Landmark<\/h1>
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Curators: Kate Menconeri and Kathy Greenwood, Director, Art & Culture Program, Albany International Airport<\/strong><\/p>\n
Sep 29-Feb 25, 2019<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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The Thomas Cole Site and the Albany International Airport present a new multidisciplinary exhibition that\u00a0features 10 contemporary visual artists and 7 writers whose works explore our relationship to the natural world, and share common ground with Thomas Cole\u2019s greatest written work, Essay on American Scenery. <\/em>The gallery is open daily from 7 am to 11 pm.<\/p>\n<\/div>\n\n\t Information <\/a>
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Lisa Sanditz, Fumigation Tents<\/em>, 2016, acrylic and spray paint on canvas, 54 x 70\u201d, photograph courtesy the artist<\/p>\n<\/div>\n <\/div>\n<\/div><\/div>
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\n SPECTRUM<\/h1>
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Curator: Kate Menconeri, Thomas Cole Site Curator<\/strong><\/p>\n
Aug 14 – Nov 18, 2018<\/strong><\/p>\n<\/div>\n
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A contemporary art exhibition installed throughout the historic site as part of the ongoing series OPEN HOUSE: Contemporary Art in Conversation with Cole. <\/em>The exhibition grew out of conversations between the Cole Site curator Kate Menconeri, the artist Kiki Smith, and exhibiting artists.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\t Information <\/a>
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Painting:\u00a0Place (Place)<\/em>, 2017, Jackie Saccoccio. Oil and mica on Linen, 79 x 90 in. Courtesy of the artist and Van Doren Waxter,<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n <\/div>\n<\/div><\/div> <\/div>\n <\/div>\n<\/section>\n
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\n Picturesque and Sublime: Thomas Cole’s Trans-Atlantic Inheritance<\/h1>
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Curators:<\/strong>\u00a0Tim<\/strong>\u00a0Barringer, Paul Mellon Professor in the History of Art at Yale, Jennifer Raab, Associate Professor in the History of Art at Yale, Sophie Lynford, Ph.D. candidate at Yale and Nicholas Robbins, Ph.D. candidate at Yale<\/strong><\/p>\n
May 1 – Nov 4, 2018<\/strong><\/p>\n<\/div>\n\n\t Information <\/a>
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Photo\u00a0\u00a9 Peter Aaron\/OTTO<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n <\/div>\n<\/div><\/div>
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\n KIKI SMITH \/ “From the Creek” <\/h1>
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Curator: Kate Menconeri, Thomas Cole Site Curator<\/strong><\/p>\n
Aug\u00a012\u00a0\u2013 Nov 19, 2017<\/strong><\/p>\n<\/div>\n
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\u00a0<\/strong>Photo\u00a0\u00a9 Peter Aaron\/OTTO<\/div>\n
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\n “Sanford R. Gifford in the Catskills”<\/h1>
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Curator: Kevin J. Avery, Ph.D., Senior Research Scholar <\/strong>at the Metropolitan Museum of Art<\/strong><\/p>\n
Apr 30 – Oct 29, 2017\u00a0<\/strong><\/p>\n<\/div>\n
\n Photo\u00a0\u00a9 Peter Aaron\/OTTO<\/p>\n<\/div>\n\n\t Information <\/a>
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\n “Thomas Cole: The Artist as Architect”<\/h1>
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Curator: Annette Blaugrund, Ph.D., Independent Scholar, Author and Curator, and former Director of the National Academy Museum & School of Fine Arts\u00a0 \u00a0\u00a0<\/strong><\/p>\n
May 1 – Oct 30, 2016<\/strong><\/p>\n<\/div>\n
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\n JASON MIDDLEBROOK: “Nature Builds \/ We Cover” <\/h1>
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Curator: Kate Menconeri, Thomas Cole Site Curator<\/strong><\/p>\n
Aug 14 – Oct 30, 2016<\/strong><\/p>\n<\/div>\n
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\n “River Crossings: Contemporary Art Comes Home”<\/h1>
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Curators: Stephen Hannock, Contemporary Artist and Jason Rosenfeld, Ph.D., Distinguished Chair and Professor of Art History at Marymount Manhattan College and Senior Writer and Editor-at-Large for the Brooklyn Rail<\/em><\/strong><\/p>\n
May 3-Nov 1, 2015<\/strong><\/p>\n<\/div>\n
\n Photo\u00a0\u00a9 Peter Aaron\/OTTO<\/p>\n<\/div>\n \n\t Information <\/a>
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\n Stanley Maltzman \/ “Thomas Cole’s Honey”<\/h1>
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Curator: Kate Menconeri, Thomas Cole Site Curator<\/strong><\/p>\n
July 26- Oct 2, 2014<\/strong><\/p>\n<\/div>\n
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\n “Master, Mentor, Master – Thomas Cole & Frederic Church”<\/h1>
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Curators: John Wilmerding, Ph.D., Sarofim Professor of American Art, Emeritus, at Princeton University and former Senior Curator and Deputy Director of the National Gallery of Art\u00a0<\/strong><\/p>\n
Apr 30 – Nov 2, 2014<\/strong><\/p>\n<\/div>\n\n\t Information <\/a>
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\n “Albert Bierstadt in New York and New England”<\/h1>
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Curator: Annette Blaugrund, Ph.D., Independent Scholar, Author and Curator, and former Director of the National Academy Museum & School of Fine Arts<\/strong><\/p>\n
May 1 – Nov 3, 2013<\/strong><\/p>\n<\/div>\n
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\n “Worlds Between: Landscapes of Louis R\u00e9my Mignot”<\/h1>
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Curator: Katherine E. Manthorne, Ph.D., Professor of American and Latin American Art at the CUNY Graduate Center, and former Research Center Head at the Smithsonian American Art Museum\u00a0\u00a0<\/strong><\/p>\n
Apr 29 – Oct 28, 2012<\/strong><\/p>\n<\/div>\n
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\n Robert S. Duncanson “the spiritual striving of the freedman’s sons”<\/h1>
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Curator: Joseph D. Ketner II, the Henry and Lois Foster Chair in Contemporary Art Theory and Practice at Emerson College, Boston<\/strong><\/p>\n
May 1 – October 30, 2011<\/strong><\/p>\n<\/div>\n
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\n “Remember the Ladies”<\/h1>
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Curators: Nancy Siegel, Ph.D., Professor of Art History at Towson University and Jennifer Krieger, Managing Partner of Hawthorne Fine Art and Academic Scholar\u00a0\u00a0<\/strong><\/p>\n
May 2- Oct 31, 2010<\/strong><\/p>\n<\/div>\n
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\n “River Views of the Hudson River School”<\/h1>
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Curator: Nancy Siegal, Ph.D., Professor of Art History\u00a0<\/strong>at Towson University\u00a0 \u00a0\u00a0<\/strong><\/p>\n
May 2- Oct 31, 2009<\/strong><\/p>\n<\/div>\n
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\n “Thomas Cole’s Sketch Paintings: An Exploration of the Creative Process”<\/h1>
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Curator: Elizabeth B. Jacks, Thomas Cole Site Executive Director Emerita<\/strong><\/p>\n
May 3 – Oct 26, 2008<\/strong><\/p>\n<\/div>\n
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\n “Asher B. Durand: Intimate Observations”<\/h1>
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Curator: Lee Vedder, Ph.D., Independent Curator and former Henry Luce Curatorial Fellow in American Art at the New-York Historical Society <\/strong>\u00a0 \u00a0\u00a0<\/strong><\/p>\n
May 20 – Oct 28, 2007<\/strong><\/p>\n<\/div>\n
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\n “Jasper Cropsey: Interpreting Nature”<\/h1>
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Curator: Elizabeth Stevens, former Thomas Cole Site Curator<\/strong>\u00a0 \u00a0\u00a0<\/strong><\/p>\n
May 7 – Oct 29, 2006<\/strong><\/p>\n<\/div>\n
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\n “George Inness: Paintings” <\/h1>
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Curator: Elizabeth Stevens, former Thomas Cole Site Curator<\/strong>\u00a0 \u00a0\u00a0<\/strong><\/p>\n
May 1 – Oct 30, 2005<\/strong><\/p>\n<\/div>\n\n\t Information <\/a> <\/div>\n<\/div><\/div>
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The Thomas Cole Site programs and operations are supported by the National Park Service.<\/p>\n
Made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.<\/p>\n
Also supported by The Enoch Foundation, Marianne Lockwood, The Peter and Carmen Lucia Buck Foundation, The KHR McNeely Family Foundation, Kevin, Rosemary, and Hannah Rose McNeely, Warner Foundation, Evelyn D. Trebilcock & Douglas Hammond, Illiana van Meeteren & Terence Boylan, The Estate of James T. Lewis IV, Tianaderrah Foundation, and the Kindred Spirits Society of the Thomas Cole National Historic Site.<\/p>\n<\/div>\n<\/div> <\/div>\n <\/div>\n<\/section>\n
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The Program Endowment that supports educational programs at the Thomas Cole National Historic Site has been made possible in part by a major grant from the National Endowment for the Humanities: Exploring the human endeavor. Any views, findings, conclusions or recommendations expressed in this the programs do not necessarily represent those of the National Endowment for the Humanities.<\/p>\n
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<\/div>\n<\/div><\/div> <\/div>\n <\/div>\n<\/section>\n","protected":false},"excerpt":{"rendered":"Past Exhibitions To see what's on view this season, check out our Current Exhibitions. Paradise Found Contemporary Paintings by Lauren Sansaricq June 20\u2014August 9, 2026 Jointly presented by the Thomas Cole National Historic Site and Gallery 495 in Catskill, New York. Rooted in the same Hudson Valley setting that once shaped Thomas Cole, Sansaricq\u2019s work","protected":false},"author":39,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-17715","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/thomascole.org\/wp-json\/wp\/v2\/pages\/17715","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/thomascole.org\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/thomascole.org\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/thomascole.org\/wp-json\/wp\/v2\/users\/39"}],"replies":[{"embeddable":true,"href":"http:\/\/thomascole.org\/wp-json\/wp\/v2\/comments?post=17715"}],"version-history":[{"count":41,"href":"http:\/\/thomascole.org\/wp-json\/wp\/v2\/pages\/17715\/revisions"}],"predecessor-version":[{"id":24280,"href":"http:\/\/thomascole.org\/wp-json\/wp\/v2\/pages\/17715\/revisions\/24280"}],"wp:attachment":[{"href":"http:\/\/thomascole.org\/wp-json\/wp\/v2\/media?parent=17715"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}